Difference between revisions of "W. Burnet"
(Created page with "(17**-18**) Amateur performer. Member of C.E. Boniface's society, Honi Soit qui Mal y Pense. Appeared as ** == Sources == Bosman, 1928: p 182, 295, 372 Go to [[Sou...") |
|||
| (10 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | (17**-18**) | + | [[W. Burnet]] (17**-18**) was an amateur performer, primarily a dancer. |
| + | A member of [[C.E. Boniface]]'s society, [[Honi Soit qui Mal y Pense]], he appeared as "Cabriolin" (as well as one of the "Turkish dancers") in ''[[De Burger Edelman]]'' (Molière) on 28 May, 1825; and on 15 October, 1825 appeared as a dancer in various items in "het groot finaal ballet" (the grand final ballet") which followed on performances of ''[[De Vrouw met Twee Mannen]]'' (Pixérécourt) and ''[[The Liar]]'' (Foote). | ||
| + | |||
| + | Possibly a relation (son?) of the [[A. Burnet]] who had on occasion sold tickets for performances by [[Tot Leering en Vermaak]] and [[Tot Nut en Vermaak]] between 1803 and 1809. | ||
== Sources == | == Sources == | ||
| − | Bosman, 1928: | + | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 282, 295, 372 |
| − | Go to [[ | + | Go to the [[ESAT Bibliography]] |
== Return to == | == Return to == | ||
| − | Return to [[ESAT Personalities | + | Return to [[ESAT Personalities B]] |
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
Latest revision as of 05:53, 7 July 2016
W. Burnet (17**-18**) was an amateur performer, primarily a dancer.
A member of C.E. Boniface's society, Honi Soit qui Mal y Pense, he appeared as "Cabriolin" (as well as one of the "Turkish dancers") in De Burger Edelman (Molière) on 28 May, 1825; and on 15 October, 1825 appeared as a dancer in various items in "het groot finaal ballet" (the grand final ballet") which followed on performances of De Vrouw met Twee Mannen (Pixérécourt) and The Liar (Foote).
Possibly a relation (son?) of the A. Burnet who had on occasion sold tickets for performances by Tot Leering en Vermaak and Tot Nut en Vermaak between 1803 and 1809.
Sources
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp. 282, 295, 372
Go to the ESAT Bibliography
Return to
Return to ESAT Personalities B
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
