Difference between revisions of "Louis Burke"

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(1936 or 1937-) Theatrical producer, actor, choreographer, lighting designer and director. [[Muriel Alexander]]’s great-nephew. Born in Durban, he began his career there as an amateur. As an actor he made his first stage appearance in Johannesburg in the [[Johannesburg REPS]]  production of Arthur Miller’s ''[[A View from the Bridge]]'' (1957). Worked with and married the musical star [[Joan Brickhill]] and they went on to found the successful [[Brickhill-Burke Company]].  
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'''Louis Burke''' (1937-2021) Theatrical producer, actor, choreographer, lighting designer and director.  
== TO BE EDITED ==
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Initially the couple co-produced, co-directed and performed in large-scale classical productions, inter alia Molière’s The Miser (for PACT, 1964), A Midsummer Night’s Dream (to commemorate the four-hundredth anniversary of Shakespeare’s birth at the Alexander Theatre, 1964), Dark of the Moon (for PACT, 1965). In 1965 he directed The Beggar’s Opera in Cape Town and in 1966 devised The Minstrel Scandals for ACT. Gradually they turned to and became known for their lavish musical shows such as Oklahoma! (1963-4), Hello Dolly, Mame, Gypsy, Barnum, etc) and devised “extravaganzas” at popular resorts such as Sun City. In 1975 they presented the African musical Meropa/KwaZulu in South Africa, and later as a command performance at the London Palladium. Together with Joan Brickhill, he directed The Owl and the Pussycat as the opening production for the Academy in November 1967. It starred Christopher Galloway and Barbara Kinghorn. Together with Brickhill he staged the JODS production of South Pacific at the Civic in 1969. There were designs by Keith Anderson and it starred Inia te Wiata, June Hern, Jean Dell and James White. Together with Joan Brickhill he directed, devised, designed, choreographed and lit Brickhill-Burke’s All-New, non-Stop Minstrel Scandals which was staged at the Empire in October 1970. Charles Stodel signed Lucky Grills to join Joan, Aubrey Ellis, Jean Dell, Barbara Thomson and Fredie Uphof on stage. This proved to be the closing show for the Empire. Sandro Pierotti produced the Brickhill-Burke extravaganza Follies Spectacular starring Joan Brickhill and Choreographed by Wendy de la Harpe at the Civic in 1972. Brickhill-Burke worked on a show for His majesty’s called Minstrel Follies starring Pat Gill in 1974. They took over the lease of His Majesty’s forming a company with themselves as directors together with Graham English. They reopened His Majesty’s with the black musical Meropa featuring the Phoenix Players on the 3 December 1974. Brickhill-Burke opened The Tempest, starring Hugh Rouse and James Ryan on 8 March 1975. Brickhill-Burke staged Gypsy starring Libby Morris, Kim Braden and Bonnie Langford at His Majesty’s in the evenings in 1975 while they staged Shakespeare setwork pieces in the afternoons like Henry IV, Part One, directed by John Sichel and starring Michael McGovern. Together with PACT, Brickhill-Burke revived The Sound of Music at His Majesty’s in June 1976. Direction and choreography were taken care of by Brickhill and Burke, the latter of which starred in this production together with Diane Todd, Jarmilla Tellinger, Terry Lester and Judy Page. To celebrate His Majesty’s 30th birthday Brickhill-Burke staged Follies Fantastique, starring Joan Brickhill, Alvon Collison and Beni Mason on 30 November 1976. Brickhill-Burke were responsible for the sets and costumes and the show ran until April 1977. Brickhill and Burke ran a matinee season of Winnie the Pooh at His Majesty’s during December 1977. Together with Brickhill he staged the Broadway hit I Love My Wife by Michael Stewart  starring Tobie Cronje, Michael McGovern, Erica Rogers and Jessica Jones at His Majesty’s in 1978. Brickhill-Burke staged Alan Aykbourn’s trilogy, The Norman Conquests, separately titled Table Manners, Living Together and Round and Round the Garden, at His Majesty’s in 1979 starring Bill Flynn, Jana Cilliers, Sandra Duncan, Dorothy Ann Gould, Eckard Rabe and John Lesley under direction of Brian Rawlinson. Brickhill-Burke’s production of Neil Simon’s They’re Playing Our Song with score by Marvin Hamlisch and lyrics by Carole Bayer Sager was staged at His Majesty’s in 1980. It starred Marloe Scott-Wilson and Mike Huff. Brickhill-Burke then staged Neil Simon’s Last of the Red Hot Lovers starring Hal Orlandini, Melody O’Brian, Lynne Maree and Brenda Wood at His Majesty’s. Brickhill-Burke staged Jerry Herman’s musical Hello Dolly! adapted from Thornton Wilder’s The Matchmaker. It was directed by Louis, starred Joan Brickhill, Victor Melleney, Mike Huff, Iain Henderson, Andrea Catzel, June Hern and Charles Stodel and was staged at His Majesty’s Theatre in 1980. Bedazzled, staged by Louis and Joan Brickhill starred Tanya the elephant and was staged in the theatre at Sun City in 1981. Brickhill-Burke brought Michael Stewart’s I Love My Wife starring Tobie Cronje and Eddie Eckstein to the Civic in 1982. It returned after a run in Sydney with Bartholomew John, Erica Rogers and Sharon Lynne having joined the cast. . Brickhill-Burke staged Jerome Lawrence’s Mame, an adaptation of Auntie Mame, as a joint production with the Civic on 27 November 1982. It starred Joan Brickhill, Jean Dell, Janice Honeyman and Mark Richardson. Together with the Johannesburg Civic Theatre Association, Brickhill-Burke Productions co-produced a new version of A Funny Thing Happened on the Way to the Forum starring Terry Lester and Wilson Dunster in June 1983. He directed Barnum for PACT with Mark Wynter and Paul Ditchfield alternating the lead role at the Civic in 1983. PACT presented his productoin of The King and I starring Joe Stewardson and Judy Page at the Civic in December 1984. He directed Shirley Firth’s production of Neil Simon’s Brighton Beach Memoirs at the Andre Huguenet in 1986. In the 1990s they parted ways and he left South Africa to campaign in New York. (See: De Beer, 1995; Joyce 1999; Tucker, 1997) BURKE, Louis, (dir/choreographer), Joe Stewardson, Jhb Civic,(Rogers & Hammersteins) Judy Page, Ann Stradi, Jean Dell,  Edmund Rahme, Memory Jane, Ben Illeman, Martin Dunne, Justin Hambloch, John Mitchells’ orchestra, Bruno Santini’s designs.  Stan Knight’s lighting.  Louis Burke, Best Director Award for Barnum,  The King & I, Oklahoma, The Midsummer Night’s Dream, The Tempest, Jewish Mock Wedding, Mame.
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== Biography ==
 +
Born in Durban.  He was [[Muriel Alexander]]’s great-nephew. He studied the violin for many years. His mother, [[Poppins Salomon]], danced with Anna Pavlova, and instilled a love of theatre and dance in her son. He worked for two years in an accounting firm, which held him in good stead when he started producing, and keeping to budgets. He acquired his BA at the University of Natal, is a Licentiate of the Trinity College of London, and studied at the Stanislavski Institute.
 +
 
 +
He was married to [[Joan Brickhill]] for 25 years. They founded the successful [[Brickhill-Burke Company]]. They also opened the [[Brickhill-Burke School of Speech and Drama]] in Durban in 1959.
 +
 
 +
When they divorced, Burke relocated to New York where he co-produced and directed his first major American production, the Broadway musical ''[[Meet Me in St. Louis]]''. This show opened at the Gershwin Theater, and ran for nine months before touring for over two years. It was nominated for four Tony Awards including Best Musical, and Best Choreography for Joan.
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 +
Burke taught Master Classes in Shakespeare in New York and Connecticut, and lectured at the University of New Haven, where he directed ''[[Rashomon]]'', ''[[A Midsummer Night’s Dream]]'', ''[[Babe - the Sheep-pig]] '', Anouilh’s ''[[Antigone]]'', T. S. Eliot’s ''[[The Wasteland]]'', ''[[My Three Angels]]'', Moliere’s ''[[The Miser]]'' and ''[[The Crucible]]'', and adjudicated various scholarship programmes across the USA. He was invited by the Kennedy Center to adjudicate and lecture to the American Theater College Festival, and worked and advised many new playwrights with their New Works. A member of The American Society of Stage Directors & Choreographers, and The League of American Theaters and Producers, he was President of [[Brickhill-Burke Productions]], and Founder and Artistic Director of The Stratford Festival Theater in Connecticut. He moved to Stratford, to concentrate his resources on developing the new Stratford Shakespeare Festival Theater, to become a year round three-theater operation on the banks of the Housatonic River, a cultural center and entertainment destination. He established his company Festival Enterprises to develop a Resort Destination surrounding an International Theater and Film Festival, including new Film, TV and recording studios.
 +
 
 +
'''For further information on their joint work, see the entry on the [[Brickhill-Burke Company]].'''
 +
 
 +
'''For [[Joan Brickhill]]'s biographical and career information, see the individual entry under [[Joan Brickhill]].'''
 +
 
 +
== Training ==
 +
He studied Drama at Natal University.
 +
 
 +
==Contribution to SA theatre, film, media and/or performance==
 +
 
 +
===As actor===
 +
 
 +
As an actor, he made his first stage appearance in Johannesburg in the [[Johannesburg REPS]]  production of Arthur Miller’s ''[[A View from the Bridge]]'' as Rudolpho (1957).  
 +
 
 +
He appeared as Oberon in ''[[A Midsummer Night's Dream]]'' (1964), Valere in ''[[The Miser]]'' (1964), as the Samurai in ''[[Rashomon]]'' (1965), Tegeus-Chromis in ''[[A Phoenix too Frequent]]'' (1968), Captain Von Trapp in ''[[The Sound of Music]]'' (1976).
 +
 
 +
An accomplished classical actor, some of his many great roles include Shylock, Iago, Cassius, Brutus, Mercutio, Petruchio, Macbeth, and Valere in Moliere's ''[[The Miser]] '', Haemon in ''[[Antigone]]''. Other productions in which he appeared include ''[[Murder in the Cathedral]]'', ''[[Therese Raquin]]'', ''[[Ardele]]'', ''[[Edward II]]'', '' [[People at Sea]]'',  ''[[The Gentle Rain]]'', ''[[Arsenic and Old Lace]]'', ''[[My Three Angels]]'' and ''[[A Taste of Honey]]''. Musical theatre credits include Tony in ''[[The Boy Friend]]''Dick Trevor in ''[[Lady Be Good]]'', Dream Curly in ''[[Oklahoma!]]'', Peachum in ''[[The Beggar's Opera]]'' and Justice Squeezum in ''[[Lock Up Your Daughters]]''.
 +
 
 +
===As director===
 +
 
 +
1963: ''[[Oklahoma!]]'' (with [[Joan Brickhill]])
 +
 
 +
1964: ''[[A Midsummer Night's Dream]]'' (with [[Joan Brickhill]])
 +
 
 +
1965: ''[[The Beggar's Opera]]'' ([[CAPAB]])
 +
 
 +
1965: ''[[Dark of the Moon]]'' (with [[Joan Brickhill]] for [[PACT]])
 +
 
 +
1966: ''[[The Minstrel Scandals]]'' for [[ACT]].  
 +
 
 +
1967: ''[[The Owl and the Pussycat]]'' (with [[Joan Brickhill]])
 +
 
 +
1968: ''[[A Phoenix too Frequent]]'' (with [[Joan Brickhill]] for [[Tavern Theatre]])
 +
 
 +
1969: ''[[South Pacific]]'' (with [[Joan Brickhill]] for [[JODS]])
 +
 
 +
1969: ''[[Robert and Elizabeth]]'' (with [[Joan Brickhill]])
 +
 
 +
1970: ''[[Non-Stop Minstrel Scandals]]'' (with [[Joan Brickhill]] for [[ACT]])
 +
 
 +
1974: ''[[Meropa, the Drums of Africa]]'' (with [[Joan Brickhill]] and  [[Clarence Wilson]])
 +
 
 +
1974: ''[[Minstrel Follies]]'' (with [[Joan Brickhill]])
 +
 
 +
1975: ''[[Gypsy]]'' (with [[Joan Brickhill]])
 +
 
 +
1976: ''[[Follies Fantastique]]'' (with [[Joan Brickhill]])
 +
 
 +
1976: ''[[The Sound of Music]]'' (with [[Joan Brickhill]] for [[PACT]])
 +
 
 +
1978: ''[[I Love my Wife]]'' (with [[Joan Brickhill]])
 +
 
 +
1980: ''[[Hello Dolly!]]'' ([[Brickhill-Burke Productions]])
 +
 
 +
1980: ''[[They're Playing Our Song]]'' (with [[Joan Brickhill]])
 +
 
 +
1980: ''[[Last of the Red Hot Lovers]]'' (with [[Joan Brickhill]])
 +
 
 +
1981: ''[[Bedazzled]]'' (with [[Joan Brickhill]], [[Sun City]])
 +
 
 +
1982: ''[[Mame]]'' ([[Brickhill-Burke Productions]], [[Johannesburg Civic Theatre Association]]))
 +
 
 +
1982: ''[[I Love my Wife]]'' (with [[Joan Brickhill]])
 +
 
 +
1983: ''[[A Funny Thing Happened on the Way to the Forum]]'' ([[Brickhill-Burke Productions]], [[Johannesburg Civic Theatre Association]])
 +
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1983: ''[[Barnum]]'' ([[PACT]])
 +
 
 +
1984: ''[[The King and I]]'' ([[PACT]])
 +
 
 +
1986: ''[[The King and I]]'' ([[PACT]])
 +
 
 +
1986: ''[[Brighton Beach Memoirs]]'' ([[Shirley Firth]] at the [[André Huguenet Theatre]]).
 +
 
 +
== Awards, etc ==
 +
 
 +
In 1963 he was nominated Best Actor and Best male director of the year in Durban.
 +
 
 +
Louis Burke, Best Director Award for ''[[Barnum]]''''[[The King and I]]'', ''[[Oklahoma!]]'', ''[[A Midsummer Night's Dream]]'', ''[[The Tempest]]'', ''[[Jewish Mock Wedding]]'', ''[[Mame]]''.
  
 
== Sources ==
 
== Sources ==
  
[[SACD]] 1977/78  
+
[[SACD]] 1977/78.
+
 
 +
[[ESAT Bibliography Tra-Tz|Tucker]], 1997.
 +
 
 +
(See: De Beer, 1995; Joyce 1999).
 +
 
 +
https://christoharrison.blogspot.com/2021/11/rip-louis-burke.html?m=1
 +
 
 
Go to [[South African Theatre/Bibliography]]
 
Go to [[South African Theatre/Bibliography]]
  

Latest revision as of 21:16, 14 December 2025

Louis Burke (1937-2021) Theatrical producer, actor, choreographer, lighting designer and director.

Biography

Born in Durban. He was Muriel Alexander’s great-nephew. He studied the violin for many years. His mother, Poppins Salomon, danced with Anna Pavlova, and instilled a love of theatre and dance in her son. He worked for two years in an accounting firm, which held him in good stead when he started producing, and keeping to budgets. He acquired his BA at the University of Natal, is a Licentiate of the Trinity College of London, and studied at the Stanislavski Institute.

He was married to Joan Brickhill for 25 years. They founded the successful Brickhill-Burke Company. They also opened the Brickhill-Burke School of Speech and Drama in Durban in 1959.

When they divorced, Burke relocated to New York where he co-produced and directed his first major American production, the Broadway musical Meet Me in St. Louis. This show opened at the Gershwin Theater, and ran for nine months before touring for over two years. It was nominated for four Tony Awards including Best Musical, and Best Choreography for Joan.

Burke taught Master Classes in Shakespeare in New York and Connecticut, and lectured at the University of New Haven, where he directed Rashomon, A Midsummer Night’s Dream, Babe - the Sheep-pig , Anouilh’s Antigone, T. S. Eliot’s The Wasteland, My Three Angels, Moliere’s The Miser and The Crucible, and adjudicated various scholarship programmes across the USA. He was invited by the Kennedy Center to adjudicate and lecture to the American Theater College Festival, and worked and advised many new playwrights with their New Works. A member of The American Society of Stage Directors & Choreographers, and The League of American Theaters and Producers, he was President of Brickhill-Burke Productions, and Founder and Artistic Director of The Stratford Festival Theater in Connecticut. He moved to Stratford, to concentrate his resources on developing the new Stratford Shakespeare Festival Theater, to become a year round three-theater operation on the banks of the Housatonic River, a cultural center and entertainment destination. He established his company Festival Enterprises to develop a Resort Destination surrounding an International Theater and Film Festival, including new Film, TV and recording studios.

For further information on their joint work, see the entry on the Brickhill-Burke Company.

For Joan Brickhill's biographical and career information, see the individual entry under Joan Brickhill.

Training

He studied Drama at Natal University.

Contribution to SA theatre, film, media and/or performance

As actor

As an actor, he made his first stage appearance in Johannesburg in the Johannesburg REPS production of Arthur Miller’s A View from the Bridge as Rudolpho (1957).

He appeared as Oberon in A Midsummer Night's Dream (1964), Valere in The Miser (1964), as the Samurai in Rashomon (1965), Tegeus-Chromis in A Phoenix too Frequent (1968), Captain Von Trapp in The Sound of Music (1976).

An accomplished classical actor, some of his many great roles include Shylock, Iago, Cassius, Brutus, Mercutio, Petruchio, Macbeth, and Valere in Moliere's The Miser , Haemon in Antigone. Other productions in which he appeared include Murder in the Cathedral, Therese Raquin, Ardele, Edward II, People at Sea, The Gentle Rain, Arsenic and Old Lace, My Three Angels and A Taste of Honey. Musical theatre credits include Tony in The Boy Friend, Dick Trevor in Lady Be Good, Dream Curly in Oklahoma!, Peachum in The Beggar's Opera and Justice Squeezum in Lock Up Your Daughters.

As director

1963: Oklahoma! (with Joan Brickhill)

1964: A Midsummer Night's Dream (with Joan Brickhill)

1965: The Beggar's Opera (CAPAB)

1965: Dark of the Moon (with Joan Brickhill for PACT)

1966: The Minstrel Scandals for ACT.

1967: The Owl and the Pussycat (with Joan Brickhill)

1968: A Phoenix too Frequent (with Joan Brickhill for Tavern Theatre)

1969: South Pacific (with Joan Brickhill for JODS)

1969: Robert and Elizabeth (with Joan Brickhill)

1970: Non-Stop Minstrel Scandals (with Joan Brickhill for ACT)

1974: Meropa, the Drums of Africa (with Joan Brickhill and Clarence Wilson)

1974: Minstrel Follies (with Joan Brickhill)

1975: Gypsy (with Joan Brickhill)

1976: Follies Fantastique (with Joan Brickhill)

1976: The Sound of Music (with Joan Brickhill for PACT)

1978: I Love my Wife (with Joan Brickhill)

1980: Hello Dolly! (Brickhill-Burke Productions)

1980: They're Playing Our Song (with Joan Brickhill)

1980: Last of the Red Hot Lovers (with Joan Brickhill)

1981: Bedazzled (with Joan Brickhill, Sun City)

1982: Mame (Brickhill-Burke Productions, Johannesburg Civic Theatre Association))

1982: I Love my Wife (with Joan Brickhill)

1983: A Funny Thing Happened on the Way to the Forum (Brickhill-Burke Productions, Johannesburg Civic Theatre Association)

1983: Barnum (PACT)

1984: The King and I (PACT)

1986: The King and I (PACT)

1986: Brighton Beach Memoirs (Shirley Firth at the André Huguenet Theatre).

Awards, etc

In 1963 he was nominated Best Actor and Best male director of the year in Durban.

Louis Burke, Best Director Award for Barnum, The King and I, Oklahoma!, A Midsummer Night's Dream, The Tempest, Jewish Mock Wedding, Mame.

Sources

SACD 1977/78.

Tucker, 1997.

(See: De Beer, 1995; Joyce 1999).

https://christoharrison.blogspot.com/2021/11/rip-louis-burke.html?m=1

Go to South African Theatre/Bibliography

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