Difference between revisions of "ESAT Bibliography X"
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==The list== | ==The list== | ||
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| + | [[Andile Xaba|Xaba, Andile]]. 2020. "King Kong-verwerkings (1959-2017): deur kruisings van kultuur en samelewing" ("''[[King Kong]]'' adaptations (1959-2017): Traversing culture and society"). ''[[Tydskrif vir Geesteswetenskappe]]'' 60(1) March:pp. 16-37 | ||
[[Andile Xaba|Xaba, Andile]]. 2021. 'Collective memory and the construction of a historical narrative, analysis and interpretation of selected Soweto-based community plays (1984–1994)'. Unpublished PhD thesis, [[UNISA]]. | [[Andile Xaba|Xaba, Andile]]. 2021. 'Collective memory and the construction of a historical narrative, analysis and interpretation of selected Soweto-based community plays (1984–1994)'. Unpublished PhD thesis, [[UNISA]]. | ||
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[[Andile Xaba|Xaba, Andile]]. 2022. "Writing the Elusive Narrative of Soweto-Based Community Theatre, 1984-1994" ''[[Journal of Literary Studies]]'' Vol.38 n.4[https://www.scielo.org.za/scielo.php?script=sci_arttext&pid=S1753-53872022000400001] | [[Andile Xaba|Xaba, Andile]]. 2022. "Writing the Elusive Narrative of Soweto-Based Community Theatre, 1984-1994" ''[[Journal of Literary Studies]]'' Vol.38 n.4[https://www.scielo.org.za/scielo.php?script=sci_arttext&pid=S1753-53872022000400001] | ||
| − | [[Andile Xaba|Xaba, Andile]]. 2024. "Re-reading [[Matsemela Manaka]]'s ''[[eGoli]]'', ''[[Domba]]'' and ''[[Goree]]'': Foregrounding Black Womanhood and Feminism in [[Black Consciousness]] Theatre Discourse" In: ''[[Journal of Literary Studies]]'': December. | + | [[Andile Xaba|Xaba, Andile]]. 2024. "Re-reading [[Matsemela Manaka]]'s ''[[eGoli]]'', ''[[Domba]]'' and ''[[Goree]]'': Foregrounding Black Womanhood and Feminism in [[Black Consciousness]] Theatre Discourse" In: ''[[Journal of Literary Studies]]'': Vol 40/1, December. |
| − | [[Andile Xaba|Xaba, Andile]]. 2025. "[[Maishe Maponya]]'s ''[[Letta]]'': Exploring [[Es'kia Mphahlele]]’s African Humanism as a Mediation of the South African Exile Experience", In: ''[[Journal of Literary Studies]]'', Vol | + | [[Andile Xaba|Xaba, Andile]]. 2025. "[[Maishe Maponya]]'s ''[[Letta]]'': Exploring [[Es'kia Mphahlele]]’s African Humanism as a Mediation of the South African Exile Experience", In: ''[[Journal of Literary Studies]]'', Vol 41, August. |
[[Makhosazana Xaba|Xaba, Makhosazana]]. 2010. Writing myself out of a labyrinth: An interview with the play writer [[Phillippa Yaa de Villiers]] about her one woman play called ''[[Original Skin]]''. ''[[South African Labour Bulletin]]'', 33(1): | [[Makhosazana Xaba|Xaba, Makhosazana]]. 2010. Writing myself out of a labyrinth: An interview with the play writer [[Phillippa Yaa de Villiers]] about her one woman play called ''[[Original Skin]]''. ''[[South African Labour Bulletin]]'', 33(1): | ||
Latest revision as of 07:09, 7 February 2026
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
The list
Xaba, Andile. 2020. "King Kong-verwerkings (1959-2017): deur kruisings van kultuur en samelewing" ("King Kong adaptations (1959-2017): Traversing culture and society"). Tydskrif vir Geesteswetenskappe 60(1) March:pp. 16-37
Xaba, Andile. 2021. 'Collective memory and the construction of a historical narrative, analysis and interpretation of selected Soweto-based community plays (1984–1994)'. Unpublished PhD thesis, UNISA.
Xaba, Andile. 2022. "Writing the Elusive Narrative of Soweto-Based Community Theatre, 1984-1994" Journal of Literary Studies Vol.38 n.4[1]
Xaba, Andile. 2024. "Re-reading Matsemela Manaka's eGoli, Domba and Goree: Foregrounding Black Womanhood and Feminism in Black Consciousness Theatre Discourse" In: Journal of Literary Studies: Vol 40/1, December.
Xaba, Andile. 2025. "Maishe Maponya's Letta: Exploring Es'kia Mphahlele’s African Humanism as a Mediation of the South African Exile Experience", In: Journal of Literary Studies, Vol 41, August.
Xaba, Makhosazana. 2010. Writing myself out of a labyrinth: An interview with the play writer Phillippa Yaa de Villiers about her one woman play called Original Skin. South African Labour Bulletin, 33(1):
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