Difference between revisions of "María de Buenos Aires"

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(Created page with " ''María de Buenos Aires'' is a tango operita ("tango opera") with music by Ástor Piazzolla[1] and a Spanish libretto by Horacio Ferrer[2] ==The original text== The wo...")
 
 
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''[[María de Buenos Aires]]'' is a tango operita ("tango opera") with music by Ástor Piazzolla[1] and a Spanish libretto by Horacio Ferrer[2]
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''[[María de Buenos Aires]]'' is a Brazilian ''tango operita'' ("tango opera") with music by Ástor Piazzolla (1921–1992)[https://en.wikipedia.org/wiki/Astor_Piazzolla] and a Spanish libretto by Horacio Ferrer (1933–2014)[https://en.wikipedia.org/wiki/Horacio_Ferrer].
  
 
==The original text==
 
==The original text==
  
The work premiered at the Sala Planeta in Buenos Aires on 8 May 1968.
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The first part of the surreal plot centers on the experiences of a prostitute in Buenos Aires, Argentina; the second part takes place after her death. The piece was written for at least three vocalists, of which one is a narrator, who mainly speaks rather than sings.
  
The first part of the surreal plot centers on the experiences of a prostitute in Buenos Aires, Argentina; the second part takes place after her death.
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The work premiered at the Sala Planeta in Buenos Aires in Brazil on 8 May 1968.
  
 
==Translations and adaptations==
 
==Translations and adaptations==
  
Copy of the sheet music with 14 instrument parts (but no libretto) found in the [[Stellenbosch Drama Department]]'s theatre archives and now held in the [[Performing Arts Research Collection]] ([[PARC]]) at the [[Africa Open Institute for Music, Research and Innovation]], with offices at Pieter Okkers House, 7 Joubert Street, Stellenbosch, South Africa.
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A version of the work aimed at South African audiences was created by [[Marthinus Basson]] in 2003.  
  
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A copy of the sheet music with 14 instrument parts (but no libretto) was found in the [[Stellenbosch Drama Department]]'s theatre archives and is now held in the [[Performing Arts Research Collection]] ([[PARC]]) at the [[Africa Open Institute for Music, Research and Innovation]], with offices at Pieter Okkers House, 7 Joubert Street, Stellenbosch, South Africa.
  
 
== Performance history in South Africa ==
 
== Performance history in South Africa ==
  
2003: The [[Afrikaans]] version first produced at the [[Oude Libertas Theatre|Oude Libertas Amphitheatre]] in Stellenbosch (December 2003) and the [[Klein Karoo Nasionale Kunstefees]] (2004), directed by [[Marthinus Basson]], and featuring [[Dawid Minnaar]], [[Nicole Holm]], [[Mark Hoeben]], [[Ina Winterich]] and students from the Department of Drama, [[Unversity of Stellenbosch]].  
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2003: A version first produced at the open air [[Oude Libertas Theatre|Oude Libertas Amphitheatre]] in Stellenbosch (December 2003), adapted and directed by [[Marthinus Basson]], and featuring [[Dawid Minnaar]], [[Nicole Holm]], [[Mark Hoeben]], [[Ina Winterich]] and students from the Department of Drama, [[University of Stellenbosch]].
 
 
 
 
  
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2004: The Basson version performed at the [[Klein Karoo Nasionale Kunstefees]] in Oudshoorn in June.
  
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== Sources ==
  
== Sources ==
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https://en.wikipedia.org/wiki/Mar%C3%ADa_de_Buenos_Aires
  
 
Copy of the sheet music held in the [[Performing Arts Research Collection]]  ([[PARC]])  at the [[Africa Open Institute for Music, Research and Innovation]], Stellenbosch.
 
Copy of the sheet music held in the [[Performing Arts Research Collection]]  ([[PARC]])  at the [[Africa Open Institute for Music, Research and Innovation]], Stellenbosch.

Latest revision as of 13:43, 6 July 2025

María de Buenos Aires is a Brazilian tango operita ("tango opera") with music by Ástor Piazzolla (1921–1992)[1] and a Spanish libretto by Horacio Ferrer (1933–2014)[2].

The original text

The first part of the surreal plot centers on the experiences of a prostitute in Buenos Aires, Argentina; the second part takes place after her death. The piece was written for at least three vocalists, of which one is a narrator, who mainly speaks rather than sings.

The work premiered at the Sala Planeta in Buenos Aires in Brazil on 8 May 1968.

Translations and adaptations

A version of the work aimed at South African audiences was created by Marthinus Basson in 2003.

A copy of the sheet music with 14 instrument parts (but no libretto) was found in the Stellenbosch Drama Department's theatre archives and is now held in the Performing Arts Research Collection (PARC) at the Africa Open Institute for Music, Research and Innovation, with offices at Pieter Okkers House, 7 Joubert Street, Stellenbosch, South Africa.

Performance history in South Africa

2003: A version first produced at the open air Oude Libertas Amphitheatre in Stellenbosch (December 2003), adapted and directed by Marthinus Basson, and featuring Dawid Minnaar, Nicole Holm, Mark Hoeben, Ina Winterich and students from the Department of Drama, University of Stellenbosch.

2004: The Basson version performed at the Klein Karoo Nasionale Kunstefees in Oudshoorn in June.

Sources

https://en.wikipedia.org/wiki/Mar%C3%ADa_de_Buenos_Aires

Copy of the sheet music held in the Performing Arts Research Collection (PARC) at the Africa Open Institute for Music, Research and Innovation, Stellenbosch.

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