Difference between revisions of "Slegs vir Almal"

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by [[Hennie Aucamp]]. Drama (cabaret). Cast: mixed. Published by [[HAUM literêr]].
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''[[Slegs vir Almal]]'' ("Only for everyone") is an [[Afrikaans]]  cabaret with text and lyrics by [[Hennie Aucamp]] (1934-2014).
  
  
Return to [[ESAT Plays 1 S|S]]
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==The original text==
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Return to [[South_African_Theatre/Plays|South African Theatre Plays]]
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Aucamp's title is an ironic reference to the infamous restriction "Slegs vir Blankes" ("For Whites Only") that appeared on signboards at all public facilities in the country, particulalry under the [[Apartheid]] regime. The force and focus of the cabaret itself derives from the author's opposition to that inhuman restriction in South African society. 
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Subtitled : '' 'n kabaret oor selfsug'' ("a cabaret about selfishness"), it was written and first performed in 1985. 
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First produced at the [[Kampustoneel]] festival by students of the [[Stellenbosch Drama Department]], with the text adapted and directed by [[Herman Pretorius]]. 
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Aucamp's final text published by [[HAUM Literêr]] in 1986.
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==About this title in South African culture==
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As stated above, the title of the cabaret utilizes an ironic inversion based on the notorious Apartheid signs restricting public facilities and space to racial categories ("Whites Only", "Non Whites only", etc) to address and criticise the fundamental inhumanity the practice implied. 
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Besides Aucamp's cabaret, the ironic title, and the objection to the Apartheid restrictions implied by it, has been used by various artists over the years, including:
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A set of art works ''Slegs Vir Almal'' by Tom Phillips (1937–2022)[https://www.tomphillips.co.uk/works/paintings/9512-south-africa-slegs-vir-almal], exhibited in the country in 1974.
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A Loesje International poster[https://www.loesje.org/page/9815]
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In "Slegs vir almal - die Uitsaaiwet-debat en die openbare sfeer", an article about journalism and press freedom in South Africa by [[Herman Wasserman]], published online in ''[[Woord en Daad]]'' on 1 Dec 2003[https://hdl.handle.net/10520/EJC117563]
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==Translations and adaptations==
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== Performance history in South Africa ==
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1985: Staged by the [[Universiteitsteater Stellenbosch]] at the [[ATKV]] [[Kampustoneel]], directed by [[Herman Pretorius]],  featuring [[Casper de Vries]], [[Gideon Kili]], [[Ilona Frege]], [[Gustav Geldenhuys]], [[Roland Visser]], [[Ilse Roos|Illse Roos]], [[Duncan Johnson]], [[Marion Holm]] and [[Franci Weyers]].
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== Sources ==
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https://en.wikipedia.org/wiki/Hennie_Aucamp
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https://www.tomphillips.co.uk/works/paintings/9512-south-africa-slegs-vir-almal
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[[UTS]] theatre programme, 1985.
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A copy of the acting text for the original [[UTS]] production by students of the [[Stellenbosch Drama Department]], as adapted by the original director [[Herman Pretorius]]. Found in the departmental archives in 2022. Now held in the [[Performing Arts Research Collection]] ([[PARC]]) at the [[Africa Open Institute for Music, Research and Innovation]], [[University of Stellenbosch]].
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[[Hennie Aucamp]]. 1986. ''[[Slegs vir Almal]]''. Pretoria: [[HAUM-Literêr|HAUM-Literêr Uitgewers]]. 
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Go to [[ESAT Bibliography]]
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== Return to ==
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Return to [[PLAYS I: Original SA plays]]
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Return to [[PLAYS II: Foreign plays]]
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Return to [[PLAYS III: Collections]]
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Return to [[PLAYS IV: Pageants and public performances]]
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Return to [[South_African_Festivals|South African Festivals and Competitions]]
 +
 
 +
Return to [[The ESAT Entries]]
  
 
Return to [[Main Page]]
 
Return to [[Main Page]]

Latest revision as of 06:45, 10 July 2025

Slegs vir Almal ("Only for everyone") is an Afrikaans cabaret with text and lyrics by Hennie Aucamp (1934-2014).


The original text

Aucamp's title is an ironic reference to the infamous restriction "Slegs vir Blankes" ("For Whites Only") that appeared on signboards at all public facilities in the country, particulalry under the Apartheid regime. The force and focus of the cabaret itself derives from the author's opposition to that inhuman restriction in South African society.

Subtitled : 'n kabaret oor selfsug ("a cabaret about selfishness"), it was written and first performed in 1985.

First produced at the Kampustoneel festival by students of the Stellenbosch Drama Department, with the text adapted and directed by Herman Pretorius.

Aucamp's final text published by HAUM Literêr in 1986.

About this title in South African culture

As stated above, the title of the cabaret utilizes an ironic inversion based on the notorious Apartheid signs restricting public facilities and space to racial categories ("Whites Only", "Non Whites only", etc) to address and criticise the fundamental inhumanity the practice implied.

Besides Aucamp's cabaret, the ironic title, and the objection to the Apartheid restrictions implied by it, has been used by various artists over the years, including:

A set of art works Slegs Vir Almal by Tom Phillips (1937–2022)[1], exhibited in the country in 1974.

A Loesje International poster[2]

In "Slegs vir almal - die Uitsaaiwet-debat en die openbare sfeer", an article about journalism and press freedom in South Africa by Herman Wasserman, published online in Woord en Daad on 1 Dec 2003[3]

Translations and adaptations

Performance history in South Africa

1985: Staged by the Universiteitsteater Stellenbosch at the ATKV Kampustoneel, directed by Herman Pretorius, featuring Casper de Vries, Gideon Kili, Ilona Frege, Gustav Geldenhuys, Roland Visser, Illse Roos, Duncan Johnson, Marion Holm and Franci Weyers.

Sources

https://en.wikipedia.org/wiki/Hennie_Aucamp

https://www.tomphillips.co.uk/works/paintings/9512-south-africa-slegs-vir-almal

UTS theatre programme, 1985.

A copy of the acting text for the original UTS production by students of the Stellenbosch Drama Department, as adapted by the original director Herman Pretorius. Found in the departmental archives in 2022. Now held in the Performing Arts Research Collection (PARC) at the Africa Open Institute for Music, Research and Innovation, University of Stellenbosch.

Hennie Aucamp. 1986. Slegs vir Almal. Pretoria: HAUM-Literêr Uitgewers.

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page