Difference between revisions of "Pretoria Opera Group"
| (2 intermediate revisions by the same user not shown) | |||
| Line 8: | Line 8: | ||
The Pretoria Opera Group performed mostly nineteenth-century operas such as Leoncavallo’s ''[[I pagliacci]]'', Puccini’s ''[[Madama Butterfly]]'', Donizetti’s ''[[Lucia di Lammermoor]]'', as well as Bizet’s ''[[Carmen]]''. The group performed these operas alternatively in Afrikaans and English. | The Pretoria Opera Group performed mostly nineteenth-century operas such as Leoncavallo’s ''[[I pagliacci]]'', Puccini’s ''[[Madama Butterfly]]'', Donizetti’s ''[[Lucia di Lammermoor]]'', as well as Bizet’s ''[[Carmen]]''. The group performed these operas alternatively in Afrikaans and English. | ||
| + | |||
| + | 1956: ''[[Carmen]]'' (concert version) | ||
| + | |||
| + | 1957: ''[[I pagliacci]]'' | ||
| + | |||
| + | 1958: ''[[Die nuwe Dominee]]'' | ||
| + | |||
| + | 1960: ''[[Madama Butterfly]]'' (in English); ''[[Lilac Time]]'' | ||
| + | |||
| + | 1961: ''[[Lucia di Lammermoor]]'' | ||
| + | |||
| + | 1962: ''[[Carmen]]'' | ||
| + | |||
| + | 1963: ''[[Der Wildschütz]]'' (in Afrikaans as ''[[Die Wilddief]]'') | ||
== Sources == | == Sources == | ||
[[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | [[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | ||
| + | |||
| + | [[Alexandra Xenia Sabina Mossolow]]. 2003. The career of South African soprano Nellie du Toit, born 1929. Unpublished Masters thesis. [[University of Stellenbosch]]. | ||
== Return to == | == Return to == | ||
Latest revision as of 14:16, 14 March 2024
The Pretoria Opera Group (in Afrikaans, Pretoriase Operagroep)
Contents
History
In Pretoria, the interest in opera blossomed as an increasing number of professional singers found themselves in the city. The Pretoriase Operagroep (Pretoria Opera Group), which worked with the amateurs of the Pretoria Operatic and Dramatic Society, staged a number of operas, also Afrikaans operas, and were able to import singers – including South Africans singing abroad – for the 1960 Union Festival. For them, local training of young singers had also become essential, and the group formed what was called the Opera Workshop. The purpose of the workshop was to train young singers and provide practical stage experience.
Productions
The Pretoria Opera Group performed mostly nineteenth-century operas such as Leoncavallo’s I pagliacci, Puccini’s Madama Butterfly, Donizetti’s Lucia di Lammermoor, as well as Bizet’s Carmen. The group performed these operas alternatively in Afrikaans and English.
1956: Carmen (concert version)
1957: I pagliacci
1958: Die nuwe Dominee
1960: Madama Butterfly (in English); Lilac Time
1961: Lucia di Lammermoor
1962: Carmen
1963: Der Wildschütz (in Afrikaans as Die Wilddief)
Sources
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
Alexandra Xenia Sabina Mossolow. 2003. The career of South African soprano Nellie du Toit, born 1929. Unpublished Masters thesis. University of Stellenbosch.
Return to
Return to South African Theatre Venues, Companies, Societies, etc
Return to The ESAT Entries
Return to Main Page
