Difference between revisions of "Mavis Lilenstein"
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For the [[Kaapse Teatergroep]] she did ''[[Swanesang]]'' (Chekhov) in either 1972 or 1973, | For the [[Kaapse Teatergroep]] she did ''[[Swanesang]]'' (Chekhov) in either 1972 or 1973, | ||
| − | For the [[Baxter Theatre]], she produced ''[[Miss Julie]]'' ( | + | For the [[Baxter Theatre]], she produced ''[[Miss Julie]]'' (1985). |
| − | Some of the many other productions she worked on were ''[[Ampie]]'', ''[[Cyrano de Bergerac]]'', ''[[Dokter teen Wil en Dank]]'', ''[[How the Other Half Loves]]'', ''[[Moeder Hanna]]'', ''[[Ousus]]'', ''[[Another Country]]''. | + | Some of the many other productions she worked on were ''[[Ampie]]'', ''[[Cyrano de Bergerac]]'', ''[[Dokter teen Wil en Dank]]'', ''[[How the Other Half Loves]]'', ''[[Moeder Hanna]]'', ''[[Ousus]]'', ''[[Another Country]]'', ''[[In the Shadow of the Mountain]]''. |
| + | |||
| + | Work for [[PACOFS]] included ''[[Romeo and Juliet]]'', | ||
== Sources == | == Sources == | ||
Latest revision as of 10:27, 18 March 2024
Mavis Lilenstein (19**-1999) was a stage- and production manager and producer.
Contents
Biography
Passed away in 1999, and buried in the Robertson Jewish Cemetery[1]
Contribution to SA theatre, film, media and/or performance
At the Little Theatre she worked on Once in a Lifetime(1966),
She joined CAPAB in 1969. Among the works she stage managed for them were Who's Afraid of Virginia Woolf? (1990).
She was also the stage manager for other Cape Town companies.
For the Kaapse Teatergroep she did Swanesang (Chekhov) in either 1972 or 1973,
For the Baxter Theatre, she produced Miss Julie (1985).
Some of the many other productions she worked on were Ampie, Cyrano de Bergerac, Dokter teen Wil en Dank, How the Other Half Loves, Moeder Hanna, Ousus, Another Country, In the Shadow of the Mountain.
Work for PACOFS included Romeo and Juliet,
Sources
Grütter, Wilhelm. 1987. CAPAB 25 Years. Unpublished manuscript: p. 416.
Various entries in the NELM catalogue.
Go to the ESAT Bibliography
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Return to ESAT Personalities L
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