Difference between revisions of "Dead End"
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=''[[Dead End]]'': a play by Jean-Paul Sartre (1905-1980)= | =''[[Dead End]]'': a play by Jean-Paul Sartre (1905-1980)= | ||
− | This is one of a number of titles used for the English translation of the 1944 French existential play ''[[ Huis Clos]]'' by Sartre. It does not seem to have been performed under this title in South Africa | + | This is one of a number of titles used for the English translation of the 1944 French existential play '''''[[ Huis Clos]]''''' by Sartre. It does not seem to have been performed '''under this title''' in South Africa to date. |
=''[[Dead End]]'': a one act play by [[Zakes Mda]] (1948-)= | =''[[Dead End]]'': a one act play by [[Zakes Mda]] (1948-)= |
Latest revision as of 07:10, 24 September 2023
The title Dead End can refer to one of two plays known in South Africa.
Contents
Dead End: a play by Jean-Paul Sartre (1905-1980)
This is one of a number of titles used for the English translation of the 1944 French existential play Huis Clos by Sartre. It does not seem to have been performed under this title in South Africa to date.
Dead End: a one act play by Zakes Mda (1948-)
The original text
This was the first play Mda wrote, as a schoolboy. A metaphorical discussion between a young murderer and God. First published in the collection We Shall Sing for the Fatherland and Other Plays, Ravan Press, 1980. Also published in The Plays of Zakes Mda by Ravan, 1990.
Translations and adaptations
Performance history in South Africa
1979: First performed as double bill with We Shall Sing for the Fatherland directed by Benjy Francis for the FUBA (the Federated Union of Black Artists), at the Diepkloof Hall in Soweto, 1979 with the following cast: Nomhle Nkonyeni, James Mthoba and Richard Ngemane;
1979: Directed by Nicholas Ellenbogen at the Market Theatre the same year with Nkonyeni, Ngemane and Timmy Kwebulana in the cast.
Sources
Zakes Mda. 1980. We Shall Sing for the Fatherland and Other Plays, Johannesburg: Ravan Press.
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