Difference between revisions of "When the Saints Go Marching In"

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==The original text==
 
==The original text==
  
First published in 1967 by [[John Malherbe Edms Bpk]] in called ''Spitsuur'' ("peak hour"), a collection of 12 stories by Aucamp. (The collection sometimes wrongly given as ''Spits Uur'')
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First published in 1967 by [[John Malherbe Edms Bpk]] in a collection called ''Spitsuur'' ("peak hour"), a collection of 12 stories by Aucamp. (The title of the collection sometimes wrongly given as ''Spits Uur'').
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''When the Saints Go Marching In'' is an [[Afrikaans]] South African one-act play. Suster Gloria, a coloured gospel singer who performs to audiences around the world, grows disillusioned with her calling, and finds the light again late one night in a bar in a Brussels back street.
  
 
==Translations and adaptations==
 
==Translations and adaptations==
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1970: Performed as a dramatic reading in the [[Libertas Theatre]], Stellenbosch as part of a programme called ''[[Hennie Aucamp: Kortverhale en Eenakters]]'' ("Hennie Aucamp: Short Stories and One-act Plays"). Directed by [[Marie van Heerden]] and performed by [[Annelize van der Ryst]].
 
1970: Performed as a dramatic reading in the [[Libertas Theatre]], Stellenbosch as part of a programme called ''[[Hennie Aucamp: Kortverhale en Eenakters]]'' ("Hennie Aucamp: Short Stories and One-act Plays"). Directed by [[Marie van Heerden]] and performed by [[Annelize van der Ryst]].
  
2011: Performed as a combination of drama, music, movement. Adapted and directed by [[Juanita Swanepoel]] for the [[Woordfees]], 2011, with [[Virginia Davids]] and [[Pieter van Zyl]] in the [[Klein Libertas-teater|Klein Libertas Theatre]] in March.
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2011: Staged at the [[Woordfees|US Woordfees]], Stellenbosch, in the [[Klein Libertas Teater]] on 6 and 13 March, as part of the [[Sanlam Dramafees]]. Directed by [[Juanita Swanepoel]], with [[Virginia Davids]] and [[Pieter van Zyl]]. The production combined drama, spoken word, music and physical movement, the movement drawn from the mime corporel tradition of Etienne Decroux, which [[Pieter van Zyl]] had studied in Europe and the United States.
  
 
== Sources ==
 
== Sources ==
  
 
https://kakkerlak.co.za/product/spitsuur-hennie-aucamp/
 
https://kakkerlak.co.za/product/spitsuur-hennie-aucamp/
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 +
'Woordfees 2011: Volledige program', ''[[LitNet]]'', 13 January 2011.
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''[[Hennie Aucamp: Kortverhale en Eenakters]]'', [[ESAT]].
  
 
Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]
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== Return to ==
 
== Return to ==
  
Return to [[PLAYS I: Original SA plays]]
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Return to [[ESAT Plays 1 W|W]] in Plays I Original SA Plays
 
 
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Return to [[South_African_Theatre/Plays]]
  
 
Return to [[The ESAT Entries]]
 
Return to [[The ESAT Entries]]

Latest revision as of 15:27, 29 July 2026

When the Saints Go Marching In is a story by Hennie Aucamp (1934-2014).

The original text

First published in 1967 by John Malherbe Edms Bpk in a collection called Spitsuur ("peak hour"), a collection of 12 stories by Aucamp. (The title of the collection sometimes wrongly given as Spits Uur).

When the Saints Go Marching In is an Afrikaans South African one-act play. Suster Gloria, a coloured gospel singer who performs to audiences around the world, grows disillusioned with her calling, and finds the light again late one night in a bar in a Brussels back street.

Translations and adaptations

Successively adapted for stage by Annalise van der Rijst (1970) and Juanita Swanepoel (2011).

Performance history in South Africa

1970: Performed as a dramatic reading in the Libertas Theatre, Stellenbosch as part of a programme called Hennie Aucamp: Kortverhale en Eenakters ("Hennie Aucamp: Short Stories and One-act Plays"). Directed by Marie van Heerden and performed by Annelize van der Ryst.

2011: Staged at the US Woordfees, Stellenbosch, in the Klein Libertas Teater on 6 and 13 March, as part of the Sanlam Dramafees. Directed by Juanita Swanepoel, with Virginia Davids and Pieter van Zyl. The production combined drama, spoken word, music and physical movement, the movement drawn from the mime corporel tradition of Etienne Decroux, which Pieter van Zyl had studied in Europe and the United States.

Sources

https://kakkerlak.co.za/product/spitsuur-hennie-aucamp/

'Woordfees 2011: Volledige program', LitNet, 13 January 2011.

Hennie Aucamp: Kortverhale en Eenakters, ESAT.

Go to ESAT Bibliography

Return to

Return to W in Plays I Original SA Plays

Return to South_African_Theatre/Plays

Return to The ESAT Entries

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