Difference between revisions of "Tom Penfold"

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(Created page with "Tom Penfold is a researcher and teacher in contemporary postcolonial literature. ==Biography== Holding a B.A (Exon) from the University of Exeter and a PhD in African St...")
 
 
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Currently a lecturer and a part-time Postgraduate Recruitment Advisor at the University of Birmingham  
 
Currently a lecturer and a part-time Postgraduate Recruitment Advisor at the University of Birmingham  
  
He is a Reviews Editor for Africa in Words and works closely with artists, writers and publishers across Africa.
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He is a Reviews Editor for ''[[Africa in Words]]'' and works closely with artists, writers and publishers across Africa.
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==Contribution to SA theatre, film, media and/or performance==
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Publications include
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Song Identity and the State: Julius Malema's Dubul' ibhunu song as catalyst
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Volume, Power, Originality: Reassessing the Complexities of Soweto Poetry
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Dissonances from the Global South: Song, Art and Performance in Cultures of Struggle
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Towards a New Public Space: Performance Culture in 1980s South Africa
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== Sources ==
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https://www.academia.edu/17305455/Towards_a_New_Public_Space_Performance_Culture_in_1980s_South_Africa?email_work_card=thumbnail
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Go to the  [[ESAT Bibliography]]
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== Return to ==
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Return to [[ESAT Personalities  P]]
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Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
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Return to [[The ESAT Entries]]
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 +
Return to [[Main Page]]

Latest revision as of 05:55, 16 March 2023

Tom Penfold is a researcher and teacher in contemporary postcolonial literature.

Biography

Holding a B.A (Exon) from the University of Exeter and a PhD in African Studies from the University of Birmingham (September 2013). This followed by a four year postdoctoral fellowship at the University of Johannesburg.

His main focus is poetry and performance culture in South Africa, with key research projects inclduing studies of graffiti in Johannesburg, the #FeesMustFall movements, and Poetry of No Sure Place. He has also worked on Brazil and the wider Global South.

Currently a lecturer and a part-time Postgraduate Recruitment Advisor at the University of Birmingham

He is a Reviews Editor for Africa in Words and works closely with artists, writers and publishers across Africa.

Contribution to SA theatre, film, media and/or performance

Publications include

Song Identity and the State: Julius Malema's Dubul' ibhunu song as catalyst

Volume, Power, Originality: Reassessing the Complexities of Soweto Poetry

Dissonances from the Global South: Song, Art and Performance in Cultures of Struggle

Towards a New Public Space: Performance Culture in 1980s South Africa

Sources

https://www.academia.edu/17305455/Towards_a_New_Public_Space_Performance_Culture_in_1980s_South_Africa?email_work_card=thumbnail

Go to the ESAT Bibliography

Return to

Return to ESAT Personalities P

Return to South African Theatre Personalities

Return to The ESAT Entries

Return to Main Page