Difference between revisions of "My Life"
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| − | + | ''[[My Life]]'' is a play workshopped under the guidance of [[Athol Fugard]] with [[Sivagamy Govender]], [[Riana Jacobs]], [[Heather Leite]], [[Reshoketswe Maredi]] and [[Elleanor Busi Mthumunye]] in 1994. | |
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| + | == The original text == | ||
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| + | The workshopped play draws on images and stories from the personal biographies of the five young women, and is staged within the framework of an aerobics class. The perspective of each young woman on her country and her people is conveyed with a mixture of innocence and humour. | ||
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| + | Playscript [Typescript (photocopy)] - Accompanied by a note from the author to [[Malcolm Hacksley]], and notes by [[Rebecca Waddell]], Fugard's Assistant Director held by [[NELM]] Location: [Collection: FUGARD, Athol]: 1996. 23. 1. | ||
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| + | Published in ''My Life & Valley Song'', Wits University Press, 1996. | ||
== Subject == | == Subject == | ||
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For his first production in the new South Africa Fugard went back to the workshop method he had used decades earlier with the [[Serpent Players]] in Port Elizabeth, which resulted in milestone productions such as ''[[The Island]]'' (1973), developed with [[John Kani]] and [[Winston Ntshona]]. Fugard again used inexperienced actors to develop ''[[My Life]]'', bringing together five young South African women, ages ranging from 15 to 21, from across the racial spectrum. He facilitated the documentation of each one’s personal experiences during the final days of apartheid and the first days of democracy. With director [[Rebecca Waddell]], he then developed their “journals” into a stage presentation with each of the five girls narrating her own story. In an interview with ''[[The Star]]'' Fugard described the aim of the project in simple and direct terms: “...to reflect and celebrate the cultural diversity and contrasts of our South African reality” (Sichel, 1994). | For his first production in the new South Africa Fugard went back to the workshop method he had used decades earlier with the [[Serpent Players]] in Port Elizabeth, which resulted in milestone productions such as ''[[The Island]]'' (1973), developed with [[John Kani]] and [[Winston Ntshona]]. Fugard again used inexperienced actors to develop ''[[My Life]]'', bringing together five young South African women, ages ranging from 15 to 21, from across the racial spectrum. He facilitated the documentation of each one’s personal experiences during the final days of apartheid and the first days of democracy. With director [[Rebecca Waddell]], he then developed their “journals” into a stage presentation with each of the five girls narrating her own story. In an interview with ''[[The Star]]'' Fugard described the aim of the project in simple and direct terms: “...to reflect and celebrate the cultural diversity and contrasts of our South African reality” (Sichel, 1994). | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
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''[[My Life]]'', sub-titled “An allegory for Reconciliation”, premièred in the [[Tesson Theatre]] at the [[Johannesburg Civic]] in June 1994, workshopped by [[Athol Fugard]], directed by [[Rebecca Waddell]], with [[Elleanor Busi Mthimunye]], [[Reshoketswe Maredi]], [[Heather Leite]], [[Riana Jacobs]] and [[Sivagamy Govender]]. The same production was staged at the [[Grahamstown Festival]] in July 1994. | ''[[My Life]]'', sub-titled “An allegory for Reconciliation”, premièred in the [[Tesson Theatre]] at the [[Johannesburg Civic]] in June 1994, workshopped by [[Athol Fugard]], directed by [[Rebecca Waddell]], with [[Elleanor Busi Mthimunye]], [[Reshoketswe Maredi]], [[Heather Leite]], [[Riana Jacobs]] and [[Sivagamy Govender]]. The same production was staged at the [[Grahamstown Festival]] in July 1994. | ||
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== Sources == | == Sources == | ||
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[Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms]. p 95. | [Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms]. p 95. | ||
Latest revision as of 11:29, 27 September 2023
My Life is a play workshopped under the guidance of Athol Fugard with Sivagamy Govender, Riana Jacobs, Heather Leite, Reshoketswe Maredi and Elleanor Busi Mthumunye in 1994.
Contents
The original text
The workshopped play draws on images and stories from the personal biographies of the five young women, and is staged within the framework of an aerobics class. The perspective of each young woman on her country and her people is conveyed with a mixture of innocence and humour.
Playscript [Typescript (photocopy)] - Accompanied by a note from the author to Malcolm Hacksley, and notes by Rebecca Waddell, Fugard's Assistant Director held by NELM Location: [Collection: FUGARD, Athol]: 1996. 23. 1.
Published in My Life & Valley Song, Wits University Press, 1996.
Subject
For his first production in the new South Africa Fugard went back to the workshop method he had used decades earlier with the Serpent Players in Port Elizabeth, which resulted in milestone productions such as The Island (1973), developed with John Kani and Winston Ntshona. Fugard again used inexperienced actors to develop My Life, bringing together five young South African women, ages ranging from 15 to 21, from across the racial spectrum. He facilitated the documentation of each one’s personal experiences during the final days of apartheid and the first days of democracy. With director Rebecca Waddell, he then developed their “journals” into a stage presentation with each of the five girls narrating her own story. In an interview with The Star Fugard described the aim of the project in simple and direct terms: “...to reflect and celebrate the cultural diversity and contrasts of our South African reality” (Sichel, 1994).
Performance history in South Africa
My Life, sub-titled “An allegory for Reconciliation”, premièred in the Tesson Theatre at the Johannesburg Civic in June 1994, workshopped by Athol Fugard, directed by Rebecca Waddell, with Elleanor Busi Mthimunye, Reshoketswe Maredi, Heather Leite, Riana Jacobs and Sivagamy Govender. The same production was staged at the Grahamstown Festival in July 1994.
Translations and adaptations
Sources
[Van Heerden (2008)][1]. p 95.
Photograph by Basil Mills of the original cast of My life by Athol Fugard: Riana Jacobs, Reshoketswe Maredi, Sivagamy Govender, Heather Leite, Rebecca Waddell (assistant director) and Busi Mthimuny held by NELM: Photograph collection [Collection: FUGARD, Athol]: 2016. 68. 20.
Transcript of recorded interview by Veronica Bowker with the cast of "My life": NELM Location: THE 822. 3 FUG.
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