Difference between revisions of "Oratorio"
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| − | An [[oratorio]] (English plural [[oratorios | + | An [[oratorio]] (English plural [[oratorios]]) is usually described as a large-scale musical composition for orchestra, choir, and soloists, usually in narrative form and often based on a sacred theme. |
| − | + | Unlike an [[opera]], which is seen as a piece of [[musical theatre]], an [[oratorio]] is strictly considered to be a concert piece, and which tends to be performed without costume, scenery, or action. | |
| + | An [[oratorio]] is referred to as an [[oratorium]] in [[Dutch]], German and [[ Afrikaans]] (the plural being [[oratoria]] in this case). | ||
| + | The best known examples include Bach's ''[[Christmas Oratorio]]'', Handel's ''[[Messiah]]'', and Haydn's ''[[The Creation]]''. | ||
| − | |||
| + | ==Some South African [[oratorios]]== | ||
| + | South African examples include: | ||
| + | |||
| + | ''[[Christus Komst]]'' (1864, by the Paarl-based composer [[J.S. de Villiers]]) and ''[[Zion en Babylon]]'' (1867, by the reverend [[G.W.A. van der Lingen]] and [[J.S. de Villiers]]). | ||
| + | |||
| + | == Sources == | ||
https://en.wikipedia.org/wiki/Oratorio | https://en.wikipedia.org/wiki/Oratorio | ||
| + | |||
| + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp.285-6 | ||
| + | |||
| + | Go to [[ESAT Bibliography]] | ||
| + | |||
| + | == Return to == | ||
| + | |||
| + | Return to [[The South African Context/General Terminology and Thematic Entries]] | ||
| + | |||
| + | Return to [[South African Theatre/Terminology and Thematic Entries]] | ||
| + | |||
| + | Return to [[South African Film /Terminology and Thematic Entries]] | ||
| + | |||
| + | Return to [[South African Media/Terminology and Thematic Entries]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to [[Main Page]] | ||
Latest revision as of 06:16, 6 August 2021
An oratorio (English plural oratorios) is usually described as a large-scale musical composition for orchestra, choir, and soloists, usually in narrative form and often based on a sacred theme.
Unlike an opera, which is seen as a piece of musical theatre, an oratorio is strictly considered to be a concert piece, and which tends to be performed without costume, scenery, or action.
An oratorio is referred to as an oratorium in Dutch, German and Afrikaans (the plural being oratoria in this case).
The best known examples include Bach's Christmas Oratorio, Handel's Messiah, and Haydn's The Creation.
Some South African oratorios
South African examples include:
Christus Komst (1864, by the Paarl-based composer J.S. de Villiers) and Zion en Babylon (1867, by the reverend G.W.A. van der Lingen and J.S. de Villiers).
Sources
https://en.wikipedia.org/wiki/Oratorio
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp.285-6
Go to ESAT Bibliography
Return to
Return to The South African Context/General Terminology and Thematic Entries
Return to South African Theatre/Terminology and Thematic Entries
Return to South African Film /Terminology and Thematic Entries
Return to South African Media/Terminology and Thematic Entries
Return to The ESAT Entries
Return to Main Page
