Difference between revisions of "Davenport Rope Trick"
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According to the website ''Occult World''[https://occult-world.com/davenport-brothers/#:~:text=The%20wrist%20ropes%20were%20knotted,Ira%20died%20in%201911.], the [[Davenport Brothers]] conducted one of the most successful séance acts of the 19th century, ''inter alia'' introducing the '''Cabinet''' — a special room or enclosure — to the medium’s repertoire and produced various spirit phenomena, including ghostly hands that played musical instruments. They also developed sophisticated rope tricks and escape illusions unparalleled until the days of Harry Houdini. | According to the website ''Occult World''[https://occult-world.com/davenport-brothers/#:~:text=The%20wrist%20ropes%20were%20knotted,Ira%20died%20in%201911.], the [[Davenport Brothers]] conducted one of the most successful séance acts of the 19th century, ''inter alia'' introducing the '''Cabinet''' — a special room or enclosure — to the medium’s repertoire and produced various spirit phenomena, including ghostly hands that played musical instruments. They also developed sophisticated rope tricks and escape illusions unparalleled until the days of Harry Houdini. | ||
| − | The secret of the "Davenport Tie" was apparently eventually passed on to Harry Houdini by Ira Davenport in 1910 - though a performance referring to the ''[[Davenport Rope Trick]]'' is reported in South Africa by "[[Herr Luin]]" in 1866, as part of . | + | The secret of the "Davenport Tie" was apparently eventually passed on to Harry Houdini by Ira Davenport in 1910 - though a performance referring to the ''[[Davenport Rope Trick]]'' is reported in South Africa by "[[Herr Luin]]" in 1866, as part of a "Grand Masonic Bespeak" presented by the [[Le Roy-Duret Company]] in the [[Theatre Royal]], Cape Town on 19 July, under the auspices of both the English and the [[Dutch]] lodges. Besides the trick, the evening consisted of ''[[The Soldier's Daughter]]'' (Cherry), ''[['Tis She, or Maid, Wife and Widow]]'' (Wilks), ''[[Gocum and Lisbeth]]'' (a comic dance by [[Mr Luin]] and [[Harry Burton]]). |
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==Sources== | ==Sources== | ||
https://occult-world.com/davenport-brothers/#:~:text=The%20wrist%20ropes%20were%20knotted,Ira%20died%20in%201911. | https://occult-world.com/davenport-brothers/#:~:text=The%20wrist%20ropes%20were%20knotted,Ira%20died%20in%201911. | ||
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| + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: p.211 | ||
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| + | Go to [[ESAT Bibliography]] | ||
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| + | Return to [[South_African_Festivals|South African Festivals and Competitions]] | ||
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Latest revision as of 06:40, 31 May 2021
The Davenport Rope Trick, is most probably a reference to an escape trick devised by the famous American occult illusionists, Ira Erastus Davenport (1839-1911) and William Henry Davenport (1841-1877), that is also known as the "Davenport Tie". Or at least a similar act.
According to the website Occult World[1], the Davenport Brothers conducted one of the most successful séance acts of the 19th century, inter alia introducing the Cabinet — a special room or enclosure — to the medium’s repertoire and produced various spirit phenomena, including ghostly hands that played musical instruments. They also developed sophisticated rope tricks and escape illusions unparalleled until the days of Harry Houdini.
The secret of the "Davenport Tie" was apparently eventually passed on to Harry Houdini by Ira Davenport in 1910 - though a performance referring to the Davenport Rope Trick is reported in South Africa by "Herr Luin" in 1866, as part of a "Grand Masonic Bespeak" presented by the Le Roy-Duret Company in the Theatre Royal, Cape Town on 19 July, under the auspices of both the English and the Dutch lodges. Besides the trick, the evening consisted of The Soldier's Daughter (Cherry), 'Tis She, or Maid, Wife and Widow (Wilks), Gocum and Lisbeth (a comic dance by Mr Luin and Harry Burton).
Sources
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p.211
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
