Difference between revisions of "Letters from Patient Essop"
| (6 intermediate revisions by one other user not shown) | |||
| Line 3: | Line 3: | ||
==The original text== | ==The original text== | ||
| − | According to Weir (in an interview with [[Guy Willoughby]])[], ''[[Letters from Patient Essop]]'' began life as part of a larger show done with the Elastic Band, but in 2001 became a complete musical play on its own. | + | According to Weir (in an interview with [[Guy Willoughby]])[https://mg.co.za/article/2002-05-03-postcards-from-the-edge/], ''[[Letters from Patient Essop]]'' began life as part of a larger show done with the Elastic Band, but in 2001 became a complete musical play on its own. |
The seed for the play was a set of old pictures Weir had found in a shop on Long Street, Cape Town, from which he selected about 50 at random. He took them home, laid them out. Thing that they represented "Essop’s world", he used the pictures as a frame, and wrote 15 to 20 letters to fit in with the pictures. | The seed for the play was a set of old pictures Weir had found in a shop on Long Street, Cape Town, from which he selected about 50 at random. He took them home, laid them out. Thing that they represented "Essop’s world", he used the pictures as a frame, and wrote 15 to 20 letters to fit in with the pictures. | ||
| Line 9: | Line 9: | ||
==Translations and adaptations== | ==Translations and adaptations== | ||
| − | A recording | + | A recording of the music and story of Essop was made by [[Graham Weir]], [[Sven Goldin]] and Simon and was published as a CD album, sold at performances of ''[[Not the Midnight Mass]]''. |
| + | |||
| + | The script was also published by [[Graham Weir]] in a book entitled ''[[how GRAHAM WEIR has accidently managed to stay aLIVE]]'', launched at the [[Grahamstown Festival]] in 2002. Besides the script, the volume also includes extracts from the play ''[[How Graham Weir Accidentally Managed to Stay Alive]]'', the scripts of ''[[Psychodelic Cowboy and Sister Nun]]'', ''[[Tales From The Dark Corner]]'', ''[[Brief Descriptions]]'' and some of his short stories. | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | 2001: First performed at the [[Grahamstown Festival]], directed by [[Bo Petersen]] and performed by [[Graham Weir]]. | + | 2001: First performed at the [[Grahamstown Festival]], directed by [[Bo Petersen]] and performed by [[Graham Weir]] as part of the double bill ''[[Mind the Gap]]''. |
2002 Performed at the [[Baxter Theatre]], opening 15 April 2002. | 2002 Performed at the [[Baxter Theatre]], opening 15 April 2002. | ||
Latest revision as of 12:12, 4 June 2022
Letters from Patient Essop is a play by Graham Weir (1959-2020).
Contents
The original text
According to Weir (in an interview with Guy Willoughby)[1], Letters from Patient Essop began life as part of a larger show done with the Elastic Band, but in 2001 became a complete musical play on its own.
The seed for the play was a set of old pictures Weir had found in a shop on Long Street, Cape Town, from which he selected about 50 at random. He took them home, laid them out. Thing that they represented "Essop’s world", he used the pictures as a frame, and wrote 15 to 20 letters to fit in with the pictures.
Translations and adaptations
A recording of the music and story of Essop was made by Graham Weir, Sven Goldin and Simon and was published as a CD album, sold at performances of Not the Midnight Mass.
The script was also published by Graham Weir in a book entitled how GRAHAM WEIR has accidently managed to stay aLIVE, launched at the Grahamstown Festival in 2002. Besides the script, the volume also includes extracts from the play How Graham Weir Accidentally Managed to Stay Alive, the scripts of Psychodelic Cowboy and Sister Nun, Tales From The Dark Corner, Brief Descriptions and some of his short stories.
Performance history in South Africa
2001: First performed at the Grahamstown Festival, directed by Bo Petersen and performed by Graham Weir as part of the double bill Mind the Gap.
2002 Performed at the Baxter Theatre, opening 15 April 2002.
Sources
Rapport 27 May 2001.
Guy Willoughby, 2002. "in the Sanlam Studio Theatre at the Baxter ", Mail & Guardian 3 May 2002[2]
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
