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| − | ''[[Mischiefmaking]]'' is a farce in one act by Buckstone.
| + | #REDIRECT [[Mischief-making]] |
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| − | ==The original text==
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| − | ==Translations and adaptations==
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| − | == Performance history in South Africa ==
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| − | 1861: Performed by [[Sefton Parry]] and his company in the [[Theatre Royal]], Cape Town, on 18 May, with a dance (Pas de Matlots) by [[Miss Powell]], a popular ballad sung by [[Leffler]] and as ''[[Giralda, or The Invisible Husband]]'' (ascribed to Welstead). The latter piece apparently caused some consternation and resistance among Cape Town citizens because of its perceived "licentiousness", in the text and the vulgarity of the performances.
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| − | == Sources ==
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| − | [[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)
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| − | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.203-205
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| − | Go to [[ESAT Bibliography]]
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| − | == Return to ==
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| − | Return to [[PLAYS I: Original SA plays]]
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| − | Return to [[PLAYS II: Foreign plays]]
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| − | Return to [[PLAYS III: Collections]]
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| − | Return to [[PLAYS IV: Pageants and public performances]]
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| − | Return to [[South_African_Festivals|South African Festivals and Competitions]]
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| − | Return to [[The ESAT Entries]]
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| − | Return to [[Main Page]]
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