Difference between revisions of "P. Faddegon"
| (2 intermediate revisions by the same user not shown) | |||
| Line 9: | Line 9: | ||
==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | A member of the Cape Town based [[rederijkerskamer]] called [[Aurora|Aurora II]] (1866-1887), he both acted for them and wrote some [[Dutch]] plays, including ''[[Huzaar en Pandoer]]'' (a translation), ''[[ | + | A member of the Cape Town based [[rederijkerskamer]] called [[Aurora|Aurora II]] (1866-1887), he both acted for them and wrote some [[Dutch]] plays, including ''[[Huzaar en Pandoer]]'' (a translation), ''[[Het Testament voor eene Slavin]]'' () and possibly ''[[Een Misverstand]]'' (1874) |
| − | He would later become a leading figure in the [[Kamer de Eendracht]] (1876-1883), a transitional organization performing under the motto "Door Oefening wordt de kunst verkregen" ("art is attained through practice"), when internal strife arose in [[Aurora|Aurora II]]. | + | He would later also become a leading figure in the [[Kamer de Eendracht]] (1876-1883), a transitional organization performing under the motto "Door Oefening wordt de kunst verkregen" ("art is attained through practice"), when internal strife arose in [[Aurora|Aurora II]]. For them he wrote another play, ''[[De Testament, of De Halve Banknoot]]'' (1877). |
== Sources == | == Sources == | ||
| − | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. | + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp.449, 460 |
Go to the [[ESAT Bibliography]] | Go to the [[ESAT Bibliography]] | ||
Latest revision as of 05:08, 21 September 2020
P. Faddegon (fl. 1860-1890) was a Dutch speaking citizen of Cape Town, and an amateur playwright and actor.
Also billed as P. Faddegon Jr
Contents
Biography
Contribution to SA theatre, film, media and/or performance
A member of the Cape Town based rederijkerskamer called Aurora II (1866-1887), he both acted for them and wrote some Dutch plays, including Huzaar en Pandoer (a translation), Het Testament voor eene Slavin () and possibly Een Misverstand (1874)
He would later also become a leading figure in the Kamer de Eendracht (1876-1883), a transitional organization performing under the motto "Door Oefening wordt de kunst verkregen" ("art is attained through practice"), when internal strife arose in Aurora II. For them he wrote another play, De Testament, of De Halve Banknoot (1877).
Sources
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp.449, 460
Go to the ESAT Bibliography
Return to
Return to ESAT Personalities F
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
