Difference between revisions of "Currently (G)old"
(Created page with "''Currently (G)old'' is a play by the Kwasha Theatre Company. ==The original text== The play was developed by the cast as a workshop project, and investigates how t...") |
|||
| (2 intermediate revisions by the same user not shown) | |||
| Line 5: | Line 5: | ||
The play was developed by the cast as a workshop project, and investigates how the human rights enshrined in the South African constitution are experienced by ordinary South Africans. They present these perspectives through a montage of moments from our past and present in which they reference seminal turning points in the country's history (such as the Sharpeville massacre, 1976 Uprising and the Fees Must Fall movement), and other seminal turning points in the country's history, and using comedy, music and movement, to interrogate, satirize and sometimes ridicule the relevance of human rights in real life. | The play was developed by the cast as a workshop project, and investigates how the human rights enshrined in the South African constitution are experienced by ordinary South Africans. They present these perspectives through a montage of moments from our past and present in which they reference seminal turning points in the country's history (such as the Sharpeville massacre, 1976 Uprising and the Fees Must Fall movement), and other seminal turning points in the country's history, and using comedy, music and movement, to interrogate, satirize and sometimes ridicule the relevance of human rights in real life. | ||
| − | == Performance history == | + | ==Translations and adaptations== |
| + | |||
| + | == Performance history in South Africa == | ||
2019: Opening at the [[National Arts Festival]] in July (where it won two awards, a Bronze Ovation and Best Ensemble), the play also had runs at the [[Wits 969 Festival]], the [[PopART Theatre]] and the [[Market Theatre]]’s [[Ramolao Makhene Theatre]] and [[Barney Simon Theatre]]. | 2019: Opening at the [[National Arts Festival]] in July (where it won two awards, a Bronze Ovation and Best Ensemble), the play also had runs at the [[Wits 969 Festival]], the [[PopART Theatre]] and the [[Market Theatre]]’s [[Ramolao Makhene Theatre]] and [[Barney Simon Theatre]]. | ||
| + | |||
| + | == Sources == | ||
| + | |||
| + | |||
| + | https://markettheatre.co.za/productions/currently-gold/ | ||
| + | |||
| + | Go to [[ESAT Bibliography]] | ||
| + | |||
| + | == Return to == | ||
| + | |||
| + | Return to [[PLAYS I: Original SA plays]] | ||
| + | |||
| + | Return to [[PLAYS II: Foreign plays]] | ||
| + | |||
| + | Return to [[PLAYS III: Collections]] | ||
| + | |||
| + | Return to [[PLAYS IV: Pageants and public performances]] | ||
| + | |||
| + | Return to [[South_African_Festivals|South African Festivals and Competitions]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to [[Main Page]] | ||
| + | |||
Latest revision as of 11:15, 21 September 2019
Currently (G)old is a play by the Kwasha Theatre Company.
Contents
The original text
The play was developed by the cast as a workshop project, and investigates how the human rights enshrined in the South African constitution are experienced by ordinary South Africans. They present these perspectives through a montage of moments from our past and present in which they reference seminal turning points in the country's history (such as the Sharpeville massacre, 1976 Uprising and the Fees Must Fall movement), and other seminal turning points in the country's history, and using comedy, music and movement, to interrogate, satirize and sometimes ridicule the relevance of human rights in real life.
Translations and adaptations
Performance history in South Africa
2019: Opening at the National Arts Festival in July (where it won two awards, a Bronze Ovation and Best Ensemble), the play also had runs at the Wits 969 Festival, the PopART Theatre and the Market Theatre’s Ramolao Makhene Theatre and Barney Simon Theatre.
Sources
https://markettheatre.co.za/productions/currently-gold/
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
