Difference between revisions of "Albert Carrick"
| (One intermediate revision by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | Albert Carrick (b. | + | '''Albert Carrick''' (b. Scotland, 05/02/1890 or 1891 – d. Johannesburg, 16/10/1966) was a cinematographer. Also credited as A. Carrick and Bert Carrick. |
== Biography == | == Biography == | ||
| − | According to an article in the [[Cape Argus]], Albert Carrick was born in Scotland. In 1919 he married Winifred Candy and soon afterwards came out to South Africa. Subsequently he returned to England, came out again with his wife and in 1921 joined [[African Film Productions]] where he became a cinematographer. He was to remain with the company for all of his working life and was frequently listed as cameraman on the [[African Mirror]] newsreels. Thus he filmed the 1923 installation of Chief Sekgoma Khama as King of the Bangwato people in what was then Bechuanaland and covered numerous notable events on the homefront during World War II. He also contributed to many documentaries, including ''From Red Blanket to Civilisation'' (1925) and ''Durban, Lovers’ Paradise'' (1930), as well as [[Joseph Albrecht]]’s ''The Blue and Silver Way'' (1936) and ''After Sixty Years'' / ''Na Sestig Jaar'' (1946). On ''[[Die Bou van ‘n Nasie]]'' (1938) he is credited with “laboratory” and in 1964 the [[Cape Argus]] reported that he was still helping in the stores. | + | According to an article in the [[Cape Argus]], Albert Carrick was born in Scotland, but this could not be verified. In 1919 he married Winifred Candy and soon afterwards came out to South Africa. Subsequently he returned to England, came out again with his wife and in 1921 joined [[African Film Productions]] where he became a cinematographer. He was to remain with the company for all of his working life and was frequently listed as cameraman on the [[African Mirror]] newsreels. Thus he filmed the 1923 installation of Chief Sekgoma Khama as King of the Bangwato people in what was then Bechuanaland and covered numerous notable events on the homefront during World War II. He also contributed to many documentaries, including ''From Red Blanket to Civilisation'' (1925) and ''Durban, Lovers’ Paradise'' (1930), as well as [[Joseph Albrecht]]’s ''The Blue and Silver Way'' (1936) and ''After Sixty Years'' / ''Na Sestig Jaar'' (1946). On ''[[Die Bou van ‘n Nasie]]'' (1938) he is credited with “laboratory” and in 1964 the [[Cape Argus]] reported that he was still helping in the stores. His death certificate stated that he was a caretaker at [[S.A. Screen Productions]] in Killarney. His wife predeceased him in 1960. |
== Sources == | == Sources == | ||
Latest revision as of 13:11, 27 August 2023
Albert Carrick (b. Scotland, 05/02/1890 or 1891 – d. Johannesburg, 16/10/1966) was a cinematographer. Also credited as A. Carrick and Bert Carrick.
Biography
According to an article in the Cape Argus, Albert Carrick was born in Scotland, but this could not be verified. In 1919 he married Winifred Candy and soon afterwards came out to South Africa. Subsequently he returned to England, came out again with his wife and in 1921 joined African Film Productions where he became a cinematographer. He was to remain with the company for all of his working life and was frequently listed as cameraman on the African Mirror newsreels. Thus he filmed the 1923 installation of Chief Sekgoma Khama as King of the Bangwato people in what was then Bechuanaland and covered numerous notable events on the homefront during World War II. He also contributed to many documentaries, including From Red Blanket to Civilisation (1925) and Durban, Lovers’ Paradise (1930), as well as Joseph Albrecht’s The Blue and Silver Way (1936) and After Sixty Years / Na Sestig Jaar (1946). On Die Bou van ‘n Nasie (1938) he is credited with “laboratory” and in 1964 the Cape Argus reported that he was still helping in the stores. His death certificate stated that he was a caretaker at S.A. Screen Productions in Killarney. His wife predeceased him in 1960.
Sources
Cape Argus, 9 May 1964
Gutsche, Thelma - The history and social significance of motion pictures in South Africa 1895-1940 (1972)
Return to
Return to ESAT Personalities V
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
