Difference between revisions of "The Castle Spectre"
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== The original text == | == The original text == | ||
| − | Apparently based on a previous attempt at a gothic story by the author, inspired by Walpole's ''The Castle of Otranto'', it was reworked | + | Apparently based on a previous attempt at a gothic story by the author, inspired by Walpole's ''The Castle of Otranto'', it was reworked into a play in 1796 and first performed at the Theatre-Royal, Drury-Lane, on Thursday, December 14, 1797. |
| − | Despite manifold obvious weaknesses the play was a popular success and according to Bertrand Evans (1947, pp 143-44), with its appearance "...Gothic drama assumed a popular position not below that of the Gothic novel. Besides having a very long and eminently successful first run, this concoction went through seven printed editions in 1798 and eleven by 1803." It was apparently still popular in 1829. | + | Despite manifold obvious weaknesses, the play was a popular success and according to Bertrand Evans (1947, pp 143-44), with its appearance "...Gothic drama assumed a popular position, not below that of the Gothic novel. Besides having a very long and eminently successful first run, this concoction went through seven printed editions in 1798 and eleven by 1803." It was apparently still popular in 1829. |
| Line 14: | Line 14: | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | 1816: First performed in the [[African Theatre|Cape Town Theatre]], Cape Town by the [[English Theatricals]] on 20 January | + | 1816: First performed in the [[African Theatre|Cape Town Theatre]], Cape Town by the [[English Theatricals]] on 20 January 1816, in support of the Waterloo Fund. With ''[[The Village Lawyer]]'' (Macready) as an afterpiece. Repeated on 3 February 1816 and played once more on 17 August 1816. |
| − | 1824: Performed in the [[African Theatre|Cape Town Theatre]], Cape Town by the [[English Theatricals]] on 27 November 1824, with ''[[The Poor Soldier]]'' (O'Keeffe) as afterpiece. | + | 1824: Performed in the [[African Theatre|Cape Town Theatre]], Cape Town by the [[English Theatricals]] on 27 November 1824, with ''[[The Poor Soldier]]'' (O'Keeffe) as an afterpiece. |
| − | 1830: Performed in the [[African Theatre|Cape Town Theatre]], Cape Town by [[All the World's a Stage]] under the leadership of Mr [[H. Booth]] on 6 March 1830, with ''[[The Lying Valet]]'' (Garrick) as afterpiece. | + | 1830: Performed in the [[African Theatre|Cape Town Theatre]], Cape Town by [[All the World's a Stage]] under the leadership of Mr [[H. Booth]] on 6 March 1830, with ''[[The Lying Valet]]'' (Garrick) as an afterpiece. |
1832: Performed in the [[African Theatre|Cape Town Theatre]], Cape Town by the [[British Amateur Company]] (under the motto [[All the World's a Stage]]) on 12 November 1832, with ''[[The Scape-goat]]'' (Poole) as afterpiece. | 1832: Performed in the [[African Theatre|Cape Town Theatre]], Cape Town by the [[British Amateur Company]] (under the motto [[All the World's a Stage]]) on 12 November 1832, with ''[[The Scape-goat]]'' (Poole) as afterpiece. | ||
Latest revision as of 13:09, 12 August 2018
The Castle Spectre is a play in five acts by Matthew Gregory Lewis (1775 –1818)[1].
Also found with the title The Castle Spectre, or The Ghost of Evelina.
Contents
The original text
Apparently based on a previous attempt at a gothic story by the author, inspired by Walpole's The Castle of Otranto, it was reworked into a play in 1796 and first performed at the Theatre-Royal, Drury-Lane, on Thursday, December 14, 1797.
Despite manifold obvious weaknesses, the play was a popular success and according to Bertrand Evans (1947, pp 143-44), with its appearance "...Gothic drama assumed a popular position, not below that of the Gothic novel. Besides having a very long and eminently successful first run, this concoction went through seven printed editions in 1798 and eleven by 1803." It was apparently still popular in 1829.
Translations and adaptations
Performance history in South Africa
1816: First performed in the Cape Town Theatre, Cape Town by the English Theatricals on 20 January 1816, in support of the Waterloo Fund. With The Village Lawyer (Macready) as an afterpiece. Repeated on 3 February 1816 and played once more on 17 August 1816.
1824: Performed in the Cape Town Theatre, Cape Town by the English Theatricals on 27 November 1824, with The Poor Soldier (O'Keeffe) as an afterpiece.
1830: Performed in the Cape Town Theatre, Cape Town by All the World's a Stage under the leadership of Mr H. Booth on 6 March 1830, with The Lying Valet (Garrick) as an afterpiece.
1832: Performed in the Cape Town Theatre, Cape Town by the British Amateur Company (under the motto All the World's a Stage) on 12 November 1832, with The Scape-goat (Poole) as afterpiece.
1838: It was apparently performed in Grahamstown as The Castle Spectre, or The Ghost of Evelina in this year by the Grahamstown Amateur Company, performing under the motto Honi Soit Qui Mal Y Pense (Though there is some difference of opinion between F.C.L. Bosman and P.W. Laidler on whether it was not perhaps a performance in Cape Town - see Bosman, 1928: pp. 388-9).
1847: Performed twice in the Dutch Theatre, Cape Town by the company called English Private Theatricals (or the Private Amateur Company), the second time on 6 November as their last performance of the season, with Comfortable Lodgings, or Paris in 1750 (Peake) as an afterpiece.
1861: The Band of Amateurs performed a scene from The Castle Spectre in the Garrison Theatre, Grahamstown, on June 3, with a cast consisting of J. Davies (Osmond), J. F. Gay (Saib) and J. Mann (Hassan). This was accompanied by The Irish Tutor (Butler) followed by a scene from The Indians of the Far West (Anon.).
1862: The Band of Amateurs performed a scene from The Castle Spectre in the Garrison Theatre, Keiskamma Hoek, on June 3, with the same cast. This was accompanied by Bombastes Furioso (Rhodes) and a scene from The Indians of the Far West (Anon.).
Sources
Bertrand Evans, Gothic Drama from Walpole to Shelley, University of California Publications in English vol. 18, Berkeley, CA: University of California Press, 1947; pp.143-44.[2]
http://omni.sytes.net/lewis.htm
http://en.wikipedia.org/wiki/Matthew_Lewis_(writer)
Text of the play in the Victorian Plays Project[3]
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [4]: pp. 148-9, 199, 212, 224, 389 and 417.
North Lincoln Sphinx Vol 1, No 7. June 13, 1861.
North Lincoln Sphinx Vol 1, No 13, July 23, 1862. (Keiskama Hoek)
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