Difference between revisions of "In Town"
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==The original text== | ==The original text== | ||
| − | Referred to by a number of sources as "the first Edwardian musical comedy" and the start of the Gaiety movement in theatre, it was first performed in 1892 in the Prince of Wales Theatre, London, on 15 October. | + | Referred to by a number of sources as "the first Edwardian musical comedy" and the start of the [[Gaiety]] movement in theatre, it was first performed in 1892 in the Prince of Wales Theatre, London, on 15 October. |
==Translations and adaptations== | ==Translations and adaptations== | ||
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== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | 1894: Performed by the '''[[Cairns James Company]]''', in the [[Good Hope Theatre]] on 9 June, 1894, under the auspices of the [[Wheeler Theatre Company]]. | + | 1894: Performed by the '''[[Cairns James Company]]''', in the [[Good Hope Theatre]] on 9 June, 1894, under the auspices of the [[Wheeler Theatre Company]]. The enormous company included [[Cairns James]], [[James Leverett]], [[Jessie Moore]], [[Charles Wibrow]], [[William Philip]], [[Leslie Holland]], [[E.D. Wardes]], [[E. Daintree]], [[Arthur Ryley]], [[Alice Aynsley Cook]], [[Florence Neville]], [[Phoebe Carlo]], [[Lena Flowerdey]], [[Jessie Davis]], [[Mabel Wynn]], [[May Glynne]], [[Ivy Warner]]. Stage management by [[Cairns James]], and musical direction by [[Brigata Buccalossi]]. The production was extremely highly regarded by [[D.C. Boonzaier]] (1923), who judged it as the best performed musical comedy he had seen in Cape Town in his whole career as critic. |
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== Sources == | == Sources == | ||
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[[D.C. Boonzaier]]. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | [[D.C. Boonzaier]]. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | ||
| − | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. | + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.399, 400 |
Go to [[ESAT Bibliography]] | Go to [[ESAT Bibliography]] | ||
Latest revision as of 06:32, 25 April 2020
In Town is a musical comedy in two acts by Adrian Ross (1859-1933)[1], James Leader (1858—1915)[2] and Frank Osmond Carr (1858-1916)[3].
Contents
The original text
Referred to by a number of sources as "the first Edwardian musical comedy" and the start of the Gaiety movement in theatre, it was first performed in 1892 in the Prince of Wales Theatre, London, on 15 October.
Translations and adaptations
Performance history in South Africa
1894: Performed by the Cairns James Company, in the Good Hope Theatre on 9 June, 1894, under the auspices of the Wheeler Theatre Company. The enormous company included Cairns James, James Leverett, Jessie Moore, Charles Wibrow, William Philip, Leslie Holland, E.D. Wardes, E. Daintree, Arthur Ryley, Alice Aynsley Cook, Florence Neville, Phoebe Carlo, Lena Flowerdey, Jessie Davis, Mabel Wynn, May Glynne, Ivy Warner. Stage management by Cairns James, and musical direction by Brigata Buccalossi. The production was extremely highly regarded by D.C. Boonzaier (1923), who judged it as the best performed musical comedy he had seen in Cape Town in his whole career as critic.
Sources
http://www.gsarchive.net/british/authors/ross.html
http://www.gsarchive.net/british/composers/carr.html
https://en.wikipedia.org/wiki/James_T._Tanner
https://en.wikipedia.org/wiki/Edwardian_musical_comedy
D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.399, 400
Go to ESAT Bibliography
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Return to PLAYS IV: Pageants and public performances
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