Difference between revisions of "Belphegor"

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The name [[Belphegor]] is found as the name of a character and as the name of (or part of the name of ) many plays.  
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The name [[Belphegor]] is the name of a mythical demon, and deriving from that a fictional character that occurs in, and lends his name as title to, a large number of stage plays, novels and works of art over the centuries.  
  
 
=Belphegor the character=
 
=Belphegor the character=
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According to [[Wikipedia]][https://en.wikipedia.org/wiki/Belphegor] “Belphegor (or Beelphegor, Hebrew: בַּעַל-פְּעוֹר‎ baʿal-pəʿōr - Lord of the Gap) is a demon, and one of the seven princes of Hell, who helps people make discoveries. He seduces people by suggesting to them ingenious inventions that will make them rich”.
 
According to [[Wikipedia]][https://en.wikipedia.org/wiki/Belphegor] “Belphegor (or Beelphegor, Hebrew: בַּעַל-פְּעוֹר‎ baʿal-pəʿōr - Lord of the Gap) is a demon, and one of the seven princes of Hell, who helps people make discoveries. He seduces people by suggesting to them ingenious inventions that will make them rich”.
  
A large number of works have been written using this name in the title, or the character.  
+
A large number of works have been written using this name in the title, or a character by this name.  
  
 +
=Stage plays featuring "Belphegor" as character=
  
=Plays featuring Belphegor=
+
The history of the character in theatre is a complicated one for there have been numerous plays over the years featuring this some version of the character, often using the name as (part of) the title. The problem is further compounded because  many authors performed and published such works under more than one variation of the title.
  
There have been numerous plays over the years featuring this character, many using the name as a title. Among them are the following. Those texts that have been performed - or may ''possibly'' have been performed - in South Africa are provided with '''links''' to the relevant entries.  Click on the link for more information on the particular text.
+
==Among those most often found are:==
  
 +
''(Those texts that have been performed - or may '''possibly''' have been performed - in South Africa are provided with '''blue links''' to the relevant entries.  Click on the link for more information on the particular text.)''
  
One of the earliest play featuring the character is ''[[Belphegor, or The Marriage of the Devil]]'' by John Wilson (1627-c1696), a tragi-comedy, the play was  produced in 1690.
+
One of the earliest plays featuring the character is ''[[Belphegor, or The Marriage of the Devil]]'' by John Wilson (1627-c1696), a tragi-comedy, the play was  produced in 1690.
  
''[[Paillasse]]'' (or ''[[La Paillasse]]'' in some sources, i.e. "Clown" or "The Clown") by Adolphe d' Ennery (1811-1899)[https://fr.wikipedia.org/wiki/Adolphe_d%27Ennery]  and Marc Fournier (1818-1879) is a French text, featuring a clown named "Belphégor", and it became the source for a number of English adaptations by various authors. A drama in five acts, it was first performed in Paris at the Théâtre de la Gaité, on 9 November 1850. Published in Volume 17 of Magasin théâtral illustré by J. A. Lelong, Brussels, in 1850.
+
This was followed in 1778 by a comic opera called ''[[Belphegor or the Wishes]]'' (or simply known as ''[[Belphegor]]''), libretto written by M.P. Andrews with music by François-Hippolyte Barthélemon. Performed at the Theatre Royal Drury Lane, London, in 1778 and published by S. and A. Thompson.  
  
A number of English versions or derivative works, were produced in the 1850's and later - all using ''[[Belphegor]]'' as main title. Among them are:
+
A piece called ''[[Arlequin Protégé par Belphégor]]'' performed as a pantomime in Cape Town 12 August 1805, featuring [[Monsieur Delémery]], who most probably also devised the performance himself.
  
''[[Belphegor the Mountebank, or Woman's Constancy]]'' by C. Webb, Performed in the 1850s. Translation and adaptation of ''[[La Paillasse]]'' of Adolphe d' Ennery and Marc Fournier; . First performed at the Royal Lyceum and Arch Street theatres and published in French's Standard Drama, The acting edition, as No. CCCXLI. The play was used as the basis for the 1921 British silent film  called ''Belphegor the Mountebank'', directed by Bert Wynne and starring Milton Rosmer, Kathleen Vaughan and Warwick Ward. 
+
In 1850 Adolphe d' Ennery (1811-1899)[https://fr.wikipedia.org/wiki/Adolphe_d%27Ennery]  and Marc Fournier (1818-1879) wrote the very popular and influential French play '''''[[Paillasse]]''''' (called ''[[La Paillasse]]'' in some sources, i.e. "Clown" or "The Clown") featuring a clown named "Belphégor".
 +
 
 +
''From here on the matter becomes mightily confusing,  for it appears that the D'Ennery and Fournier text to a large extent now became the source for a number of English adaptations or derivative works by various authors produced from 1851 onwards.''
 +
 
 +
==Among the plays seemingly based on the D'Ennery and Fournier text are:==
  
 
''[[Belphegor, or The Mountebank and His Wife]]'' a romantic and domestic drama in three acts by Thomas Higgie (1808?-1893) and  
 
''[[Belphegor, or The Mountebank and His Wife]]'' a romantic and domestic drama in three acts by Thomas Higgie (1808?-1893) and  
Thomas Hailes Lacy (1809-1873), based on ''[[La Paillasse]]'' of Adolphe d' Ennery and Marc Fournier. First performed at the Royal Victoria Theatre, January 27, 1851 and published in London by T.H. Lacy, 1851.  It also appeared under the title ''[[Belphegor, the Buffoon, or The Robbers of the Revolution]]'' (ascribed to Higgie alone), performed at the performance at the Victoria Theatre, London, on January 27, 1851 and published in Duncombe's acting edition of the British theatre, no 530).
+
Thomas Hailes Lacy (1809-1873)[https://en.wikipedia.org/wiki/Thomas_Hailes_Lacy], based on ''[[La Paillasse]]'' of Adolphe d' Ennery and Marc Fournier. First performed at the Royal Victoria Theatre, January 27, 1851 and published in London by T.H. Lacy, 1851.  It also appeared under the title ''[[Belphegor, the Buffoon, or The Robbers of the Revolution]]'' (ascribed to Higgie alone), performed at the performance at the Victoria Theatre, London, on January 27, 1851 and published in Duncombe's acting edition of the British theatre, no 530).
  
 +
''[[Belphegor the Itinerant]]'' (also listed as ''[[Belphegor, or The Mountebank and His Wife]]'') a play in four acts by  John Courtney (1804-1865)[https://en.wikipedia.org/wiki/John_Courtney_(playwright)] First produced at the Royal Surrey Theatre, on Monday, January 20, 1851 and published in Lacy's acting edition no 39.
  
 
''[[Belphegor the Mountebank, or Pride of Bath]]'' by Benjamin Nottingham Webster (1797-1882). This was Webster's own English version of ''[[La Paillasse]]'' , first performed by Webster in the Adelphi Theatre, London, during January 1851.
 
''[[Belphegor the Mountebank, or Pride of Bath]]'' by Benjamin Nottingham Webster (1797-1882). This was Webster's own English version of ''[[La Paillasse]]'' , first performed by Webster in the Adelphi Theatre, London, during January 1851.
 +
 +
''[[Belphegor the Mountebank, or Woman's Constancy]]'' by Charles Webb, Performed in the 1850s. Translation and adaptation of ''[[La Paillasse]]'' of Adolphe d' Ennery and Marc Fournier; . First performed at the Royal Lyceum and Arch Street theatres and published by the Music Pub. Co., London, in 1856 and in French's Standard Drama, The acting edition, as No. CCCXLI in 1866. The play was used as the basis for the 1921 British silent film  called ''Belphegor the Mountebank'', directed by Bert Wynne and starring Milton Rosmer, Kathleen Vaughan and Warwick Ward.  (In some editions Charles Dillon is also mentioned as an author.)
 +
 +
''[[Belphegor, the Mountebank to any Amount of Property]]'' is a [[burlesque]] [[extravaganza]] by C.H. Hazlewood. 1866.
  
 
''[[The Acrobat]]'' by Wilson Barrett is also an adaptation of d'Ennery and Fournier's play. Performed at the Olympic Theatre from 21 April 1891 till 7 May 1891, with Barrett in the leading role.  
 
''[[The Acrobat]]'' by Wilson Barrett is also an adaptation of d'Ennery and Fournier's play. Performed at the Olympic Theatre from 21 April 1891 till 7 May 1891, with Barrett in the leading role.  
  
 +
''[[Belphegor (play)|Belphegor]]'' by L. S. Buckingham, An extravaganza in one act.
 +
 +
''[[Belphegor (play)|Belphegor]]'' by J. Wilton Jones, a musical comedy by Wilton Jones (libretto) and Alfred Christensen (music), opened in South Shields T.R. on October 20. 1889.
 +
 +
= Performance history in South Africa=
 +
 +
''Below is a listing of '''all the plays found''' using ''[[Belphegor]]'' '''as''' title, or using the name '''in''' the title.''
 +
 +
1805: A piece called ''[[Arlequin Protégé par Belphégor]]'' is a pantomime performed in Cape Town 12 August, featuring [[Monsieur Delémery]], who most probably also devised the performance himself.
 +
 +
1867: ''[[Belphegor the Mountebank, or Woman's Constancy]]'' (Webb) performed in the Theatre Royal, Cape Town, by the 9th Regiment on 29 June, accompanied by various vaudeville-style acts, including gymnastic entertainments and various dances by Wallace.
 +
 +
1875: Performed as ''[[Belphegor, or The Mountebank]]'' (ascribed to J. Courtney) in the [[Bijou Theatre ]], Cape Town, by [[Disney Roebuck]]'s company on 23 September, as a benefit for [[Sutton Vane]], with ''[[A Regular Fix]]'' (Morton) and a dance by [[Miss Duggan]].
  
''[[Belphegor (play)|Belphegor]]'' by L. S. Buckingham, An extravaganza in one act
+
1875: Performed as ''[[Belphegor, or The Mountebank]]'' in the [[Bijou Theatre ]], Cape Town, by [[Disney Roebuck]]'s company on 25 September, with ''[[Jessie Vere]]'' (Hazlewood).
  
''[[Belphegor (play)|Belphegor]]'' by Wilton Jones, a musical comedy by Wilton Jones (libretto) and Alfred Christensen (music), opened in South Shields T.R. on October 20. 1889.
+
1876: Performed as ''[[Belphegor, or The Mountebank]]'' in the [[Athenaeum Hall]], Cape Town, by [[Disney Roebuck]]'s company on 31 October, with ''[[Whitebait at Greenwich]]'' ().
 +
 
 +
1877: Performed as ''[[Belphegor]]'' in the [[Theatre Royal]], Cape Town, by [[Disney Roebuck]]'s company on 19 November. [[F.C.L. Bosman]], (1890:p. 363), suggests this was Webster's version, though it is far more likely to have been the same Courtney text used by the Cape Town company in 1875-1876.
  
 
=Sources=
 
=Sources=
 
https://catalog.princeton.edu/catalog/5988469
 
  
 
https://en.wikipedia.org/wiki/Belphegor
 
https://en.wikipedia.org/wiki/Belphegor
Line 43: Line 67:
  
 
https://en.wikisource.org/wiki/Webster,_Benjamin_Nottingham_(DNB00)
 
https://en.wikisource.org/wiki/Webster,_Benjamin_Nottingham_(DNB00)
 +
 +
Facsimile version of the score for ''Belphegor or the Wishes''[https://books.google.co.za/books?id=mtu2CcaZNDIC&dq=Belphegor%3B+or,+The+Wishes.+Comic+opera,+2+acts.&source=gbs_navlinks_s]
  
 
https://www.revolvy.com/main/index.php?s=Belphegor%20the%20Mountebank%20(1921%20film)&item_type=topic
 
https://www.revolvy.com/main/index.php?s=Belphegor%20the%20Mountebank%20(1921%20film)&item_type=topic
Line 48: Line 74:
 
https://www.amazon.fr/Paillasse-%C3%A9preuves-Belph%C3%A9gor-Adolphe-dEnnery/dp/B0068FAC9A
 
https://www.amazon.fr/Paillasse-%C3%A9preuves-Belph%C3%A9gor-Adolphe-dEnnery/dp/B0068FAC9A
  
Facsimile version of the original text for ''[[Paillasse]]'', Google E-book[https://books.google.co.za/books?id=tkIUAAAAQAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false]
+
Facsimile version of the original Le Long text for ''[[Paillasse]]'', Google E-book[https://books.google.co.za/books?id=tkIUAAAAQAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false]
 +
 
 +
Allardyce Nicoll. 1975. ''History of English Drama 1660-1900''[https://books.google.co.za/books?id=nEilDfLnCSQC&pg=PA38&lpg=PA38&dq=Belphegor,+or+The+Mountebank+by+J+Courtney&source=bl&ots=Bg0oG3nv05&sig=ibu3vdXd9PSQ0pXJ0rX_tk57p6Y&hl=en&sa=X&ved=0ahUKEwjl_b3RpqfaAhWhKMAKHQTIB1QQ6AEILTAB#v=onepage&q=Belphegor%2C%20or%20The%20Mountebank%20by%20J%20Courtney&f=false]
 +
 
 +
Facsimile version of the original Dondey-Dupré text for ''[[Paillasse]]''[urn:nbn:de:bvb:824-dtl-0000130953]
 +
 
 +
http://www.worldcat.org/title/belphegor-the-mountebank-or-womans-constancy-a-drama-in-three-acts/oclc/15014227/editions?editionsView=true&referer=br
  
 
https://catalog.hathitrust.org/Record/011540171
 
https://catalog.hathitrust.org/Record/011540171
  
Facsimile version of the original text for ''[[Belphegor, or The Mountebank and His Wife]]'', The HathiTrust Digital Library[https://babel.hathitrust.org/cgi/pt?id=hvd.32044050684018;view=1up;seq=10]
+
Facsimile version of the original text for the Higgie 3 act version of ''[[Belphegor, or The Mountebank and His Wife]]'', The HathiTrust Digital Library[https://babel.hathitrust.org/cgi/pt?id=hvd.32044050684018;view=1up;seq=10]
 +
 
 +
Transcript version of the original text for Courtney 4 act version of ''[[Belphegor, or The Mountebank and His Wife]]''[http://victorian.nuigalway.ie/modx/assets/docs/pdf/Vol3ixBelphegor.pdf]
 +
 
 +
https://en.wikipedia.org/wiki/John_Courtney_(playwright)
  
 
http://www.worldcat.org/title/belphegor-or-the-mountebank-and-his-wife-a-romantic-and-domestic-drama-in-three-acts/oclc/24495274
 
http://www.worldcat.org/title/belphegor-or-the-mountebank-and-his-wife-a-romantic-and-domestic-drama-in-three-acts/oclc/24495274
 +
 +
https://www.worldcat.org/title/belphegor-the-mountebank-to-any-amount-of-property-a-burlesque-extravaganza/oclc/18686586
  
 
Alfred Harbage, Sylvia S. Wagonheim. 1989. ''Annals of English Drama, 975-1700. Psychology Press: p. 369[https://books.google.co.za/books?id=NL4X5uzf26wC&pg=PA369&lpg=PA369&dq=belphegor+a+play+by+b.+webster&source=bl&ots=XxS3-tZCxX&sig=mErXWLYJtOljOKWp3j6lyRhoUf0&hl=en&sa=X&ved=0ahUKEwi16P_a16TaAhWIKcAKHRZnDMY4ChDoAQgnMAA#v=onepage&q&f=false]
 
Alfred Harbage, Sylvia S. Wagonheim. 1989. ''Annals of English Drama, 975-1700. Psychology Press: p. 369[https://books.google.co.za/books?id=NL4X5uzf26wC&pg=PA369&lpg=PA369&dq=belphegor+a+play+by+b.+webster&source=bl&ots=XxS3-tZCxX&sig=mErXWLYJtOljOKWp3j6lyRhoUf0&hl=en&sa=X&ved=0ahUKEwi16P_a16TaAhWIKcAKHRZnDMY4ChDoAQgnMAA#v=onepage&q&f=false]
Line 62: Line 100:
  
 
Hambleton Theatrical Collection, 1790-1941[http://www.mdhs.org/findingaid/ms-3099-hambleton-theatrical-collection-1790-1941]
 
Hambleton Theatrical Collection, 1790-1941[http://www.mdhs.org/findingaid/ms-3099-hambleton-theatrical-collection-1790-1941]
 +
 +
Go to [[ESAT Bibliography]]
 +
 +
= Return to =
 +
 +
Return to [[PLAYS I: Original SA plays]]
 +
 +
Return to [[PLAYS II: Foreign plays]]
 +
 +
Return to [[PLAYS III: Collections]]
 +
 +
Return to [[PLAYS IV: Pageants and public performances]]
 +
 +
Return to [[South_African_Festivals|South African Festivals and Competitions]]
 +
 +
Return to [[The ESAT Entries]]
 +
 +
Return to [[Main Page]]

Latest revision as of 06:15, 20 July 2021

The name Belphegor is the name of a mythical demon, and deriving from that a fictional character that occurs in, and lends his name as title to, a large number of stage plays, novels and works of art over the centuries.

Belphegor the character

According to Wikipedia[1] “Belphegor (or Beelphegor, Hebrew: בַּעַל-פְּעוֹר‎ baʿal-pəʿōr - Lord of the Gap) is a demon, and one of the seven princes of Hell, who helps people make discoveries. He seduces people by suggesting to them ingenious inventions that will make them rich”.

A large number of works have been written using this name in the title, or a character by this name.

Stage plays featuring "Belphegor" as character

The history of the character in theatre is a complicated one for there have been numerous plays over the years featuring this some version of the character, often using the name as (part of) the title. The problem is further compounded because many authors performed and published such works under more than one variation of the title.

Among those most often found are:

(Those texts that have been performed - or may possibly have been performed - in South Africa are provided with blue links to the relevant entries. Click on the link for more information on the particular text.)

One of the earliest plays featuring the character is Belphegor, or The Marriage of the Devil by John Wilson (1627-c1696), a tragi-comedy, the play was produced in 1690.

This was followed in 1778 by a comic opera called Belphegor or the Wishes (or simply known as Belphegor), libretto written by M.P. Andrews with music by François-Hippolyte Barthélemon. Performed at the Theatre Royal Drury Lane, London, in 1778 and published by S. and A. Thompson.

A piece called Arlequin Protégé par Belphégor performed as a pantomime in Cape Town 12 August 1805, featuring Monsieur Delémery, who most probably also devised the performance himself.

In 1850 Adolphe d' Ennery (1811-1899)[2] and Marc Fournier (1818-1879) wrote the very popular and influential French play Paillasse (called La Paillasse in some sources, i.e. "Clown" or "The Clown") featuring a clown named "Belphégor".

From here on the matter becomes mightily confusing, for it appears that the D'Ennery and Fournier text to a large extent now became the source for a number of English adaptations or derivative works by various authors produced from 1851 onwards.

Among the plays seemingly based on the D'Ennery and Fournier text are:

Belphegor, or The Mountebank and His Wife a romantic and domestic drama in three acts by Thomas Higgie (1808?-1893) and Thomas Hailes Lacy (1809-1873)[3], based on La Paillasse of Adolphe d' Ennery and Marc Fournier. First performed at the Royal Victoria Theatre, January 27, 1851 and published in London by T.H. Lacy, 1851. It also appeared under the title Belphegor, the Buffoon, or The Robbers of the Revolution (ascribed to Higgie alone), performed at the performance at the Victoria Theatre, London, on January 27, 1851 and published in Duncombe's acting edition of the British theatre, no 530).

Belphegor the Itinerant (also listed as Belphegor, or The Mountebank and His Wife) a play in four acts by John Courtney (1804-1865)[4] First produced at the Royal Surrey Theatre, on Monday, January 20, 1851 and published in Lacy's acting edition no 39.

Belphegor the Mountebank, or Pride of Bath by Benjamin Nottingham Webster (1797-1882). This was Webster's own English version of La Paillasse , first performed by Webster in the Adelphi Theatre, London, during January 1851.

Belphegor the Mountebank, or Woman's Constancy by Charles Webb, Performed in the 1850s. Translation and adaptation of La Paillasse of Adolphe d' Ennery and Marc Fournier; . First performed at the Royal Lyceum and Arch Street theatres and published by the Music Pub. Co., London, in 1856 and in French's Standard Drama, The acting edition, as No. CCCXLI in 1866. The play was used as the basis for the 1921 British silent film called Belphegor the Mountebank, directed by Bert Wynne and starring Milton Rosmer, Kathleen Vaughan and Warwick Ward. (In some editions Charles Dillon is also mentioned as an author.)

Belphegor, the Mountebank to any Amount of Property is a burlesque extravaganza by C.H. Hazlewood. 1866.

The Acrobat by Wilson Barrett is also an adaptation of d'Ennery and Fournier's play. Performed at the Olympic Theatre from 21 April 1891 till 7 May 1891, with Barrett in the leading role.

Belphegor by L. S. Buckingham, An extravaganza in one act.

Belphegor by J. Wilton Jones, a musical comedy by Wilton Jones (libretto) and Alfred Christensen (music), opened in South Shields T.R. on October 20. 1889.

Performance history in South Africa

Below is a listing of all the plays found using Belphegor as title, or using the name in the title.

1805: A piece called Arlequin Protégé par Belphégor is a pantomime performed in Cape Town 12 August, featuring Monsieur Delémery, who most probably also devised the performance himself.

1867: Belphegor the Mountebank, or Woman's Constancy (Webb) performed in the Theatre Royal, Cape Town, by the 9th Regiment on 29 June, accompanied by various vaudeville-style acts, including gymnastic entertainments and various dances by Wallace.

1875: Performed as Belphegor, or The Mountebank (ascribed to J. Courtney) in the Bijou Theatre , Cape Town, by Disney Roebuck's company on 23 September, as a benefit for Sutton Vane, with A Regular Fix (Morton) and a dance by Miss Duggan.

1875: Performed as Belphegor, or The Mountebank in the Bijou Theatre , Cape Town, by Disney Roebuck's company on 25 September, with Jessie Vere (Hazlewood).

1876: Performed as Belphegor, or The Mountebank in the Athenaeum Hall, Cape Town, by Disney Roebuck's company on 31 October, with Whitebait at Greenwich ().

1877: Performed as Belphegor in the Theatre Royal, Cape Town, by Disney Roebuck's company on 19 November. F.C.L. Bosman, (1890:p. 363), suggests this was Webster's version, though it is far more likely to have been the same Courtney text used by the Cape Town company in 1875-1876.

Sources

https://en.wikipedia.org/wiki/Belphegor

https://catalog.princeton.edu/catalog/7160135

https://en.wikisource.org/wiki/Webster,_Benjamin_Nottingham_(DNB00)

Facsimile version of the score for Belphegor or the Wishes[5]

https://www.revolvy.com/main/index.php?s=Belphegor%20the%20Mountebank%20(1921%20film)&item_type=topic

https://www.amazon.fr/Paillasse-%C3%A9preuves-Belph%C3%A9gor-Adolphe-dEnnery/dp/B0068FAC9A

Facsimile version of the original Le Long text for Paillasse, Google E-book[6]

Allardyce Nicoll. 1975. History of English Drama 1660-1900[7]

Facsimile version of the original Dondey-Dupré text for Paillasse[8]

http://www.worldcat.org/title/belphegor-the-mountebank-or-womans-constancy-a-drama-in-three-acts/oclc/15014227/editions?editionsView=true&referer=br

https://catalog.hathitrust.org/Record/011540171

Facsimile version of the original text for the Higgie 3 act version of Belphegor, or The Mountebank and His Wife, The HathiTrust Digital Library[9]

Transcript version of the original text for Courtney 4 act version of Belphegor, or The Mountebank and His Wife[10]

https://en.wikipedia.org/wiki/John_Courtney_(playwright)

http://www.worldcat.org/title/belphegor-or-the-mountebank-and-his-wife-a-romantic-and-domestic-drama-in-three-acts/oclc/24495274

https://www.worldcat.org/title/belphegor-the-mountebank-to-any-amount-of-property-a-burlesque-extravaganza/oclc/18686586

Alfred Harbage, Sylvia S. Wagonheim. 1989. Annals of English Drama, 975-1700. Psychology Press: p. 369[11]

Frederick Wilse Bateson (Ed.). 1940 The Cambridge Bibliography of English Literature, Volumes 1-5 CUP Archive[12]

Hambleton Theatrical Collection, 1790-1941[13]

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page