Difference between revisions of "Colour Sergeant Heaven"
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| − | [[Colour Sergeant Heaven]] was a | + | [[Colour Sergeant Heaven]] was a soldier and performer in Cape Town ''circa'' 1862. |
| − | + | == Biography == | |
| − | |||
| + | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | ''' | + | A non-commissioned officer in the British Garrison in Cape Town, he was the organizing figure behind the company of African Minstrels who were reported to have performed an [[interlude]] during a performance of ''[[The Miller and his Men|The Miller and His Men]]'' and ''[[A Kiss in the Dark]]'' by officers and men from the [[11th Regiment]] in the [[Barracks Theatre]], Cape Town on Tuesday, 2 December 1862. |
| + | Though it is tempting to assume otherwise in this case, the rank of "Colour Sergeant" does '''not''' mean that Heaven was from an [[African]] corps of some kind, it is in fact a specific rank of non-commissioned officer found in several armies. It is likely though that his cast of [[Minstrels]] consisted of ensigns under his care. | ||
| + | Historically, colour sergeants of British line regiments protected ensigns, the most junior officers who were responsible for carrying their battalions' colours (ie the regimental flag with the battle honours on it) to rally troops in battles. For this reason, to reach the rank of colour sergeant was considered a prestigious attainment, granted normally to those sergeants who had displayed courage on the field of battle. The rank of Colour Sergeant is higher than a regular sergeant. [https://en.wikipedia.org/wiki/Colour_sergeant] | ||
| + | In the South African army, he is called a Staff sergeant, a Flight sergeant in the South African Air Force and a Chief petty officer in the South African Navy. | ||
== Sources == | == Sources == | ||
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[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 167 | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 167 | ||
| − | Go to [[ESAT Bibliography]] | + | Go to the [[ESAT Bibliography]] |
| + | |||
| + | == Return to == | ||
| + | |||
| + | Return to [[ESAT Personalities H]] | ||
| + | |||
| + | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to [[Main Page]] | ||
Latest revision as of 13:59, 16 June 2021
Colour Sergeant Heaven was a soldier and performer in Cape Town circa 1862.
Contents
Biography
Contribution to SA theatre, film, media and/or performance
A non-commissioned officer in the British Garrison in Cape Town, he was the organizing figure behind the company of African Minstrels who were reported to have performed an interlude during a performance of The Miller and His Men and A Kiss in the Dark by officers and men from the 11th Regiment in the Barracks Theatre, Cape Town on Tuesday, 2 December 1862.
Though it is tempting to assume otherwise in this case, the rank of "Colour Sergeant" does not mean that Heaven was from an African corps of some kind, it is in fact a specific rank of non-commissioned officer found in several armies. It is likely though that his cast of Minstrels consisted of ensigns under his care. Historically, colour sergeants of British line regiments protected ensigns, the most junior officers who were responsible for carrying their battalions' colours (ie the regimental flag with the battle honours on it) to rally troops in battles. For this reason, to reach the rank of colour sergeant was considered a prestigious attainment, granted normally to those sergeants who had displayed courage on the field of battle. The rank of Colour Sergeant is higher than a regular sergeant. [1]
In the South African army, he is called a Staff sergeant, a Flight sergeant in the South African Air Force and a Chief petty officer in the South African Navy.
Sources
https://en.wikipedia.org/wiki/Colour_sergeant
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 167
Go to the ESAT Bibliography
Return to
Return to ESAT Personalities H
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
