Difference between revisions of "Todd Matshikiza"

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'''Todd Matshikiza''' (1921-1968) Musician, journalist and broadcaster.  
 
'''Todd Matshikiza''' (1921-1968) Musician, journalist and broadcaster.  
  
Misrepresented by the chronichlers of the King Kong project as an untrained amateur, he was actually a highly accomplished musician. A successor of [[African vaudeville]] impressario [[Motsieloa]], he worked with several bands as pianist, including the Harlem Swingsters and the Jazz Dazzlers, was Drum magazine’s music editor, and a serious composer. His articles include “How Musicians Die” (1953) and “Jazz Comes to Jo’burg” (1957) and among his compositions are a musical praise poem for Trevor Huddlestone called [[Makhalipile]] (“The Undaunted One” – 1953) and  a cantata for 200 voices and a 70 piece orchestra called Uxolo (“Peace”), commissioned for the 70th anniversary of Johannesburg (1956). Between 1957-59 he helped write the synopsis, composed the music and wrote the Nguni lyrics for the musical ''[[King Kong]]'' and in 195*/6* collaborated with [[Alan Paton]] on the musical show ''[[Mkhumbane]]''. In 196* he was banned and left the country, to die in exile. His son [[John Matshikza|John]] inherited the copyright to his father’s work**??.  
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==Contribution to SA theatre, film, media and/or performance==
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Misrepresented by the chronichlers of the ''[[King Kong]]'' project as an untrained amateur, he was actually a highly accomplished musician. A successor of [[African vaudeville]] impressario [[Motsieloa]], he worked with several bands as pianist, including the Harlem Swingsters and the Jazz Dazzlers, was Drum magazine’s music editor, and a serious composer. His articles include “How Musicians Die” (1953) and “Jazz Comes to Jo’burg” (1957) and among his compositions are a musical praise poem for Trevor Huddlestone called [[Makhalipile]] (“The Undaunted One” – 1953) and  a cantata for 200 voices and a 70 piece orchestra called Uxolo (“Peace”), commissioned for the 70th anniversary of Johannesburg (1956). Between 1957-59 he helped write the synopsis, composed the music and wrote the Nguni lyrics for the musical ''[[King Kong]]'' and in 195*/6* collaborated with [[Alan Paton]] on the musical show ''[[Mkhumbane]]''. In 196* he was banned and left the country, to die in exile. His son [[John Matshikiza|John]] inherited the copyright to his father’s work**??.  
  
 
His autobiographical account of his time in London (''Chocolates for my Wife'') was published by Hoddder and Stoughton in 1961.
 
His autobiographical account of his time in London (''Chocolates for my Wife'') was published by Hoddder and Stoughton in 1961.
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The first half of ''With the Lid Off: South African Insights from Home and Abroad 1959-2000'', by Todd Matshikiza and [[John Matshikiza]], a book published by Mail and Guardian Books in 2001, is a collection of Todd Matshikiza's ''[[Drum]]'' magazine columns. An elegant writer, his columns exude humour without reducing the daily struggles of ordinary black South Africans for survival and a better life.
  
 
== Sources ==
 
== Sources ==
 
[[ESAT Bibliography Tra-Tz|Tucker]], 1997. 127-128.
 
[[ESAT Bibliography Tra-Tz|Tucker]], 1997. 127-128.
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Book review by Vuyo Mvoko, ''Leadership SA'', 30 June 2001.
  
 
Various entries in the [[NELM]] catalogue.
 
Various entries in the [[NELM]] catalogue.

Latest revision as of 12:00, 3 July 2018

Todd Matshikiza (1921-1968) Musician, journalist and broadcaster.

Contribution to SA theatre, film, media and/or performance

Misrepresented by the chronichlers of the King Kong project as an untrained amateur, he was actually a highly accomplished musician. A successor of African vaudeville impressario Motsieloa, he worked with several bands as pianist, including the Harlem Swingsters and the Jazz Dazzlers, was Drum magazine’s music editor, and a serious composer. His articles include “How Musicians Die” (1953) and “Jazz Comes to Jo’burg” (1957) and among his compositions are a musical praise poem for Trevor Huddlestone called Makhalipile (“The Undaunted One” – 1953) and a cantata for 200 voices and a 70 piece orchestra called Uxolo (“Peace”), commissioned for the 70th anniversary of Johannesburg (1956). Between 1957-59 he helped write the synopsis, composed the music and wrote the Nguni lyrics for the musical King Kong and in 195*/6* collaborated with Alan Paton on the musical show Mkhumbane. In 196* he was banned and left the country, to die in exile. His son John inherited the copyright to his father’s work**??.

His autobiographical account of his time in London (Chocolates for my Wife) was published by Hoddder and Stoughton in 1961.

The first half of With the Lid Off: South African Insights from Home and Abroad 1959-2000, by Todd Matshikiza and John Matshikiza, a book published by Mail and Guardian Books in 2001, is a collection of Todd Matshikiza's Drum magazine columns. An elegant writer, his columns exude humour without reducing the daily struggles of ordinary black South Africans for survival and a better life.

Sources

Tucker, 1997. 127-128.

Book review by Vuyo Mvoko, Leadership SA, 30 June 2001.

Various entries in the NELM catalogue.


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