Difference between revisions of "Todd Matshikiza"
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| − | ''' | + | '''Todd Matshikiza''' (1921-1968) Musician, journalist and broadcaster. |
| − | Misrepresented by the chronichlers of the King Kong project as an untrained amateur, he was actually a highly accomplished musician. A successor of [[African vaudeville]] impressario [[Motsieloa]], he worked with several bands as pianist, including the Harlem Swingsters and the Jazz Dazzlers, was Drum magazine’s music editor, and a serious composer. His articles include “How Musicians Die” (1953) and “Jazz Comes to Jo’burg” (1957) and among his compositions are a musical praise poem for Trevor Huddlestone called [[Makhalipile]] (“The Undaunted One” – 1953) and a cantata for 200 voices and a 70 piece orchestra called Uxolo (“Peace”), commissioned for the 70th anniversary of Johannesburg (1956). Between 1957-59 he helped write the synopsis, composed the music and wrote the Nguni lyrics for the musical ''[[King Kong]]'' and in 195*/6* collaborated with [[Alan Paton]] on the musical show ''[[Mkhumbane]]''. In 196* he was banned and left the country, to die in exile. His son [[John | + | ==Contribution to SA theatre, film, media and/or performance== |
| + | Misrepresented by the chronichlers of the ''[[King Kong]]'' project as an untrained amateur, he was actually a highly accomplished musician. A successor of [[African vaudeville]] impressario [[Motsieloa]], he worked with several bands as pianist, including the Harlem Swingsters and the Jazz Dazzlers, was Drum magazine’s music editor, and a serious composer. His articles include “How Musicians Die” (1953) and “Jazz Comes to Jo’burg” (1957) and among his compositions are a musical praise poem for Trevor Huddlestone called [[Makhalipile]] (“The Undaunted One” – 1953) and a cantata for 200 voices and a 70 piece orchestra called Uxolo (“Peace”), commissioned for the 70th anniversary of Johannesburg (1956). Between 1957-59 he helped write the synopsis, composed the music and wrote the Nguni lyrics for the musical ''[[King Kong]]'' and in 195*/6* collaborated with [[Alan Paton]] on the musical show ''[[Mkhumbane]]''. In 196* he was banned and left the country, to die in exile. His son [[John Matshikiza|John]] inherited the copyright to his father’s work**??. | ||
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| + | His autobiographical account of his time in London (''Chocolates for my Wife'') was published by Hoddder and Stoughton in 1961. | ||
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| + | The first half of ''With the Lid Off: South African Insights from Home and Abroad 1959-2000'', by Todd Matshikiza and [[John Matshikiza]], a book published by Mail and Guardian Books in 2001, is a collection of Todd Matshikiza's ''[[Drum]]'' magazine columns. An elegant writer, his columns exude humour without reducing the daily struggles of ordinary black South Africans for survival and a better life. | ||
== Sources == | == Sources == | ||
[[ESAT Bibliography Tra-Tz|Tucker]], 1997. 127-128. | [[ESAT Bibliography Tra-Tz|Tucker]], 1997. 127-128. | ||
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| + | Book review by Vuyo Mvoko, ''Leadership SA'', 30 June 2001. | ||
| + | |||
| + | Various entries in the [[NELM]] catalogue. | ||
Latest revision as of 12:00, 3 July 2018
Todd Matshikiza (1921-1968) Musician, journalist and broadcaster.
Contribution to SA theatre, film, media and/or performance
Misrepresented by the chronichlers of the King Kong project as an untrained amateur, he was actually a highly accomplished musician. A successor of African vaudeville impressario Motsieloa, he worked with several bands as pianist, including the Harlem Swingsters and the Jazz Dazzlers, was Drum magazine’s music editor, and a serious composer. His articles include “How Musicians Die” (1953) and “Jazz Comes to Jo’burg” (1957) and among his compositions are a musical praise poem for Trevor Huddlestone called Makhalipile (“The Undaunted One” – 1953) and a cantata for 200 voices and a 70 piece orchestra called Uxolo (“Peace”), commissioned for the 70th anniversary of Johannesburg (1956). Between 1957-59 he helped write the synopsis, composed the music and wrote the Nguni lyrics for the musical King Kong and in 195*/6* collaborated with Alan Paton on the musical show Mkhumbane. In 196* he was banned and left the country, to die in exile. His son John inherited the copyright to his father’s work**??.
His autobiographical account of his time in London (Chocolates for my Wife) was published by Hoddder and Stoughton in 1961.
The first half of With the Lid Off: South African Insights from Home and Abroad 1959-2000, by Todd Matshikiza and John Matshikiza, a book published by Mail and Guardian Books in 2001, is a collection of Todd Matshikiza's Drum magazine columns. An elegant writer, his columns exude humour without reducing the daily struggles of ordinary black South Africans for survival and a better life.
Sources
Tucker, 1997. 127-128.
Book review by Vuyo Mvoko, Leadership SA, 30 June 2001.
Various entries in the NELM catalogue.
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