Difference between revisions of "ESAT Bibliography Ea-Ei"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | ==The list== | ||
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[[N. Eaton|Eaton, N.]] 1963. Ontstaan van die [[Little Theatre|Kleinteater]]. ''Pretoriana'', 41:15-16. | [[N. Eaton|Eaton, N.]] 1963. Ontstaan van die [[Little Theatre|Kleinteater]]. ''Pretoriana'', 41:15-16. | ||
| − | [[Michael Eckhardt|Eckhardt, Michael]] 2004. A privileged access to the history of popular culture in South Africa – The [[ | + | [[Patrick Ebewo|Ebewo, Patrick]] 2009. Satire: a shifting paradigm in [[Zakes Mda]]'s dramaturgy (''[[Mother of All Eating|The Mother of All Eating]]''; ''[[You Fool, How Can the Sky Fall?]]''). ''English Academy Review'', 26(2): |
| + | |||
| + | [[Patrick Ebewo|Ebewo, Patrick]] 2011. Transformation and the Drama Studies curriculum in South Africa: a survey of selected universities, in Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. 113-138. | ||
| + | |||
| + | [[Patrick Ebewo|Ebewo, Patrick]]. 2017. ''Explorations in Southern African Drama, Theatre and Performance''. [[Cambridge]] Scholars | ||
| + | |||
| + | [[Michael Eckhardt|Eckhardt, Michael]] 2004. A privileged access to the history of popular culture in South Africa – The [[Thelma Gutsche]] papers. ''[[South African Theatre Journal]]'', 18:250-254. | ||
| − | [[Michael Eckhardt|Eckhardt, Michael]] 2006.The [[ | + | [[Michael Eckhardt|Eckhardt, Michael]] 2006.The [[Leontine Sagan]] papers as source of South African theatrical history. ''[[South African Theatre Journal]]'', 20:296-299. |
| − | [[Michael Eckhardt|Eckhardt, Michael]] 2010. ''[[ | + | [[Michael Eckhardt|Eckhardt, Michael]] 2010. ''[[Leontine Sagan]]: Licht und Schatten: Schauspielerin und Regisseurin auf vier Kontinenten''. Berlin: Hentrich & Hentrich Verlag. |
[[Unionmwan Edebiri|Edebiri, Unionmwan]] 1983. Drama as popular culture in Africa. ''Ufahamu'', 12(2):139-149. | [[Unionmwan Edebiri|Edebiri, Unionmwan]] 1983. Drama as popular culture in Africa. ''Ufahamu'', 12(2):139-149. | ||
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Editorial. 1999. [[KKNK]] – 100 redes vir ‘n fees. ''Insig'', 04/99:25. | Editorial. 1999. [[KKNK]] – 100 redes vir ‘n fees. ''Insig'', 04/99:25. | ||
| − | Editorial. 2000. Hoogtepunte van die [[Aardklop|Aardklopfees]] 2000. ''Insig'', 09/00:12. | + | Editorial. 2000. Hoogtepunte van die [[Aardklop festival|Aardklopfees]] 2000. ''Insig'', 09/00:12. |
[[T.M. Edlmann|Edlmann, T.M.]] 2007. An action learning based reflection on participative drama as a tool for transformation of identity in the spirals programme. Unpublished master’s thesis. Grahamstown: Rhodes University. | [[T.M. Edlmann|Edlmann, T.M.]] 2007. An action learning based reflection on participative drama as a tool for transformation of identity in the spirals programme. Unpublished master’s thesis. Grahamstown: Rhodes University. | ||
| − | Educational drama : strategies for reconstruction / SAADYT conference papers 1992. 1992. [South Africa]: Southern African Association for Drama and Youth Theatre. | + | Educational drama : strategies for reconstruction / [[SAADYT]] conference papers 1992. 1992. [South Africa]: Southern African Association for Drama and Youth Theatre. |
| + | |||
| + | [[Barry Edwards|Edwards, Barry]] 1998 Presence and tele-presence: One map of non-linear performance process. ''[[South African Theatre Journal]]'', 12(1&2):165-171. | ||
| + | |||
| + | [[D. Edwards|Edwards, D.]] 1897. ''The Cape Town Guide''. Cape Town: Maskew Miller (Digitised 2011)[https://repository.up.ac.za/bitstream/handle/2263/18065/004_p031-040.pdf?sequence=12&isAllowed=y] | ||
| − | |||
Eerste plattelandse kleinteater in ons land. 1951. ''Inspan'', 10(6):19-24. March | Eerste plattelandse kleinteater in ons land. 1951. ''Inspan'', 10(6):19-24. March | ||
| Line 39: | Line 49: | ||
[[Rose Ehrlich|Ehrlich, Rose]] 1947. Country without a theatre is a country without a soul. ''Outspan''. 41(1046):25. March 14. | [[Rose Ehrlich|Ehrlich, Rose]] 1947. Country without a theatre is a country without a soul. ''Outspan''. 41(1046):25. March 14. | ||
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1979. Civic pride – or artistic suicide? ''Scenaria'', (14):3. | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1979. Civic pride – or artistic suicide? ''[[Scenaria]]'', (14):3. |
| + | |||
| + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1981a. Some thoughts on printed programs. ''[[Scenaria]]'', (28):3 | ||
| + | |||
| + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1981b. Who censors the censors? ''[[Scenaria]]'', (23):3. | ||
| + | |||
| + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1982a. [[PACT]], Pretoria and the compounding of a felony. ''[[Scenaria]]'', (32):3. July. | ||
| + | |||
| + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1982b. [[PACT]], Pretoria and the compounding of a felony. {''Scenaria'' Jul 82]. Discussion. ''[[Scenaria]]'', (33):41. | ||
| + | |||
| + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1983a. The arts cartel exposed. ''[[Scenaria]]'', (37):3. | ||
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1983b. The Bloemfontein ‘monument’ part 2. ''[[Scenaria]]'', (39):3-4. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1983c. Johannesburg: all that is gold does not glitter. ''[[Scenaria]]'', (36):3, 44. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1983d. A monument to…what? ''[[Scenaria]]'', (37):11. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1984. [[CAPAB]] : the battle for support. ''[[Scenaria]]'', (41):3. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1984. 100 awards in search of a character. ''[[Scenaria]]'', (45):3-4. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] & [[Henning Viljoen|Viljoen, Henning]] 1986. The new [[Secunda Theatre]]. ''[[Scenaria]]'', (68):9-14. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1986. The [[Johannesburg Civic Theatre]]: at last the confidential report. ''[[Scenaria]]'', (66):3-5. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1987a. ''[[Scenaria]]'' – the first decade. ''Scenaria'', (76):3-5. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1987b. The U.N. blacklist – a counter productive farce and the thin edge of the wedge. ''[[Scenaria]]'', (79):3-4. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988a. [[CAPAB]]: backwards into the future… if there is one. ''[[Scenaria]]'', (92):3. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988b. [[CAPAB]]: the first 25 years. ''[[Scenaria]]'', (91):33-38. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988c. A critical look at the new funding formula for the [[Performing Arts Councils]]. ''[[Scenaria]]'', (86):3-5. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988d. For the want of a nail… ''[[Scenaria]]'', (87):3-4. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988e. The future of the arts in South Africa. ''[[Scenaria]]'', (84):3-5. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988f. The [[National Arts Conference]] – hope for the future, rather than supping with the devil. ''[[Scenaria]]'', (89):3. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988g. [[PACOFS]]: ready for the next 25 years. ''[[Scenaria]]'', (91):25-31. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988h. [[PACT]]: the first year and thereafter. ''[[Scenaria]]'', (91):3-12. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988i. A shriek or a whimper? Cry freedom: why all the fuss? ''[[Scenaria]]'', (92):11-13. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988j. The state of the art – or the art of the State? ''[[Scenaria]]'', (90):3. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988k. 25 years of the [[Natal Performing Arts Council]]. ''[[Scenaria]]'', (91):13-24. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1988l. Why the State should fund the Arts. ''[[Scenaria]]'', (85):3-5. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] (ed). 1988m. ''The Arts in South Africa - Bridging the Gap'', ''[[Scenaria]]'' (Special Issue - May 1988) |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1989a. Afrikaans drama – cornerstone or tombstone? Part II: the indaba. ''[[Scenaria]]'', (102):6-8. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1989b. The arts in South Africa: a force in a changing society. ''[[Scenaria]]'', Special issue, 3-6. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1989c. Funding the arts. Part I: the role of the state. ''[[Scenaria]]'', (101):3-5. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1989d. Funding the arts. Part III: A fair solution? ''[[Scenaria]]'', (103):33-34. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1989e. The [[National Arts Festival|Grahamstown Festival]]: much ado about nothing? ''[[Scenaria]]'', (104):3-5. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1989f. Political protest theatre in South Africa. ''[[Scenaria]]'', Special issue, 9-15. |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1989g. Shakespeare's ''[[The Tempest]]'' in Afrikaans. [Translation by [[Tjaart Potgieter]]] ''[[Scenaria]]'', (103): |
| − | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1993. Are these the faces the ANC does not wish to see in the new South Africa? ''Scenaria'', (146):6-7. | + | [[Julius F. Eichbaum|Eichbaum, Julius F.]] 1993. Are these the faces the ANC does not wish to see in the new South Africa? ''[[Scenaria]]'', (146):6-7. |
[[Gottfried Eichstadt|Eichstadt, Gottfried]] 1949. Suid-Afrikaners op die verhoog. ''Huisgenoot'', 34(1426):9-11. July 29. | [[Gottfried Eichstadt|Eichstadt, Gottfried]] 1949. Suid-Afrikaners op die verhoog. ''Huisgenoot'', 34(1426):9-11. July 29. | ||
| + | |||
| + | |||
Latest revision as of 05:37, 29 July 2024
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The list
Eaton, Darrell 1988. A theatre complex in St. George's Park Port Elizabeth. Unpublished bachelor’s thesis. Port Elizabeth: University of Port Elizabeth.
Eaton, N. 1963. Ontstaan van die Kleinteater. Pretoriana, 41:15-16.
Ebewo, Patrick 2009. Satire: a shifting paradigm in Zakes Mda's dramaturgy (The Mother of All Eating; You Fool, How Can the Sky Fall?). English Academy Review, 26(2):
Ebewo, Patrick 2011. Transformation and the Drama Studies curriculum in South Africa: a survey of selected universities, in Igweonu, Kene (ed.). Trends in Twenty-First Century African Theatre and Performance. Amsterdam, Rodopi. 113-138.
Ebewo, Patrick. 2017. Explorations in Southern African Drama, Theatre and Performance. Cambridge Scholars
Eckhardt, Michael 2004. A privileged access to the history of popular culture in South Africa – The Thelma Gutsche papers. South African Theatre Journal, 18:250-254.
Eckhardt, Michael 2006.The Leontine Sagan papers as source of South African theatrical history. South African Theatre Journal, 20:296-299.
Eckhardt, Michael 2010. Leontine Sagan: Licht und Schatten: Schauspielerin und Regisseurin auf vier Kontinenten. Berlin: Hentrich & Hentrich Verlag.
Edebiri, Unionmwan 1983. Drama as popular culture in Africa. Ufahamu, 12(2):139-149.
Ediger, M. 1985. Speaking activities and the pupil: live education. Transvaal Education News, 84(4):17-20.
Editorial. 1999. KKNK – 100 redes vir ‘n fees. Insig, 04/99:25.
Editorial. 2000. Hoogtepunte van die Aardklopfees 2000. Insig, 09/00:12.
Edlmann, T.M. 2007. An action learning based reflection on participative drama as a tool for transformation of identity in the spirals programme. Unpublished master’s thesis. Grahamstown: Rhodes University.
Educational drama : strategies for reconstruction / SAADYT conference papers 1992. 1992. [South Africa]: Southern African Association for Drama and Youth Theatre.
Edwards, Barry 1998 Presence and tele-presence: One map of non-linear performance process. South African Theatre Journal, 12(1&2):165-171.
Edwards, D. 1897. The Cape Town Guide. Cape Town: Maskew Miller (Digitised 2011)[1]
Eerste plattelandse kleinteater in ons land. 1951. Inspan, 10(6):19-24. March
Ehrlich, Rose 1947. Country without a theatre is a country without a soul. Outspan. 41(1046):25. March 14.
Eichbaum, Julius F. 1979. Civic pride – or artistic suicide? Scenaria, (14):3.
Eichbaum, Julius F. 1981a. Some thoughts on printed programs. Scenaria, (28):3
Eichbaum, Julius F. 1981b. Who censors the censors? Scenaria, (23):3.
Eichbaum, Julius F. 1982a. PACT, Pretoria and the compounding of a felony. Scenaria, (32):3. July.
Eichbaum, Julius F. 1982b. PACT, Pretoria and the compounding of a felony. {Scenaria Jul 82]. Discussion. Scenaria, (33):41.
Eichbaum, Julius F. 1983a. The arts cartel exposed. Scenaria, (37):3.
Eichbaum, Julius F. 1983b. The Bloemfontein ‘monument’ part 2. Scenaria, (39):3-4.
Eichbaum, Julius F. 1983c. Johannesburg: all that is gold does not glitter. Scenaria, (36):3, 44.
Eichbaum, Julius F. 1983d. A monument to…what? Scenaria, (37):11.
Eichbaum, Julius F. 1984. CAPAB : the battle for support. Scenaria, (41):3.
Eichbaum, Julius F. 1984. 100 awards in search of a character. Scenaria, (45):3-4.
Eichbaum, Julius F. & Viljoen, Henning 1986. The new Secunda Theatre. Scenaria, (68):9-14.
Eichbaum, Julius F. 1986. The Johannesburg Civic Theatre: at last the confidential report. Scenaria, (66):3-5.
Eichbaum, Julius F. 1987a. Scenaria – the first decade. Scenaria, (76):3-5.
Eichbaum, Julius F. 1987b. The U.N. blacklist – a counter productive farce and the thin edge of the wedge. Scenaria, (79):3-4.
Eichbaum, Julius F. 1988a. CAPAB: backwards into the future… if there is one. Scenaria, (92):3.
Eichbaum, Julius F. 1988b. CAPAB: the first 25 years. Scenaria, (91):33-38.
Eichbaum, Julius F. 1988c. A critical look at the new funding formula for the Performing Arts Councils. Scenaria, (86):3-5.
Eichbaum, Julius F. 1988d. For the want of a nail… Scenaria, (87):3-4.
Eichbaum, Julius F. 1988e. The future of the arts in South Africa. Scenaria, (84):3-5.
Eichbaum, Julius F. 1988f. The National Arts Conference – hope for the future, rather than supping with the devil. Scenaria, (89):3.
Eichbaum, Julius F. 1988g. PACOFS: ready for the next 25 years. Scenaria, (91):25-31.
Eichbaum, Julius F. 1988h. PACT: the first year and thereafter. Scenaria, (91):3-12.
Eichbaum, Julius F. 1988i. A shriek or a whimper? Cry freedom: why all the fuss? Scenaria, (92):11-13.
Eichbaum, Julius F. 1988j. The state of the art – or the art of the State? Scenaria, (90):3.
Eichbaum, Julius F. 1988k. 25 years of the Natal Performing Arts Council. Scenaria, (91):13-24.
Eichbaum, Julius F. 1988l. Why the State should fund the Arts. Scenaria, (85):3-5.
Eichbaum, Julius F. (ed). 1988m. The Arts in South Africa - Bridging the Gap, Scenaria (Special Issue - May 1988)
Eichbaum, Julius F. 1989a. Afrikaans drama – cornerstone or tombstone? Part II: the indaba. Scenaria, (102):6-8.
Eichbaum, Julius F. 1989b. The arts in South Africa: a force in a changing society. Scenaria, Special issue, 3-6.
Eichbaum, Julius F. 1989c. Funding the arts. Part I: the role of the state. Scenaria, (101):3-5.
Eichbaum, Julius F. 1989d. Funding the arts. Part III: A fair solution? Scenaria, (103):33-34.
Eichbaum, Julius F. 1989e. The Grahamstown Festival: much ado about nothing? Scenaria, (104):3-5.
Eichbaum, Julius F. 1989f. Political protest theatre in South Africa. Scenaria, Special issue, 9-15.
Eichbaum, Julius F. 1989g. Shakespeare's The Tempest in Afrikaans. [Translation by Tjaart Potgieter] Scenaria, (103):
Eichbaum, Julius F. 1993. Are these the faces the ANC does not wish to see in the new South Africa? Scenaria, (146):6-7.
Eichstadt, Gottfried 1949. Suid-Afrikaners op die verhoog. Huisgenoot, 34(1426):9-11. July 29.
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
