Difference between revisions of "Equestrian Gymnastics"
| (3 intermediate revisions by the same user not shown) | |||
| Line 8: | Line 8: | ||
| − | A number of such presentations were given in Cape Town, especially in the mid-nineteenth century, when they were poipular in Europa, the USA and England. | + | A number of such presentations were given in Cape Town, especially in the mid-nineteenth century, when they were poipular in Europa, the USA and England. See for example the [[Italian Circus]] of messrs [[Signor Dalle Case]] and [[Signor Severo]], and the visiting circus company specifically referred to as the [[Equestrian Gymnastics]] (see below). |
== The name of a [[Circus|circus]] troupe/company == | == The name of a [[Circus|circus]] troupe/company == | ||
| Line 25: | Line 25: | ||
http://encyclopedia2.thefreedictionary.com/Equestrian+Circus | http://encyclopedia2.thefreedictionary.com/Equestrian+Circus | ||
| − | [[F.C.L. Bosman]], | + | [[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 439-440. |
| − | [[Temple Hauptfleisch]] | + | [[Temple Hauptfleisch]]. 1997. ''Theatre and Society in South Africa: Reflections in a Fractured Mirror''. Pretoria: Van Schaik[http://hdl.handle.net/10019.1/85401]: pp. 27-28. |
Go to the [[ESAT Bibliography]] | Go to the [[ESAT Bibliography]] | ||
| Line 36: | Line 36: | ||
Return to [[South African Theatre/Terminology and Thematic Entries]] | Return to [[South African Theatre/Terminology and Thematic Entries]] | ||
| + | |||
| + | Return to [[South_African_Theatre/Plays|Stage Plays]] | ||
Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]] | Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]] | ||
Latest revision as of 06:00, 28 February 2017
The term equestrian gymnastics actually refers to a form of sport and/or entertainment, and is also used as the name of a company or an act.
Contents
The name for a specific kind of activity
Broadly speaking, the term Equestrian Gymnastics can refer to a specialized sport, more commonly referred today as Equestrian Vaulting[1]; or it can refer to a specific performance form, most often referred to as the Equestrian Circus.
(For this usage, see Equestrian Circus and Hippodrama.)
A number of such presentations were given in Cape Town, especially in the mid-nineteenth century, when they were poipular in Europa, the USA and England. See for example the Italian Circus of messrs Signor Dalle Case and Signor Severo, and the visiting circus company specifically referred to as the Equestrian Gymnastics (see below).
The name of a circus troupe/company
In the South African context, Equestrian Gymnastics, first occurs, both as a descriptor for a set of performances and as the name of a French circus troupe which visited Cape Town in late 1850 (October-December) under the auspices of the governor Sir Harry Smith, and featured Hippodramas as part of its repertoire (i.e. shows which featured pantomime-performances and dramatised equestrian displays . In advertisements the presentations were referred to as "Equestrian Gymnastics". Hauptfleisch (1997, p. 28)[2] has pointed out that that some of these performances are clearly related to equestrian style models familiar at the time in England and the United States (e.g. the "military re-enactment" or the "Wild West Show").
Among the acts included in their performances were Admiral Lord Nelson, or The Life of a Sailor, The Ballad of the Villagers, The Jolly Miller, The Golden Dream, Fra Diovolo, or The Banditti of the Abrouzes, The Shipwrecked Sailor, Par a Par, a Gar a Nous, or Harlequin Protected by the Magician, The Miser, or Happiness found in Gold and The Kafir War, or The Burnt Farm.
[TH, JH]
Sources
https://en.wikipedia.org/wiki/Equestrian_vaulting
http://encyclopedia2.thefreedictionary.com/Equestrian+Circus
F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [3]: pp. 439-440.
Temple Hauptfleisch. 1997. Theatre and Society in South Africa: Reflections in a Fractured Mirror. Pretoria: Van Schaik[4]: pp. 27-28.
Go to the ESAT Bibliography
Return to
Return to The South African Context/General Terminology and Thematic Entries
Return to South African Theatre/Terminology and Thematic Entries
Return to Stage Plays
Return to South African Theatre Venues, Companies, Societies, etc
Return to The ESAT Entries
Return to Main Page
