Difference between revisions of "Monsieur Delémery"
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| − | [[Monsieur Delémery]] (17**-18**) was a | + | [[Monsieur Delémery]] (17**-18**) was a French actor and transformation artist, possibly a professional, who visited Cape Town. (His name also written [[Mr Delémery]], [[Mr Delemery]] or simply [[Delemery]] in sources.) |
| − | |||
== His impact on South African theatre == | == His impact on South African theatre == | ||
| − | On his way to Mauritius or the East, he apparently stopped at Cape Town to perform on | + | On his way to Mauritius or the East, he apparently stopped at Cape Town to perform on a few occasions for the French amateurs in the city. He appears to have been greatly admired in Cape Town, and productions in which he featured could command far higher admission-prices than normal. Judging from the variety of parts he played (including five different roles in one night!), he must have been an actor of the highest versatility. |
| − | He is first mentioned as performing from 29 October 1803 | + | He is first mentioned as performing from 29 October 1803, then again from 1805 till the end of 1806, after which he must have resumed his travels. |
== His roles == | == His roles == | ||
| − | He appeared in a number of productions for the [[French Company]] run by [[Charles Mathurin Villet]] | + | He appeared in a number of productions for the [[French Company]] run by [[Charles Mathurin Villet]] from 1803 onwards, usually playing a leading role. He then disappears from the scene for about 20 months, till June 1805-06, when he did a whole season with the [[Amateur Company]] (also referred to in some cases as [[Les Amateurs de l'Isle de France]]). |
| − | Among his roles were: | + | Among his leading roles were: |
In 1803: ''[[Pygmalion|Pigmalion]]'' (Rousseau) and ''[[Le Directeur de la Comédie|Le Directeur de Comédie]]'' (Anon.) | In 1803: ''[[Pygmalion|Pigmalion]]'' (Rousseau) and ''[[Le Directeur de la Comédie|Le Directeur de Comédie]]'' (Anon.) | ||
| − | + | In 1805: ''[[Les Battus Paient l'Amende]]'' (Dorvigny), ''[[Les Soldiers Mordorés, ou La Cordonnière Allemande]]'' (Ferrières), ''[[Arlequin Protégé par Belphégor]]'' (Delémery?), ''[[Eraste, ou L'Enfant Proscrit de Son Père]]'', ''[[Le Paysan, Soldat Malgré Lui]]'', ''[[La Clochette]]'' (Anseaume), ''[[La Meunière De Gentilly]]'' (Monier), and ''[[Le Mariage Forcé]]'' (Molière). Possibly ''[[Le Soldat Magicien]]'' (Anseaume) and ''[[On Ne s'Avise de Tout]]'' ([[Mr Sedaine]]). | |
| + | In 1806: ''[[Pygmalion|Pigmalion]]'' (Rousseau) and an unnamed ''[[Scène Lyrique]]'' ("lyrical comedy" - Bosman has it in [[Dutch]] as ''[[Lyrische Scene]]''), which he had written/created and performed. | ||
| − | [JH] | + | [JH/TH] |
== Sources == | == Sources == | ||
| − | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 88, 90 | + | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 88-89, 90-92, 99, 106, 110-11. |
[[Jill Fletcher]], 1994. | [[Jill Fletcher]], 1994. | ||
| Line 35: | Line 35: | ||
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
| + | |||
| + | Retrun to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Latest revision as of 06:48, 25 April 2017
Monsieur Delémery (17**-18**) was a French actor and transformation artist, possibly a professional, who visited Cape Town. (His name also written Mr Delémery, Mr Delemery or simply Delemery in sources.)
His impact on South African theatre
On his way to Mauritius or the East, he apparently stopped at Cape Town to perform on a few occasions for the French amateurs in the city. He appears to have been greatly admired in Cape Town, and productions in which he featured could command far higher admission-prices than normal. Judging from the variety of parts he played (including five different roles in one night!), he must have been an actor of the highest versatility.
He is first mentioned as performing from 29 October 1803, then again from 1805 till the end of 1806, after which he must have resumed his travels.
His roles
He appeared in a number of productions for the French Company run by Charles Mathurin Villet from 1803 onwards, usually playing a leading role. He then disappears from the scene for about 20 months, till June 1805-06, when he did a whole season with the Amateur Company (also referred to in some cases as Les Amateurs de l'Isle de France).
Among his leading roles were:
In 1803: Pigmalion (Rousseau) and Le Directeur de Comédie (Anon.)
In 1805: Les Battus Paient l'Amende (Dorvigny), Les Soldiers Mordorés, ou La Cordonnière Allemande (Ferrières), Arlequin Protégé par Belphégor (Delémery?), Eraste, ou L'Enfant Proscrit de Son Père, Le Paysan, Soldat Malgré Lui, La Clochette (Anseaume), La Meunière De Gentilly (Monier), and Le Mariage Forcé (Molière). Possibly Le Soldat Magicien (Anseaume) and On Ne s'Avise de Tout (Mr Sedaine).
In 1806: Pigmalion (Rousseau) and an unnamed Scène Lyrique ("lyrical comedy" - Bosman has it in Dutch as Lyrische Scene), which he had written/created and performed.
[JH/TH]
Sources
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp. 88-89, 90-92, 99, 106, 110-11.
Jill Fletcher, 1994.
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