Difference between revisions of "Kenneth Baker"

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With the closure of many theatres and the prevailing political unrest at the time, Ken decided to return to the UK in 1986 where he continued to pursue theatrical activities.
 
With the closure of many theatres and the prevailing political unrest at the time, Ken decided to return to the UK in 1986 where he continued to pursue theatrical activities.
  
His South African performances include ''[[Uproar in the House]]'' ([[The Academy Theatre of Laughter]] , 1967), ''[[The Lionel Touch]]'' ([[The Academy Theatre of Laughter]],  1971),  ''[[Childs Play]]'' and  and ''[[Black Comedy]]'' for [[PACT]], ''[[How the Other Half Loves]]'' ([[The Market Theatre]], 1979), ''[[Stage Struck]]'' ([[Toerien-Firth]], 1980), ''[[The Spider’s Web]]'' ([[Andre Huguenet Theatre]], 1981) and ''[[Noises Off]]'' (1983)-  for  [[Pieter Toerien]]. Also performed in many films and TV. On radio he made a name for himself playing Dr Watson to Langford’s Sherlock Holmes in the popular SABC series of 1967. Awards include [[Fleur du Cap Theatre Award]] for Best Supporting Actor in ''[[Noises Off]]'' (1983). *
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His South African performances include ''[[Uproar in the House]]'' ([[The Academy Theatre of Laughter]] , 1967), ''[[The Lionel Touch]]'' ([[The Academy Theatre of Laughter]],  1971),  ''[[Childs Play]]'' and  and ''[[Black Comedy]]'' for [[PACT]], ''[[How the Other Half Loves]]'' ([[The Market Theatre]], 1979), ''[[Stage Struck]]'' ([[Toerien-Firth]], 1980), ''[[The Spider’s Web]]'' ([[Andre Huguenet Theatre]], 1981) and ''[[Noises Off]]'' (1983)-  for  [[Pieter Toerien]]. BAKER, Kenneth (19**-2011)  British born actor who became a respected and much sought-after actor in stage, film and radio in [[South Africa]].
  
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== Biography ==
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Born in a small village in Essex, UK, near Great Dunmow, he became involved in theatricals at Dunmow High School and became a choir boy in the local church choir. His wartime army career consisted of six years in the Royal Army Service Corps and, after his basic training, he served two years in Northern Ireland where he was able to appear in and produce many army unit shows. After the war, he settled in Richmond, Surrey, where he was accepted as a student at the Richmond Theatre after appearing in a number of prestigious amateur plays. His first professional appearance was in Bernard Shaw’s ''[[Pygmalion]]'' in 1947 and after that, became involved in weekly repertory before working in many of the major theatres in the UK.
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With the closure of many theatres and the prevailing political unrest at the time, Ken decided to return to the UK in 1986 where he continued to pursue theatrical activities.
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=== Youth ===
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=== Training ===
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=== Career ===
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In 1958 he received an invitation to appear in a production of ''[[The Long, and the Short, and the Tall]]'' in Johannesburg.  He was a founder member of the then new Lyric Theatre (now defunct) in Durban where, after a year of fortnightly repertory, he took over the position of Director of Productions. However, ill-health dictated that he leave Natal and its humidity and return to Johannesburg. He was to return to Durban many times to appear in productions for the Natal Performing Arts Council (now the Playhouse Company) where he was invariably prevailed upon to appear in locally produced radio plays. Also involved with the [[South African Film and Theatre Union]], fighting hard for racial equality.
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==Contribution to SA theatre, film, media and/or performance==
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His South African performances include ''[[Uproar in the House]]'' ([[The Academy Theatre of Laughter]] , 1967), ''[[The Lionel Touch]]'' ([[The Academy Theatre of Laughter]],  1971),  ''[[Childs Play]]'' and  and ''[[Black Comedy]]'' for [[PACT]], ''[[How the Other Half Loves]]'' ([[The Market Theatre]], 1979), ''[[Stage Struck]]'' ([[Toerien-Firth]], 1980), ''[[The Spider’s Web]]'' ([[Andre Huguenet Theatre]], 1981) and ''[[Noises Off]]'' (1983)-  for  [[Pieter Toerien]].
 +
 +
Also performed in many films and TV. On radio he made a name for himself playing Dr Watson to Langford’s Sherlock Holmes in the popular SABC series of 1967.
 +
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== Awards, etc ==
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Awards include [[Fleur du Cap Theatre Award]] for Best Supporting Actor in ''[[Noises Off]]'' (1983). *
  
 
== Sources ==
 
== Sources ==
  
[[Percy Tucker|Tucker]], 1997
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[[ESAT Bibliography Tra-Tz|Tucker]], 1997.
  
 
http://news.artsmart.co.za/2011/01/death-of-kenneth-baker.html
 
http://news.artsmart.co.za/2011/01/death-of-kenneth-baker.html
  
 
[[SACD]] 1973,  1974
 
[[SACD]] 1973,  1974
 
Go to [[South African Theatre/Bibliography]]
 
  
 
== Return to ==
 
== Return to ==
  
Return to [[ESAT Personalities B]]
+
Return to [[ESAT Personalities B]]  
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Revision as of 13:44, 21 December 2015

(19*-2011) Kenneth “Ken” Baker. British born actor who became a respected and much sought-after actor in stage, film and radio in South Africa. Born in a small village in Essex, UK, near Great Dunmow, he became involved in theatricals at Dunmow High School and became a choir boy in the local church choir. His wartime army career consisted of six years in the Royal Army Service Corps and, after his basic training, he served two years in Northern Ireland where he was able to appear in and produce many army unit shows. After the war, he settled in Richmond, Surrey, where he was accepted as a student at the Richmond Theatre after appearing in a number of prestigious amateur plays. His first professional appearance was in Bernard Shaw’s Pygmalion in 1947 and after that, became involved in weekly repertory before working in many of the major theatres in the UK. In 1958 he received an invitation to appear in a production of The Long, and the Short, and the Tall in Johannesburg. He was a founder member of the then new Lyric Theatre (now defunct) in Durban where, after a year of fortnightly repertory, he took over the position of Director of Productions. However, ill-health dictated that he leave Natal and its humidity and return to Johannesburg. He was to return to Durban many times to appear in productions for the Natal Performing Arts Council (now the Playhouse Company) where he was invariably prevailed upon to appear in locally produced radio plays. Also involved with the South African Film and Theatre Union, fighting hard for racial equality. With the closure of many theatres and the prevailing political unrest at the time, Ken decided to return to the UK in 1986 where he continued to pursue theatrical activities.

His South African performances include Uproar in the House (The Academy Theatre of Laughter , 1967), The Lionel Touch (The Academy Theatre of Laughter, 1971), Childs Play and and Black Comedy for PACT, How the Other Half Loves (The Market Theatre, 1979), Stage Struck (Toerien-Firth, 1980), The Spider’s Web (Andre Huguenet Theatre, 1981) and Noises Off (1983)- for Pieter Toerien. BAKER, Kenneth (19**-2011) British born actor who became a respected and much sought-after actor in stage, film and radio in South Africa.

Biography

Born in a small village in Essex, UK, near Great Dunmow, he became involved in theatricals at Dunmow High School and became a choir boy in the local church choir. His wartime army career consisted of six years in the Royal Army Service Corps and, after his basic training, he served two years in Northern Ireland where he was able to appear in and produce many army unit shows. After the war, he settled in Richmond, Surrey, where he was accepted as a student at the Richmond Theatre after appearing in a number of prestigious amateur plays. His first professional appearance was in Bernard Shaw’s Pygmalion in 1947 and after that, became involved in weekly repertory before working in many of the major theatres in the UK.

With the closure of many theatres and the prevailing political unrest at the time, Ken decided to return to the UK in 1986 where he continued to pursue theatrical activities.


Youth

Training

Career

In 1958 he received an invitation to appear in a production of The Long, and the Short, and the Tall in Johannesburg. He was a founder member of the then new Lyric Theatre (now defunct) in Durban where, after a year of fortnightly repertory, he took over the position of Director of Productions. However, ill-health dictated that he leave Natal and its humidity and return to Johannesburg. He was to return to Durban many times to appear in productions for the Natal Performing Arts Council (now the Playhouse Company) where he was invariably prevailed upon to appear in locally produced radio plays. Also involved with the South African Film and Theatre Union, fighting hard for racial equality.


Contribution to SA theatre, film, media and/or performance

His South African performances include Uproar in the House (The Academy Theatre of Laughter , 1967), The Lionel Touch (The Academy Theatre of Laughter, 1971), Childs Play and and Black Comedy for PACT, How the Other Half Loves (The Market Theatre, 1979), Stage Struck (Toerien-Firth, 1980), The Spider’s Web (Andre Huguenet Theatre, 1981) and Noises Off (1983)- for Pieter Toerien.

Also performed in many films and TV. On radio he made a name for himself playing Dr Watson to Langford’s Sherlock Holmes in the popular SABC series of 1967.

Awards, etc

Awards include Fleur du Cap Theatre Award for Best Supporting Actor in Noises Off (1983). *

Sources

Tucker, 1997.

http://news.artsmart.co.za/2011/01/death-of-kenneth-baker.html

SACD 1973, 1974

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Return to ESAT Personalities B

Return to South African Theatre Personalities

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