Difference between revisions of "J.C. Geyer"
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A member of [[C.E. Boniface]]'s company [[Honi Soit qui Mal y Pense]]. | A member of [[C.E. Boniface]]'s company [[Honi Soit qui Mal y Pense]]. | ||
| − | She danced | + | She danced a solo in ''[[De Burger Edelman]]'' (28 May 1825); and appeared in ''[[De Vrouw met Twee Mannen]]'' (15 October, 1825) as one of the "Jonge Jufvrouwen" ("young women"), as well as a member of the ''Corps de Ballet'' of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment. |
== Sources == | == Sources == | ||
| − | [[F.C.L. Bosman]], 1928[http://www.dbnl.org/tekst/bosm012dram01_01/]: | + | [[F.C.L. Bosman]], 1928[http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 282, 295-7. |
Go to [[South African Theatre/Bibliography]] | Go to [[South African Theatre/Bibliography]] | ||
Latest revision as of 07:05, 20 December 2015
Miss J.C. Geyer (17**-18**) was a young amateur performer in Cape Town during the 1820s.
Contribution to South African theatre and performance
A member of C.E. Boniface's company Honi Soit qui Mal y Pense.
She danced a solo in De Burger Edelman (28 May 1825); and appeared in De Vrouw met Twee Mannen (15 October, 1825) as one of the "Jonge Jufvrouwen" ("young women"), as well as a member of the Corps de Ballet of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.
Sources
F.C.L. Bosman, 1928[1]: pp. 282, 295-7.
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