Difference between revisions of "J.C. Geyer"

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Miss [[J.C. Geyer]](17**-18**) was a young [[Amateur|amateur]]  performer in Cape Town during the 1820s.  
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Miss [[J.C. Geyer]] (17**-18**) was a young [[Amateur|amateur]]  performer in Cape Town during the 1820s.  
  
 
== Contribution to South African theatre and performance ==
 
== Contribution to South African theatre and performance ==
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A member of [[C.E. Boniface]]'s company [[Honi Soit qui Mal y Pense]].  
 
A member of [[C.E. Boniface]]'s company [[Honi Soit qui Mal y Pense]].  
  
She danced as one of the "Jonge Jufvrouwen" ("young women") in  ''[[De Vrouw met Twee Mannen]]'' (15 October, 1825), as well as the ''Corps de Ballet'' of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.
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She danced a solo in ''[[De Burger Edelman]]'' (28 May 1825);  and appeared in  ''[[De Vrouw met Twee Mannen]]'' (15 October, 1825) as one of the "Jonge Jufvrouwen" ("young women"), as well as a member of the ''Corps de Ballet'' of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.
  
 
== Sources ==
 
== Sources ==
  
[[F.C.L. Bosman]], 1928[http://www.dbnl.org/tekst/bosm012dram01_01/]: p. 295-7.   
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[[F.C.L. Bosman]], 1928[http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 282, 295-7.   
  
 
Go to [[South African Theatre/Bibliography]]
 
Go to [[South African Theatre/Bibliography]]
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== Return to ==
 
== Return to ==
  
Return to [[ESAT Personalities H]]
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Return to [[ESAT Personalities G]]
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Latest revision as of 07:05, 20 December 2015

Miss J.C. Geyer (17**-18**) was a young amateur performer in Cape Town during the 1820s.

Contribution to South African theatre and performance

A member of C.E. Boniface's company Honi Soit qui Mal y Pense.

She danced a solo in De Burger Edelman (28 May 1825); and appeared in De Vrouw met Twee Mannen (15 October, 1825) as one of the "Jonge Jufvrouwen" ("young women"), as well as a member of the Corps de Ballet of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.

Sources

F.C.L. Bosman, 1928[1]: pp. 282, 295-7.

Go to South African Theatre/Bibliography

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