Difference between revisions of "J. de Jongh"
Jump to navigation
Jump to search
| Line 15: | Line 15: | ||
== Return to == | == Return to == | ||
| − | Return to [[ESAT Personalities | + | Return to [[ESAT Personalities D]] |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
Revision as of 11:36, 14 June 2015
Miss J. de Jongh (17**-18**) was a young amateur performer in Cape Town during the 1820s. She is also listed as J.H. de Jongh on occasion.
Contribution to South African theatre and performance
A member of C.E. Boniface's company Honi Soit qui Mal y Pense.
She danced as one of the "Jonge Jufvrouwen" ("young women") in De Vrouw met Twee Mannen (15 October, 1825), as well as the Corps de Ballet of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.
Sources
F.C.L. Bosman, 1928[1]: p. 295-7.
Go to South African Theatre/Bibliography
Return to
Return to ESAT Personalities D
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
