Difference between revisions of "The Mysteries: An Epic Biblical Drama"
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Review by Betsy Rudelich Tucker, Theatre Journal (Vol. 54, No. 2 - May, 2002)[http://www.jstor.org/stable/25069066?seq=1#page_scan_tab_contents] | Review by Betsy Rudelich Tucker, Theatre Journal (Vol. 54, No. 2 - May, 2002)[http://www.jstor.org/stable/25069066?seq=1#page_scan_tab_contents] | ||
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| + | Review by Julie Carpenter, ''Express'', Fri, Sep 18, 2009[http://www.express.co.uk/entertainment/theatre/128075/The-Mysteries-Yiimimangaliso-Garrick-Theatre-London] | ||
''Citizen'', 18 December 2000. | ''Citizen'', 18 December 2000. | ||
Revision as of 05:31, 29 May 2015
A workshopped multilingual operatic play by Mark Dornford-May and the original cast.
Sometimes billed as "The Mysteries – Yiimimangaliso or alternatively Yiimimangaliso - The Mysteries – ".
Contents
The original text
Workshopped at Spier estate in Stellenbosch with the South African cast by Mark Dornford-May, and including dialogue and songs in English, Afrikaans, Xhosa and Zulu.
Based on the medieval Chester Mystery plays, focusing on various stories from the Bible.
Isango Ensemble
The Baxter Theatre, Cape Town
The Garrick Theatre, London's West End
Translations and adaptations
Performance history in South Africa
2001: First staged as part of the Spier Festival (in collaboration with Broomhill Opera Company) in December 2000 to January 2001 in the Spier Amphitheatre, directed by Mark Dornford-May, with a multi-cultural cast of 34 amateur players including Vumile Nomanyama (as Jesus), Andries Mabalo Mhali (as Lucifer) and Sibusiso Ziqubu (as Noah). Music and musical direction by Charles Hazlewood.
2001: Staged by the Broomhill Opera Company and the Spier Festival at Wilton's Music Hall, London in July, in repertory with Carmen by the same company.
The same production was staged in London's West End in February 2002.
2009: The Isango Portobello company production was revived at the Garrick Theatre, London, with one signigificant change, namely God and Jesus was now played by a woman (Pauline Malefane).
Sources
Sunday Independent, 17 December 2000.
Review by Betsy Rudelich Tucker, Theatre Journal (Vol. 54, No. 2 - May, 2002)[1]
Review by Julie Carpenter, Express, Fri, Sep 18, 2009[2]
Citizen, 18 December 2000.
The Star, 20 December 2000.
Business Day, 20 December 2000.
The Star, 12 March 2002.
Go to ESAT Bibliography
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Return to PLAYS II: Foreign plays
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Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
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