Difference between revisions of "ESAT Bibliography A-Al"
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[[Tony Adler|Adler, Tony]] 1993. Return to Paton’s place ([[Paton, Alan|Alan Paton]]). ''American Theatre'', 10(7-8):8-9. | [[Tony Adler|Adler, Tony]] 1993. Return to Paton’s place ([[Paton, Alan|Alan Paton]]). ''American Theatre'', 10(7-8):8-9. | ||
| − | [[J. Ahmed|Ahmed, J.]] 1990. Culture in South Africa: the challenge of transformation, in [[I. de Kock|De Kock, I.]] & [[K. Press|Press, K.]] (eds.). ''Spring is | + | [[J. Ahmed|Ahmed, J.]] 1990. Culture in South Africa: the challenge of transformation, in [[I. de Kock|De Kock, I.]] & [[K. Press|Press, K.]] (eds.). ''Spring is Rebellious''. Cape Town: Buchu Books. 121-125. |
| − | [[D. Adey|Adey, D.]], [[R. Beeton|Beeton, R.]], [[M. Chapman|Chapman, M.]] & [[E. Pereira|Pereira, E.]] (eds.). 1986. ''Companion to South African English | + | [[D. Adey|Adey, D.]], [[R. Beeton|Beeton, R.]], [[M. Chapman|Chapman, M.]] & [[E. Pereira|Pereira, E.]] (eds.). 1986. ''Companion to South African English Literature''. Johannesburg: Ad Donker. |
Afrikaans [[Equus]] 1978. ''Scenaria'', February/March: 44. | Afrikaans [[Equus]] 1978. ''Scenaria'', February/March: 44. | ||
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[[Anthony Akerman|Akerman, Anthony]] 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. ''Theatre Quarterly'', 7(28):67-70. | [[Anthony Akerman|Akerman, Anthony]] 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. ''Theatre Quarterly'', 7(28):67-70. | ||
| − | [[Anthony Akerman|Akerman, Anthony]] 1989. The last bastion of freedom under siege: a reflection on theatre, in [[Willem Campschreur|Campschreur, Willem]] & [[Joost Divendal|Divendal, Joost]] (eds.). ''Culture in | + | [[Anthony Akerman|Akerman, Anthony]] 1989. The last bastion of freedom under siege: a reflection on theatre, in [[Willem Campschreur|Campschreur, Willem]] & [[Joost Divendal|Divendal, Joost]] (eds.). ''Culture in Another South Africa''. London: Zed Books. 50-57. |
[[Anthony Akerman|Akerman, Anthony]] 1993. Designing for a writer’s theatre: interview with [[Griffin, Hayden|Hayden Griffin]]. ''South African Theatre Journal'', 7(2):117-131. | [[Anthony Akerman|Akerman, Anthony]] 1993. Designing for a writer’s theatre: interview with [[Griffin, Hayden|Hayden Griffin]]. ''South African Theatre Journal'', 7(2):117-131. | ||
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[[Anthony Akerman|Akerman, Anthony]] 1995 [[The Road to Mecca]] in Mexico. ''South African Theatre Journal'', 9(2):117-136. | [[Anthony Akerman|Akerman, Anthony]] 1995 [[The Road to Mecca]] in Mexico. ''South African Theatre Journal'', 9(2):117-136. | ||
| − | [[Anthony Akerman|Akerman, Anthony]] 1996. Theatre in exile, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and | + | [[Anthony Akerman|Akerman, Anthony]] 1996. Theatre in exile, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 89-100. |
| − | Akteur. 1981. ''My | + | Akteur. 1981. ''My Loopbaan'', 32:3-10. |
| − | [[David Alcock|Alcock, David]] 1999. Somatic emphasis in South African theatre: intervention in the body politic, in [[Marcia B;umberg|Blumberg, Marcia]] & [[Dennis Wlader|Walder, Dennis]] (eds.). ''South African | + | [[David Alcock|Alcock, David]] 1999. Somatic emphasis in South African theatre: intervention in the body politic, in [[Marcia B;umberg|Blumberg, Marcia]] & [[Dennis Wlader|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 49-57. |
Alex ’81 [theatrical company]. 1981. ''Scenaria'', (24):21-22. | Alex ’81 [theatrical company]. 1981. ''Scenaria'', (24):21-22. | ||
| Line 88: | Line 88: | ||
[[Vivien Allen|Allen, Vivien]] 1970. Pretoria theatre for children: a progress report. ''Lantern'', 19(4):28-31. | [[Vivien Allen|Allen, Vivien]] 1970. Pretoria theatre for children: a progress report. ''Lantern'', 19(4):28-31. | ||
| − | [[Vivien Allen|Allen, Vivien]] 1990. ''Du Val | + | [[Vivien Allen|Allen, Vivien]] 1990. ''Du Val Tonight! :The Story of a Showman''. Worcester, England: Square One Publications. |
[[Ina Altena|Altena, Ina]] 1972. Nuwe rigtings in die Afrikaanse drama in die sestigerjare. Unpublished master’s thesis. Cape Town: University of Cape Town. | [[Ina Altena|Altena, Ina]] 1972. Nuwe rigtings in die Afrikaanse drama in die sestigerjare. Unpublished master’s thesis. Cape Town: University of Cape Town. | ||
Revision as of 12:25, 13 December 2010
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Aaron, G. 1984. Ken Leach. Fair Lady, 19(5): 12. February 22.
Abrahams, L. 1973. Athol Fugard, in Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. 86-87.
Accone, Daryl 1991. The 1991 Grahamstown festival: an overview. South African Theatre Journal, 5(2):92-103.
Acoustic design for the Nico Malan theatre. 1972. Plan, 57(8): 34. August.
Acoustical design of the State Theatre Pretoria. 1981. Scenaria, Special issue:53, 55.
Acoustical design of the Roodepoort civic theatre. 1981. Municipal Engineer, 12(1): 99.
Acting is not all glamour. [[[Meyer, Elizabeth|Elizabeth Meyer]]]. 1964. Personality, 135-137. March 19.
Actors must be exciting. Scenaria interviews Louis van Niekerk. 1984. Scenaria, (46):29-32.
Adams, Kendall A. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. The Drama Review, 43(2):94-117.
Addison, C. 2002. Island encounters: Intercultural communication in the Western literary tradition. Alternation: Journal of the Centre for the Study of Southern African Literature and Languages, 9(1):74-86.
Adler, Tony 1993. Return to Paton’s place (Alan Paton). American Theatre, 10(7-8):8-9.
Ahmed, J. 1990. Culture in South Africa: the challenge of transformation, in De Kock, I. & Press, K. (eds.). Spring is Rebellious. Cape Town: Buchu Books. 121-125.
Adey, D., Beeton, R., Chapman, M. & Pereira, E. (eds.). 1986. Companion to South African English Literature. Johannesburg: Ad Donker.
Afrikaans Equus 1978. Scenaria, February/March: 44.
Afrikaans stage. 1941. Forum, 3(41): 5. January 4.
Afrikaans stage. 1941 Forum, 3(44): 5. January 25.
Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4):31-32. April 26.
Afrikaans urge towards local drama. 1942. Forum, 5(7):19. March 16.
Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond.
Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6):3.
Afrikaners is plesierig. [Literary criticism, André P. Brink]. 1974. Tydskrif vir Geesteswetenskappe, 14:217-218. September.
Ainslie, J. 1982. Fugard collection in the National English literary museum, Grahamstown. English in Africa, 9(2):35-39.
Akerman, Anthony 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre Quarterly, 7(28):54-57.
Akerman, Anthony 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre Quarterly, 7(28):67-70.
Akerman, Anthony 1989. The last bastion of freedom under siege: a reflection on theatre, in Campschreur, Willem & Divendal, Joost (eds.). Culture in Another South Africa. London: Zed Books. 50-57.
Akerman, Anthony 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African Theatre Journal, 7(2):117-131.
Akerman, Anthony 1995 The Road to Mecca in Mexico. South African Theatre Journal, 9(2):117-136.
Akerman, Anthony 1996. Theatre in exile, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 89-100.
Akteur. 1981. My Loopbaan, 32:3-10.
Alcock, David 1999. Somatic emphasis in South African theatre: intervention in the body politic, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 49-57.
Alex ’81 [theatrical company]. 1981. Scenaria, (24):21-22.
Alexander, M. 1951. “Reps” producer traces story of the theatre. Childhood, 30(3):20.
Alexander, P. 2006. Globalization and new social identities: A jigsaw puzzle from Johannesburg, in Alexander, Peter, Dawson, Marcelle C. & Ichharam, Meera (eds.). Globalization and new identities. A view from the middle. Johannesburg: Jacana Media. 13-65.
All that glitters is not gold…: Mr Stockton Briggle and Clouds by Angela Godfrey. 1979. Scenaria, (11): 21-22.
Allan, Jani 1980. 25 years of Maynardville. Scenaria, (16):17-19.
Allen, Keith 1993. Getting the message across. Animations, 16(3):15.
Allen, Vivien 1970. Pretoria theatre for children: a progress report. Lantern, 19(4):28-31.
Allen, Vivien 1990. Du Val Tonight! :The Story of a Showman. Worcester, England: Square One Publications.
Altena, Ina 1972. Nuwe rigtings in die Afrikaanse drama in die sestigerjare. Unpublished master’s thesis. Cape Town: University of Cape Town.
Alvarez-Pereyre, Jacques 1984. Black committed theatre in South Africa. Commonwealth Essays and Studies (CE&S), 7 (1):80-93.
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To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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