Difference between revisions of "Cracked Mirror"
(Created page with "A play by Buntu Mahola, premièred in 2002. == Performance history in South Africa == ==Translations and adaptations== == Sources == Go to [[South African Theatre/Bibl...") |
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| − | A play by [[Buntu Mahola]], | + | A play by [[Buntu Mahola]] (2002). |
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| + | == Subject == | ||
| + | A group of five black mineworkers debate the issues of racism, intolerance and xenophobia, while doing back-breaking underground work and performing energetic dance routines, about a newly democratic South Africa, a place “Where men have to compete for women, jobs and their next meal, scapegoats will be found and you best not have a strange accent, a slightly darker skin or hopes for a new life in a foreign country” (Hollands, 2002). [Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms] p. 111 | ||
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== Performance history in South Africa == | == Performance history in South Africa == | ||
| + | Premièred on the main programme of the 2002 [[Grahamstown Festival]], directed by the author, with [[Samora Diula]], [[Sindisile Dyasi]], [[Mongezi Ncwadi]], [[Xolani Ngesi]] and [[Thembekile Kula]]. | ||
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| + | Staged at the [[Grahamstown Festival]] in 2013, directed by [[Xolani Ngesi]], with [[Andile Siyoli]], [[Lubabalo Mbombela]], [[Mongezi Ncwadi]] and [[Mzivukile Adams]]. | ||
==Translations and adaptations== | ==Translations and adaptations== | ||
== Sources == | == Sources == | ||
| + | ''Daily Dispatch'', 4 July 2002. | ||
| + | [Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms] | ||
Go to [[South African Theatre/Bibliography|ESAT Bibliography]] | Go to [[South African Theatre/Bibliography|ESAT Bibliography]] | ||
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== Return to == | == Return to == | ||
| − | Return to [[ | + | Return to [[PLAYS I: Original SA plays]] |
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| − | Return to [[ | + | Return to [[PLAYS II: Foreign plays]] |
| − | Return to [[ | + | Return to [[PLAYS III: Collections]] |
| − | Return to [[ | + | Return to [[PLAYS IV: Pageants and public performances]] |
| − | Return to [[ | + | Return to [[South_African_Festivals|South African Festivals and Competitions]] |
Return to [[The ESAT Entries]] | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Latest revision as of 08:01, 2 February 2015
A play by Buntu Mahola (2002).
Contents
Subject
A group of five black mineworkers debate the issues of racism, intolerance and xenophobia, while doing back-breaking underground work and performing energetic dance routines, about a newly democratic South Africa, a place “Where men have to compete for women, jobs and their next meal, scapegoats will be found and you best not have a strange accent, a slightly darker skin or hopes for a new life in a foreign country” (Hollands, 2002). [Van Heerden (2008)][1] p. 111
Performance history in South Africa
Premièred on the main programme of the 2002 Grahamstown Festival, directed by the author, with Samora Diula, Sindisile Dyasi, Mongezi Ncwadi, Xolani Ngesi and Thembekile Kula.
Staged at the Grahamstown Festival in 2013, directed by Xolani Ngesi, with Andile Siyoli, Lubabalo Mbombela, Mongezi Ncwadi and Mzivukile Adams.
Translations and adaptations
Sources
Daily Dispatch, 4 July 2002.
[Van Heerden (2008)][2]
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
