Difference between revisions of "ESAT Bibliography I"
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| + | Importance of being Earnest. [dramatic criticism]. 1983. Scenaria, 35: 29-30. | ||
| + | |||
| + | Inglis, Margaret 1946. Future of professional theatre in South Africa. Outspan. 38(988): 23-25. February 1. | ||
| + | |||
| + | Inglis, Margaret 1955. South African theatre: past, present and future. Forum, 3(10): 27-30. | ||
| + | |||
| + | INNES, CHRISTOPHER.1999. Staging black history: Re-imaging cultural. South African theatre journal, 13(1&2):21-29. | ||
| + | |||
| + | Inskip, Donald P. 1947. Amateur-toneelspelers vier fees: ‘n beskouing oor die betekenis van die Federasie van amateur-toneelverenigings van Suid-Afrika. Huisgenoot. 32 (1336):20-22. Oktober 31. | ||
| + | |||
| + | Inskip, Donald 1958. Drama in the university. English studies in Africa, 1: 55-58. | ||
| + | |||
| + | Inskip, Donald 1972. Forty Little years: the story of a theatre. Cape Town: Howard Timmins. | ||
| + | |||
| + | Inskip, Donald 1977. Stage by stage: The Leonard Schach story. Cape Town: Howard Timmins. | ||
| + | |||
| + | Intercultural Relationships in the Past and Present. Berlin, Germany: Lit; ??? | ||
| + | |||
| + | International Labour Organisation: Tripartite meeting on conditions of employment and the work of performers. 1993. South African theatre journal, 7(2): 77-84. | ||
| + | |||
| + | Interview with Athol Fugard, Port Elizabeth, 30 November 1977. 1980. Theoria, 55: 37-48. | ||
| + | |||
| + | Irvine-Smith, C.C. architects. Witwatersrand university theatre. Architect and builder, 34(11): 14-19. | ||
| + | |||
| + | Israel, Connie 2007. Performance as an alternate literacy in South Africa. South African theatre journal, 21: 275-291. | ||
| + | |||
| + | Itzhaki, Yedidya 1993. Athol Fugard on the Israeli stage. South African theatre journal, 7(1): 62-78. | ||
Revision as of 10:38, 23 August 2010
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Importance of being Earnest. [dramatic criticism]. 1983. Scenaria, 35: 29-30.
Inglis, Margaret 1946. Future of professional theatre in South Africa. Outspan. 38(988): 23-25. February 1.
Inglis, Margaret 1955. South African theatre: past, present and future. Forum, 3(10): 27-30.
INNES, CHRISTOPHER.1999. Staging black history: Re-imaging cultural. South African theatre journal, 13(1&2):21-29.
Inskip, Donald P. 1947. Amateur-toneelspelers vier fees: ‘n beskouing oor die betekenis van die Federasie van amateur-toneelverenigings van Suid-Afrika. Huisgenoot. 32 (1336):20-22. Oktober 31.
Inskip, Donald 1958. Drama in the university. English studies in Africa, 1: 55-58.
Inskip, Donald 1972. Forty Little years: the story of a theatre. Cape Town: Howard Timmins.
Inskip, Donald 1977. Stage by stage: The Leonard Schach story. Cape Town: Howard Timmins.
Intercultural Relationships in the Past and Present. Berlin, Germany: Lit; ???
International Labour Organisation: Tripartite meeting on conditions of employment and the work of performers. 1993. South African theatre journal, 7(2): 77-84.
Interview with Athol Fugard, Port Elizabeth, 30 November 1977. 1980. Theoria, 55: 37-48.
Irvine-Smith, C.C. architects. Witwatersrand university theatre. Architect and builder, 34(11): 14-19.
Israel, Connie 2007. Performance as an alternate literacy in South Africa. South African theatre journal, 21: 275-291.
Itzhaki, Yedidya 1993. Athol Fugard on the Israeli stage. South African theatre journal, 7(1): 62-78.
Click on the appropriate letter of the alphabet below to find the relevant list.
