Difference between revisions of "Maurice Podbrey"
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Upon his arrival in Canada, he became assistant director of the English section of the National Theatre School of Canada before co-founding the Centaur Theatre in 1969, with a mandate to produce Canadian plays. | Upon his arrival in Canada, he became assistant director of the English section of the National Theatre School of Canada before co-founding the Centaur Theatre in 1969, with a mandate to produce Canadian plays. | ||
| − | Among the works he has directed at Centaur are Luther, Creeps , Sizwe Banzi is Dead, The Island, Night and Day, The Seagull, Master Harold...and the Boys, Albertine, en cinq temps , Woman in Mind, My Children! My Africa! and Cat On a Hot Tin Roof. He has played leads in Uncle Vanya (twice), Juno and the Paycock, Lesson from Aloes, Duet for One, Death of a Salesman and Blood Knot, among many others. | + | Among the works he has directed at Centaur are Luther, Creeps , Sizwe Banzi is Dead, The Island, Night and Day, The Seagull, Master Harold...and the Boys, Albertine, en cinq temps , Woman in Mind, My Children! My Africa! and Cat On a Hot Tin Roof. He has played leads in ''[[Uncle Vanya]]'' (twice), ''[[Juno and the Paycock]]'', ''[[A Lesson from Aloes]]'', ''[[Duet for One]]'', ''[[Death of a Salesman]]'' and Blood Knot, among many others. |
Maurice Podbrey's contribution to Canadian theatre is great. He launched the career of playwright David Fennario , nurtured the careers of Vittorio Rossi and dozens of actors, directors and designers. He is largely responsible for bringing the works of Athol Fugard to Canadian, if not North American, attention. | Maurice Podbrey's contribution to Canadian theatre is great. He launched the career of playwright David Fennario , nurtured the careers of Vittorio Rossi and dozens of actors, directors and designers. He is largely responsible for bringing the works of Athol Fugard to Canadian, if not North American, attention. | ||
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He returned to his native South Africa in 1999 to form Mopo Cultural Trust, a company dedicated to the development of new theatrical talent, and divides his time between South Africa and Montreal. In 2013 he produced an adaptation of J.M. Coetzee's Waiting for the Barbarians for the Segal Centre for Performing Arts (dir. Alexandre Marine ). | He returned to his native South Africa in 1999 to form Mopo Cultural Trust, a company dedicated to the development of new theatrical talent, and divides his time between South Africa and Montreal. In 2013 he produced an adaptation of J.M. Coetzee's Waiting for the Barbarians for the Segal Centre for Performing Arts (dir. Alexandre Marine ). | ||
| − | He has published his memoirs, Half Man Half Beast. He also reviews theatre for a publication in South Africa. | + | He has published his memoirs, ''Half Man Half Beast''. He also reviews theatre for a publication in South Africa. |
| − | Profile by Gaetan Charlebois (last updated 2013-07-05). | + | Profile by Gaetan Charlebois (last updated 2013-07-05). http://www.canadiantheatre.com/dict.pl?term=Podbrey%2C%20Maurice |
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| − | http://www.canadiantheatre.com/dict.pl?term=Podbrey%2C%20Maurice | ||
==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
Latest revision as of 08:42, 24 December 2014
PODBREY, Maurice (1934- ), stage actor and director.
Contents
Biography
Born in Durban, South Africa, studied at University of the Witwatersrand.
Training
Career
TO BE EDITED >> Director/actor born in Durban, South Africa in 1934 and co-founder and artistic director of Centaur Theatre until 1997.
Educated in University of Witwatersrand and at the College of Education in South Africa, he began working as a teacher before studying at the Rose Bruford College of Speech and Drama in England. He began to work professionally in repertory in 1959 and became artistic director of the Chester Playhouse in 1964. He also worked as an actor in the West End (London).
Upon his arrival in Canada, he became assistant director of the English section of the National Theatre School of Canada before co-founding the Centaur Theatre in 1969, with a mandate to produce Canadian plays.
Among the works he has directed at Centaur are Luther, Creeps , Sizwe Banzi is Dead, The Island, Night and Day, The Seagull, Master Harold...and the Boys, Albertine, en cinq temps , Woman in Mind, My Children! My Africa! and Cat On a Hot Tin Roof. He has played leads in Uncle Vanya (twice), Juno and the Paycock, A Lesson from Aloes, Duet for One, Death of a Salesman and Blood Knot, among many others.
Maurice Podbrey's contribution to Canadian theatre is great. He launched the career of playwright David Fennario , nurtured the careers of Vittorio Rossi and dozens of actors, directors and designers. He is largely responsible for bringing the works of Athol Fugard to Canadian, if not North American, attention.
He is the recipient of the Chalmers Award for artistic direction (1995) and is a Member of the Order of Canada.
His direction is marked by a clarity of vision and restraint. His acting is effervescent and often very brave. His performance in the 1994 Centaur production of Uncle Vanya was simply magnificent.
He returned to his native South Africa in 1999 to form Mopo Cultural Trust, a company dedicated to the development of new theatrical talent, and divides his time between South Africa and Montreal. In 2013 he produced an adaptation of J.M. Coetzee's Waiting for the Barbarians for the Segal Centre for Performing Arts (dir. Alexandre Marine ).
He has published his memoirs, Half Man Half Beast. He also reviews theatre for a publication in South Africa.
Profile by Gaetan Charlebois (last updated 2013-07-05). http://www.canadiantheatre.com/dict.pl?term=Podbrey%2C%20Maurice
Contribution to SA theatre, film, media and/or performance
Awards, etc
Sources
http://www.canadiantheatre.com/dict.pl?term=Podbrey%2C%20Maurice
Go to South African Theatre/Bibliography
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