Difference between revisions of "Sam Mhangwane"
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(Created page with "(19**-) Playwright and director. *** Along with Gibson Kente, the creator of the “township musical” style popular entertainment. His melodramatic tale entitled ''[[Unfait...") |
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| − | (19**-) Playwright and director. *** Along with [[Gibson Kente]], the creator of the “township musical” style popular entertainment. His melodramatic tale entitled ''[[Unfaithful Woman]]'', which premiered in 1966, is reputed to be the longest running play in South African theatre history, still going strong in the mid-eighties. ''[[Blame Yourself]]'' (1970) was another success. Mhangwane also ran courses in acting for young black performers in Johannesburg***. Mhangwane worked with [[SATO]], and his work was rejected as cheap escapist entertainment by [[SASO]] and the intellectuals of the [[BMC movement]]. ** | + | (19**-) Playwright and director. *** Along with [[Gibson Kente]], the creator of the “township musical” style popular entertainment. His melodramatic tale entitled ''[[The Unfaithful Woman]]'', which premiered in 1966, is reputed to be the longest running play in South African theatre history, still going strong in the mid-eighties. ''[[Blame Yourself]]'' (1970) was another success. Mhangwane also ran courses in acting for young black performers in Johannesburg***. Mhangwane worked with [[SATO]], and his work was rejected as cheap escapist entertainment by [[SASO]] and the intellectuals of the [[BMC movement]]. ** |
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Revision as of 13:54, 5 July 2014
(19**-) Playwright and director. *** Along with Gibson Kente, the creator of the “township musical” style popular entertainment. His melodramatic tale entitled The Unfaithful Woman, which premiered in 1966, is reputed to be the longest running play in South African theatre history, still going strong in the mid-eighties. Blame Yourself (1970) was another success. Mhangwane also ran courses in acting for young black performers in Johannesburg***. Mhangwane worked with SATO, and his work was rejected as cheap escapist entertainment by SASO and the intellectuals of the BMC movement. **
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