Difference between revisions of "ESAT Bibliography U"
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Ukpokodu, Peter 1992. Plays, possession, and rock and roll: political theatre in Africa. ''The Drama Review'', 36(4): 28-53. | Ukpokodu, Peter 1992. Plays, possession, and rock and roll: political theatre in Africa. ''The Drama Review'', 36(4): 28-53. | ||
| − | Ukpokodu, Peter 2002. ''South African theatre as/and intervention'', edited by Marcia Blumberg and Dennis Walder and | + | Ukpokodu, Peter 2002. ''South African theatre as/and intervention'', edited by Marcia Blumberg and Dennis Walder and ''The drama of South Africa: plays, pageants and publics since 1910''. by Loren Kruger Reviewed in: ''Theatre survey'', (43)1: 117-124. |
Ukpokodu I. 2002. Theatre and the creation of a national identity: Jane Taylor's Ubu and the Truth Commission. Literary Griot: ''International Journal of Black Expressive Cultural Studies''. 14(1-2):241-264. | Ukpokodu I. 2002. Theatre and the creation of a national identity: Jane Taylor's Ubu and the Truth Commission. Literary Griot: ''International Journal of Black Expressive Cultural Studies''. 14(1-2):241-264. | ||
Revision as of 09:32, 29 November 2010
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A B C D E F G H-Hay He-Hu I J K L M N O P Q R S-Sh Si-Sz T U V W X Y Z
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Uit die baanbrekerdae van die toneel. 1963. Lantern, 12(3): 18-29.
Uitvoerende kunste van die vier provinsies. 1964. Lantern, 13(4): 62-73.
Ukpokodu, Peter 1992. Plays, possession, and rock and roll: political theatre in Africa. The Drama Review, 36(4): 28-53.
Ukpokodu, Peter 2002. South African theatre as/and intervention, edited by Marcia Blumberg and Dennis Walder and The drama of South Africa: plays, pageants and publics since 1910. by Loren Kruger Reviewed in: Theatre survey, (43)1: 117-124.
Ukpokodu I. 2002. Theatre and the creation of a national identity: Jane Taylor's Ubu and the Truth Commission. Literary Griot: International Journal of Black Expressive Cultural Studies. 14(1-2):241-264.
Ukpokodu, Peter 1995. “Lest one good custom should corrupt the world”: African theatre and the “holy” canon. South African theatre journal, 9(2):3-26.
Die Uitvoerende kunste in Suid-Afrika: kulturele aspirasies van ‘n jomg land. 1969. Pretoria : Dept. van Inligting.
UMabatha. [Dramatic criticism, Welcome Msomi]. 1972. South African panorama, 17(8): 36-39. August.
Ungaro, Joan 1992. Beyond Broadway: Boesman and Lena. TheaterWeek, 5(240): 33-35. March 16.
Ungerer, Carien 1986. nd du Plessis-teater : sieraad van die Vrystaat. Lantern, 35(1) : 33-41.
Unique State Theatre. 1981. Scenaria, Special issue: 7-13.
Unique opportunity for Black actors. 1985. Informa, 32(6) : 15.
The University of Cape Town’s Little Theatre. 1978. Scenaria, (9) : 6-7.
University teaching of drama in the 80’s. 1984. Teaterforum, 5(1) : 1-123.
Uno, Roberta 1994. Mbongeni Ngema: a theater of the ancestors. Theatre topics, 4(1): 15-30.
Unusual timber structure brings culture to a park [Joubert park theatre]. 1966. Construction in Southern Africa, 11(7): 59.
Up and going. 1941. Forum. 3(51): 5.
Uwah, Chijioke 2003. The themes of political betrayal in the plays of Zakes Mda. English in Africa, 30(1): 135-144.
Uys, Pieter-Dirk 1978. Saga of the Selle ou storie. Speak, 1(2): 53-57.March-April.
Uys, Pieter-Dirk 1986. No-one’s died laughing. Harmondsworth: Penguin.
Uys, Pieter-Dirk 1995. Funigalore: Evita’s real-life adventures in Wonderland. London: Penguin.
Uys, Pieter-Dirk 2002. Elections and erections: a memoir of fear and fun. Cape Town: Zebra.
Uys, Pikkie 1943. My ten eventful years on the Afrikaans stage in South Africa. Outspan. 32(832): 29. February 5.
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H-Hay He-Hu I J K L M N O P Q R S-Sh Si-Sz T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
