Difference between revisions of "Brett Bailey"
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(1967-) Playwright, designer, play director, festival curator and the artistic director of [[Third World Bunfight]]. Completed a post graduate diploma in performance studies at the Dasarts Master of Theatre in Amsterdam. He has worked throughout South Africa, and in Zimbabwe, Uganda, Haiti, the UK and across Europe. Founded his company [[The Third World Bunfight]] in ** and created a number of enormously controversial and exciting works utilizing the talents of “non-actors” alongside professional performers. Among his acclaimed dramas, which interrogate the dynamics of the post-colonial world, are ''[[Big Dada]]'', ''[[Ipi Zombi]]'' (1996), ''[[iMumbo Jumbo]]'' (1997) , ''[[Orfeus]]'', ''[[MedEia]]'' (2005). His performance installations include ''[[Blood Diamonds: Terminal]]'' and ''[[Exhibit A: Deutsch Sudwestafrika]]'' (2012). He directed the opening show at the [[4th World Summit on Arts and Culture]] (2009), and from 2006 until 20011 has directed the opening shows for the [[Harare International Festival of the Arts]]. He has been the curator of Africa Centre's ''[[Infecting the City]]'' since 2008. Winner of the [[Fleur du Cap]] [[Rosalie van der Gucht Prize for New Directors]] in 2001. His works have played across Europe, Australia and Africa, and have one several awards, including a gold medal for design at the Prague Quadrennial (2007). | (1967-) Playwright, designer, play director, festival curator and the artistic director of [[Third World Bunfight]]. Completed a post graduate diploma in performance studies at the Dasarts Master of Theatre in Amsterdam. He has worked throughout South Africa, and in Zimbabwe, Uganda, Haiti, the UK and across Europe. Founded his company [[The Third World Bunfight]] in ** and created a number of enormously controversial and exciting works utilizing the talents of “non-actors” alongside professional performers. Among his acclaimed dramas, which interrogate the dynamics of the post-colonial world, are ''[[Big Dada]]'', ''[[Ipi Zombi]]'' (1996), ''[[iMumbo Jumbo]]'' (1997) , ''[[Orfeus]]'', ''[[MedEia]]'' (2005). His performance installations include ''[[Blood Diamonds: Terminal]]'' and ''[[Exhibit A: Deutsch Sudwestafrika]]'' (2012). He directed the opening show at the [[4th World Summit on Arts and Culture]] (2009), and from 2006 until 20011 has directed the opening shows for the [[Harare International Festival of the Arts]]. He has been the curator of Africa Centre's ''[[Infecting the City]]'' since 2008. Winner of the [[Fleur du Cap]] [[Rosalie van der Gucht Prize for New Directors]] in 2001. His works have played across Europe, Australia and Africa, and have one several awards, including a gold medal for design at the Prague Quadrennial (2007). | ||
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| + | In his book ''The Plays of Miracle and Wonder: Ipi Zombi?, iMumbo Jumbo, The Prophet'', Juta and Company Ltd, 2003, Bailey describes in detail his work with a large cast of non-professional actors and musicians, township dwellers, real-life sangomas [traditional healers] and school children in the creation of the trilogy. His company of performers were drawn mostly from the inhabitants of the Rini township outside Grahamstown and he premièred the three plays at consecutive Grahamstown Festivals from 1997 through 1999. | ||
== Sources == | == Sources == | ||
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http://en.wikipedia.org/wiki/Brett_Bailey | http://en.wikipedia.org/wiki/Brett_Bailey | ||
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Go to [[South African Theatre/Bibliography]] | Go to [[South African Theatre/Bibliography]] | ||
Revision as of 11:02, 9 March 2014
(1967-) Playwright, designer, play director, festival curator and the artistic director of Third World Bunfight. Completed a post graduate diploma in performance studies at the Dasarts Master of Theatre in Amsterdam. He has worked throughout South Africa, and in Zimbabwe, Uganda, Haiti, the UK and across Europe. Founded his company The Third World Bunfight in ** and created a number of enormously controversial and exciting works utilizing the talents of “non-actors” alongside professional performers. Among his acclaimed dramas, which interrogate the dynamics of the post-colonial world, are Big Dada, Ipi Zombi (1996), iMumbo Jumbo (1997) , Orfeus, MedEia (2005). His performance installations include Blood Diamonds: Terminal and Exhibit A: Deutsch Sudwestafrika (2012). He directed the opening show at the 4th World Summit on Arts and Culture (2009), and from 2006 until 20011 has directed the opening shows for the Harare International Festival of the Arts. He has been the curator of Africa Centre's Infecting the City since 2008. Winner of the Fleur du Cap Rosalie van der Gucht Prize for New Directors in 2001. His works have played across Europe, Australia and Africa, and have one several awards, including a gold medal for design at the Prague Quadrennial (2007).
In his book The Plays of Miracle and Wonder: Ipi Zombi?, iMumbo Jumbo, The Prophet, Juta and Company Ltd, 2003, Bailey describes in detail his work with a large cast of non-professional actors and musicians, township dwellers, real-life sangomas [traditional healers] and school children in the creation of the trilogy. His company of performers were drawn mostly from the inhabitants of the Rini township outside Grahamstown and he premièred the three plays at consecutive Grahamstown Festivals from 1997 through 1999.
Sources
http://www.thirdworldbunfight.co.za/
http://en.wikipedia.org/wiki/Brett_Bailey
Go to South African Theatre/Bibliography
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