Difference between revisions of "The Voice from Kilimanjaro"
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== Subject == | == Subject == | ||
| − | Deals with the intricacies of post-apartheid South Africa where a family is grappling with the continued harsh realities of, for example, xenophobia, racism and tribalism. Tackles social, political, economic and educational | + | Deals with the intricacies of post-apartheid South Africa where a family is grappling with the continued harsh realities of, for example, xenophobia, racism and tribalism. Tackles social, political, economic and educational challenges: Jabule Mthembu, a girl from Soweto, falls in love with Muselema Bundare, a former activist from the Congo, against the wishes of her xenophobic family. The story is told through song and dance and combines diverse dance routines from South Africa, Congo, Mozambique and Zimbabwe. |
== Performance history in South Africa == | == Performance history in South Africa == | ||
Revision as of 10:47, 25 February 2014
A musical written by Vusi Mhlongo (1999).
Contents
Subject
Deals with the intricacies of post-apartheid South Africa where a family is grappling with the continued harsh realities of, for example, xenophobia, racism and tribalism. Tackles social, political, economic and educational challenges: Jabule Mthembu, a girl from Soweto, falls in love with Muselema Bundare, a former activist from the Congo, against the wishes of her xenophobic family. The story is told through song and dance and combines diverse dance routines from South Africa, Congo, Mozambique and Zimbabwe.
Performance history in South Africa
Translations and adaptations
Sources
Go to ESAT Bibliography
Return to
Return to ESAT Templates
Return to B in Plays I Original SA Plays
Return to B in Plays II Foreign Plays
Return to B in Plays III Collections
Return to B in Plays IV: Festivals and Pageants
Return to South_African_Theatre/Plays
Return to The ESAT Entries
Return to Main Page
