Difference between revisions of "Die Bosflerrie se Bostent-teater"
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[[Die Bosflerrie se Bostent-teater]] (the Bush Flirt’s Bush Tent Theatre) was opened by actor [[Lourens Swanepoel]] next to a lion park in Randburg, Johannesburg and its target audience was specifically the more conservative, traditional Afrikaners. | [[Die Bosflerrie se Bostent-teater]] (the Bush Flirt’s Bush Tent Theatre) was opened by actor [[Lourens Swanepoel]] next to a lion park in Randburg, Johannesburg and its target audience was specifically the more conservative, traditional Afrikaners. | ||
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== Founding and early history == | == Founding and early history == | ||
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== Aims and function == | == Aims and function == | ||
In January 1994 Swanepoel told Afrikaans newspaper [[Die Burger]] that the theatre is intended exclusively for Afrikaans-language productions. He intends, with this project, to "help build a successful future for our Afrikaans culture and the survival of our mother tongue" (translated from Afrikaans). | In January 1994 Swanepoel told Afrikaans newspaper [[Die Burger]] that the theatre is intended exclusively for Afrikaans-language productions. He intends, with this project, to "help build a successful future for our Afrikaans culture and the survival of our mother tongue" (translated from Afrikaans). | ||
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== Current status == | == Current status == | ||
Revision as of 11:21, 19 February 2014
Die Bosflerrie se Bostent-teater (the Bush Flirt’s Bush Tent Theatre) was opened by actor Lourens Swanepoel next to a lion park in Randburg, Johannesburg and its target audience was specifically the more conservative, traditional Afrikaners.
Contents
Founding and early history
Die Bosflerrie se Bostent-teater was opened on Sunday 23 January 1994 with Eugène Terre'Blanche, the conservative political activist who founded the ultra right-wing Afrikaner Weerstandsbeweging (AWB), reading some of his own poetry by candle light.
Aims and function
In January 1994 Swanepoel told Afrikaans newspaper Die Burger that the theatre is intended exclusively for Afrikaans-language productions. He intends, with this project, to "help build a successful future for our Afrikaans culture and the survival of our mother tongue" (translated from Afrikaans).
Current status
Impact on SA theatre, film, media and/or performance
Sources
Go to South African Theatre/Bibliography
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