Difference between revisions of "The Merchant of Venice"
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Ironically yet understandibly, given its racial theme, this play has been enormously popular in South Africa. First English performance****. | Ironically yet understandibly, given its racial theme, this play has been enormously popular in South Africa. First English performance****. | ||
| − | Performed by the [[Garrison Players]] in the [[Garrison Theatre]] on Wednesday 8 September 1847, with as an afterpiece | + | Performed by the [[Garrison Players]] in the [[Garrison Theatre]] on Wednesday 8 September 1847, with as an afterpiece ''[[My Daughter, Sir!, or A Daughter to Marry]]'' (Planché); on Friday 17 September 1847 with as afterpiece ''[[Jack Bragg]]'' (Hook) and Thurday 9 December 1847 with as afterpiece ''[[The Infant of Spain]]''. |
A significant production of this Shakespeare play was staged by the [[Cape Town Repertory Theatre Society]] as its début opened on 6 August 1920 in the [[Railway Institute Hall]] in Cape Town. The cast included most of the top amateur actors then active, and the design by [[S.J. Wray]] was the first to introduce the revolutionary ideas of [[Edward Gordon Craig]] to South Africa. In all, only eight performances were given in Cape Town and surrounds, but the production was a hit with both public and critics and managed to turn a tidy profit of £100. The first professional performance was apparently ***. | A significant production of this Shakespeare play was staged by the [[Cape Town Repertory Theatre Society]] as its début opened on 6 August 1920 in the [[Railway Institute Hall]] in Cape Town. The cast included most of the top amateur actors then active, and the design by [[S.J. Wray]] was the first to introduce the revolutionary ideas of [[Edward Gordon Craig]] to South Africa. In all, only eight performances were given in Cape Town and surrounds, but the production was a hit with both public and critics and managed to turn a tidy profit of £100. The first professional performance was apparently ***. | ||
Revision as of 20:42, 16 August 2013
by William Shakespeare.
Performance history in South Africa
Ironically yet understandibly, given its racial theme, this play has been enormously popular in South Africa. First English performance****.
Performed by the Garrison Players in the Garrison Theatre on Wednesday 8 September 1847, with as an afterpiece My Daughter, Sir!, or A Daughter to Marry (Planché); on Friday 17 September 1847 with as afterpiece Jack Bragg (Hook) and Thurday 9 December 1847 with as afterpiece The Infant of Spain.
A significant production of this Shakespeare play was staged by the Cape Town Repertory Theatre Society as its début opened on 6 August 1920 in the Railway Institute Hall in Cape Town. The cast included most of the top amateur actors then active, and the design by S.J. Wray was the first to introduce the revolutionary ideas of Edward Gordon Craig to South Africa. In all, only eight performances were given in Cape Town and surrounds, but the production was a hit with both public and critics and managed to turn a tidy profit of £100. The first professional performance was apparently ***.
Other notable productions include **.
Translated into Afrikaans as Die Koopman van Venesië by D.F Malherbe ( Afrikaanse Pers Boekhandel, 1949) and first directed by Fred Engelen at the Little Theatre in Cape Town in 195*, with Pieter Bredenkamp, Louw Verwey, Hermien Dommisse, Paul Malherbe, Fred le Roux and Chris van den Berg. Costume designs by Mavis Taylor (designs also used in later productions in Antwerp.) Also done by Volksteater in 1950, directed by ** and featuring **. Published by ** in 19*.
Also translated into Northern Sotho as Mogwebi wa Venisi by N.C. Phatudi (Published by Maskew Miller Longman, 1985), into Southern Sotho as Mohwebi wa Venisi by K.E. Ntsane (published by A.P.B. in 1961), into Setswana as Morekisi wa Venisi by M.O.M. Seboni (publised by Lovedale Press, 1961), .
Sources
Bosman, 1928: pp 396,
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