Difference between revisions of "Woza Albert!"
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(“Arise, Albert!”) by [[Percy Mtwa]], [[Mbongeni Ngema]] and [[Barney Simon]]. A full length play devised and improvised by Mtwa and Ngema, and refined under the direction of Simon. Tells the story of Christ’s (“Morena’s”) visit to apartheid South Africa, where he is introduced to the lives of ordinary people under the system. In many ways the prototype for and one of the best and most popular examples of the new improvisational political theatre of the 1980s. Influenced a large number of writers and performers, and set up the careers of Mtwa and particularly Ngema as writers. Opening at the [[Market Theatre]] in October 1981, the play toured extensively in the country and abroad. In 1983 presented at the [[Criterion Theatre]] in London by [[Terence Frisby]], where it won the London ''[[City Limits]]'' Best Play of the Year Award, then taken to Broadway and other parts of the world. [a Tony Award in New York **??]. First published 1983 by [[Methuen]] and has since become and one of the most anthologised and produced of all South African plays. . Published by Methuen and also in ''[[Woza Afrika!]]'' by [[George Braziller]]. | (“Arise, Albert!”) by [[Percy Mtwa]], [[Mbongeni Ngema]] and [[Barney Simon]]. A full length play devised and improvised by Mtwa and Ngema, and refined under the direction of Simon. Tells the story of Christ’s (“Morena’s”) visit to apartheid South Africa, where he is introduced to the lives of ordinary people under the system. In many ways the prototype for and one of the best and most popular examples of the new improvisational political theatre of the 1980s. Influenced a large number of writers and performers, and set up the careers of Mtwa and particularly Ngema as writers. Opening at the [[Market Theatre]] in October 1981, the play toured extensively in the country and abroad. In 1983 presented at the [[Criterion Theatre]] in London by [[Terence Frisby]], where it won the London ''[[City Limits]]'' Best Play of the Year Award, then taken to Broadway and other parts of the world. [a Tony Award in New York **??]. First published 1983 by [[Methuen]] and has since become and one of the most anthologised and produced of all South African plays. . Published by Methuen and also in ''[[Woza Afrika!]]'' by [[George Braziller]]. | ||
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| + | Revivals | ||
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| + | 2012 | ||
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| + | Directed by [[Prince Lamla]], with *** at the [[Market Theatre]], followed by a month-long season at the Edinburgh Festival 2012. | ||
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Revision as of 06:05, 25 July 2013
(“Arise, Albert!”) by Percy Mtwa, Mbongeni Ngema and Barney Simon. A full length play devised and improvised by Mtwa and Ngema, and refined under the direction of Simon. Tells the story of Christ’s (“Morena’s”) visit to apartheid South Africa, where he is introduced to the lives of ordinary people under the system. In many ways the prototype for and one of the best and most popular examples of the new improvisational political theatre of the 1980s. Influenced a large number of writers and performers, and set up the careers of Mtwa and particularly Ngema as writers. Opening at the Market Theatre in October 1981, the play toured extensively in the country and abroad. In 1983 presented at the Criterion Theatre in London by Terence Frisby, where it won the London City Limits Best Play of the Year Award, then taken to Broadway and other parts of the world. [a Tony Award in New York **??]. First published 1983 by Methuen and has since become and one of the most anthologised and produced of all South African plays. . Published by Methuen and also in Woza Afrika! by George Braziller.
Revivals
2012
Directed by Prince Lamla, with *** at the Market Theatre, followed by a month-long season at the Edinburgh Festival 2012.
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