Difference between revisions of "Drawing Room Theatre"
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− | Constructed by [[Sefton Parry]] in 1855, it was created when a large room in the [[Commercial Exchange]] building, Cape Town, was changed into a theatre with 350 seats. Called the '''Drawing Room Theatre''', it was fitted up on the same model as the Reuben’s Room in Windsor Castle. The first official performance was on Wednesday, June 13, 1855 when Boucicault’s comedy Used Up, or The Peer and the Ploughman and the farce Family Jars, were performed by Parry and the “[[Gentleman Amateurs]]”. The theatre was predominately English and played an important role in English professional theatre in South Africa. | + | Constructed by [[Sefton Parry]] in 1855, it was created when a large room in the [[Commercial Exchange]] building, Cape Town, was changed into a theatre with 350 seats. Called the '''Drawing Room Theatre''', it was fitted up on the same model as the Reuben’s Room in Windsor Castle. The first official performance was on Wednesday, June 13, 1855 when Boucicault’s comedy Used Up, or The Peer and the Ploughman and the farce ''[[Family Jars]]'', were performed by Parry and the “[[Gentleman Amateurs]]”. The theatre was predominately English and played an important role in English professional theatre in South Africa. |
== For more information == | == For more information == |
Revision as of 11:17, 13 February 2013
Constructed by Sefton Parry in 1855, it was created when a large room in the Commercial Exchange building, Cape Town, was changed into a theatre with 350 seats. Called the Drawing Room Theatre, it was fitted up on the same model as the Reuben’s Room in Windsor Castle. The first official performance was on Wednesday, June 13, 1855 when Boucicault’s comedy Used Up, or The Peer and the Ploughman and the farce Family Jars, were performed by Parry and the “Gentleman Amateurs”. The theatre was predominately English and played an important role in English professional theatre in South Africa.
For more information
See also the Commercial Exchange
Sources Bosman, 1928; Fletcher, 1994; Laidler, 1926 [MN]
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