Difference between revisions of "Alude Mahali"
(Created page with "(19**-) Performer and academic. Studied at Rhodes University (BA Honours) and University of Cape Town (M.A. in Theatre Making) and enrolled for a PhD. Her research int...") |
|||
| Line 1: | Line 1: | ||
| − | (19**-) Performer and academic. Studied at [[Rhodes University]] (BA Honours) and [[University of Cape Town]] (M.A. in Theatre Making) and enrolled for a PhD. Her research interests lie in issues of black girlhood/wonmanhood, nostalgia, memory, vocality and displacement. As film and stage performer has collaborated with numerous international and national arts festivals. | + | (19**-) Performer and academic. Studied at [[Rhodes University]] (BA Honours) and [[University of Cape Town]] (M.A. in Theatre Making) and enrolled for a PhD. Her research interests lie in issues of black girlhood/wonmanhood, nostalgia, memory, vocality and displacement. Her research is closely allied to her performance work. |
| + | |||
| + | As film and stage performer has collaborated with numerous international and national arts festivals. | ||
Publications include an article on " 'Piecing together a Girlhood' ": Using the 'Girlfriend Aesthetic' as a Practical Methodology in the Making and Performance of ''Katuntu (...and you too)''. " (Igweonu, 2007) | Publications include an article on " 'Piecing together a Girlhood' ": Using the 'Girlfriend Aesthetic' as a Practical Methodology in the Making and Performance of ''Katuntu (...and you too)''. " (Igweonu, 2007) | ||
Revision as of 09:41, 30 January 2013
(19**-) Performer and academic. Studied at Rhodes University (BA Honours) and University of Cape Town (M.A. in Theatre Making) and enrolled for a PhD. Her research interests lie in issues of black girlhood/wonmanhood, nostalgia, memory, vocality and displacement. Her research is closely allied to her performance work.
As film and stage performer has collaborated with numerous international and national arts festivals.
Publications include an article on " 'Piecing together a Girlhood' ": Using the 'Girlfriend Aesthetic' as a Practical Methodology in the Making and Performance of Katuntu (...and you too). " (Igweonu, 2007)
Sources
Igweonu, 2007: p 472
Go to South African Theatre/Bibliography
Return to
Return to ESAT Personalities M
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
