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Click on the appropriate letter of the alphabet below to find the relevant list.  
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[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]]  [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]  
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[[ESAT Bibliography Ra-Res|Ra-Res]] [[ESAT Bibliography Ret-Ric|Ret-Ric]] [[ESAT Bibliography Rid-Rol|Rid-Rol]] [[ESAT Bibliography Rom-Rop|Rom-Rop]] [[ESAT Bibliography Ros-Rot|Ros-Rot]] [[ESAT Bibliography Rou-Rz|Rou-Rz]]
  
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To return to any other letter, click on the list below
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[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
  
  
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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Rabe, D. de V. 1983. Mimiek: die kuns van die gehoorgestremde. Opvoedkundige kultuur, 6(3): 26-27.
 
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Rabe, L. 1985. In Shakespeare se towerwoud. Sarie, 14-16. January 30.
 
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Rabe, S. 1982. Introduction to the art of stage make-up. Arabesque, 13 : 36. April.
 
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Rabson, J.S. 1979. Psychodrama with alcoholics.: a social work perspective. Social work, 15: 220-221. October.
 
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RACSTER, Olga 19**.  “Performing Arts in South Africa” . In Department of Information, South African Yearbook??**. Pretoria:, Swan Press.
 
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Racster, Olga 1951. Curtain up! The story of Cape theatre. Cape Town: Juta and Company.
 
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Raditlhalo, S.I. 2002. South African theater as/and intervention, edited by Marcia Blumberg and Dennis Walder; The drama of South Africa: plays, pageants and publics since 1910, by Loren Kruger. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 171-175.
 
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Raditlhalo S. 2009. Truth in Translation: The TRC and the Translation of the
 
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Translators. Biography: An Interdisciplinary Quarterly [serial online]. Winter
 
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2009;32(1):89-101.
 
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RAE, Almeda K. 1971. Dialogue and Characterization in the Plays of Athol Fugard. Unpublished M.A. Dissertation, University of Pretoria.
 
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Raghavan, Sudarsan. 1995. ‘You’re Free to Escape the Past’. In: Newsweek, August 21, 1995: 56.
 
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Rahner, Christiane 2007. “Führt was vor!” Traditionelle “Vorträge” in deutschsprachigen Gemeinden Südafrikas. In:  Fassel, Horst, Ulrich, Paul S., Schindler, Otto G. (eds.) Deutsches Theater im Ausland vom 17. zum 20. Jahrhundert: Interkulturelle Beziehungen in Geschichte und Gegenwart.  Berlin, Germany: Lit; p. 267-274.
 
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Raikes, R. Stage is set. 1971. Personality, 68-75. February 5.
 
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Raine, Craig. 1980. An interview with Athol Fugard.  Quarto. (9):9-14.
 
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RASSOOL, C. and WITZ, L. 1993. The 1952 Jan van Riebeeck Tercentenary Festival: Constructing and Contesting Public National History in South Africa.  Journal of African History 34: 447-468.
 
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Rautenbach, Elmarie. 1999.  Pieter-Dirk verklap Evita se geheim.  Insig, 12/99: 24.
 
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Ravenscroft, A. 1955. Teaching of set books: a play. Ons eie boek, 21(1): 31-33.
 
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RAYMER, JOHN DAVID. 1975. Eight Recent Plays by South African Dramatist Athol Fugard:  his Method, his Development as a Playwright, his South African Context, and the Major
 
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Raymond, Gerard 1993. Karma of violence. TheaterWeek, 6(306): 24-30. June 21.
 
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Razis, N. 1980. Popular theatre. South African outlook, 110: 102-103.
 
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READ, JOHN (COMP.). 1991. Athol Fugard. A Bibliography. Grahamstown: NELM.
 
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Rebirth of Port Elizabeth’s opera house. 1968. Architect and builder, 18(2): 16-19.
 
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Reconsidering Theatre-Making in South Africa: A Study of Theatre in Education
 
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Reddinsdaadbond propaganda and the stage. 1941. Forum. 4(9): 28-29.
 
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Reinecke, Dennis 1985. Die Staatsteater Pretoria ["The State Theatre Pretoria"] In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 87-90.
 
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Retief, Hanlie. 2000. Basta verskoning vra vir Eurosentriese teater! In: Rapport, May 7, 2000: 5.
 
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Retief, M. 1970a. Spog-skouburg skiet op [Nico Malan]. Huisgenoot, 42(2531): 28-33. April.
 
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Retief, M. 1970b. Toneel moet soos rugby wees! Huisgenoot, 42(2527): 28-31. September 4.
 
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Retief, M. 1971. Daar’s lewe in die Nico Malan! Huisgenoot, 42(2569): 46-53. July 2.
 
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Retief, M. 1972. Vermaak wat betaal, is die wet van Transvaal! Huisgenoot, 42(2598): 18-23. January 28.
 
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RETIEF, P.J.B. Toneelkritiek en die Nasionale Toneelorganisasie (1947-1961). ‘n Ondersoek na die aard en bestaan van kritiek rakende die verhoogaanbieding van die drama. [“Theatre criticism and the National Theatre Organisation (1947-1961). A study of the nature and existence of criticism regarding the staging of drama.”] Unpublished MA thesis, University of the Orange Free State , 1966.
 
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Retief, R. 1987. Drama-in-die-onderwys. Klasgids, 22(1): 3-10. February.
 
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Return of South African stage [efforts of Gwen Ffrangcon-Davies and Marda Vanna]. 1941. Forum. 4(2): 31-32.
 
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Revival of professional stage. 1941. Forum. 4(19): 18.
 
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REYNEKE, EUNICE.  Introduction to Book Reviews South African theatre journal, 2(1):64-66.
 
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Ricci, Digby 1988. Twelfth night: Joseph Ribiero’s production for the Wits School of Dramatic Art. Shakespeare in Southern Africa, 2: 105-108.
 
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Riccio, Thomas 1994. Emandulo: process and performance in a changing South Africa. Theatre research international, 19: 238-261.
 
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Riccio, Thomas 1996. Politics, slapstick, and Zulus on tour. The drama review, 40(4): 94-117.
 
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Riccio, Thomas 1997. N!ngongaio: people come out of here: making a new story with the !Xuu and Khwe Busmen. TheatreForum, 10: 45-59.
 
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RICHARDS, SANDRA L.  Ancient Songs Set Ablaze.  The Theatre of Femi Osofisan (Eckard Breitinger) South African theatre journal, 13(1&2):209-213
 
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RIJSDIJK, IAN-MALCOLM. 1996.  Black film and power dynamics in contemporary American culture. South African theatre journal, 10(2):117-133.
 
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Rizzo, Frank 2009. You can go home again. American theatre, 26(1): 30.
 
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Roberts, S. 1972. Walter Saunders, Emperor Bolly or When the balloon went up. [Literary criticism]. Unisa English studies, 10(3): 85-86. September.
 
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Roberts, S. 1982. “No lessons learnt”: reading the texta of Fugard’s A lesson from aloes and Master Harold … and the boys. English in Africa, 9(2): 27-33.
 
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ROBERTSON, H. 1994. Feeling Our Way to the Future. Interview with Walter Chakela and John Matshikiza. In: Tribute June: 76-78.
 
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Robins, S. (1998) ‘Silence in my father's house: memory, nationalism, and narratives of the body’. In Nutall and Coetzee (Eds.) Negotiating the past. The making of memory in South Africa. Cape Town: Oxford University Press.
 
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Robinson, Helen. 2005. Shakespeare at Maynardville. Wynberg [South Africa] : Houghton House.
 
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Robinson, H. 2006. Rene Ahrnson and Cecilia Sonnenberg: their contribution to theatre in Cape Town. Jewish affairs, 61(4): 73-78.
 
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Robinson, Marguerite. 2001. Uitgewekene se pyn uitgebeeld. In: Rapport, August 12, 2001: 15.
 
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Rogaly, Frank 1947. South African audiences like to laugh. Outspan. 42(1077): 29. October 17.
 
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Rolfes, C. 1982. Pascual – olé ! Fair lady, 18(1) : 142-148. November 3. (kostuumontwerp)
 
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Ronél, skuilnaam. 1951. Toneel op doe platteland. Landbouweekblad, 33(1669): 46-47. July 11.
 
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Ronge, Barry 1977. Other side of the swamp; in retrospect. Scenaria, August/September: 31.
 
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Ronge, Barry 1978. Criticism. Scenaria, December/January: 33.
 
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Ronge, Barry 1986. Elize Cawood : acting seriously. Fair lady, 21(2) : 57, 59. March 5.
 
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RONGE, BARRY. 1986.  A Theatre Windfall that is Fascinating. The Sunday Times. October 16, 1986.
 
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RONGE, BARRY. 1993. Murmurings of money matters hold the stage.  The Sunday Times. 11 July 1993
 
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RONGE,BARRY. 1986. Outrage over attack by SA Black Writers’. The Sunday Times. September 28, 1986.
 
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Roodepoort se stadsteater. 1982. Plaaslike regering in Suidelike Afrika, 10-11. August.
 
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Roodt, P.H. 1982. Sluitingsteks in Jaarringe. Tydskrif vir letterkunde, 20(4) : 67-78.
 
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Roodt, P.H. 1982. Verteller/teks leser : die driehoeksverhouding in Jaarringe. Tydskrif vir letterkunde, 20(3) : 40-50.
 
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Roodt, M. 1956. Mathilde Hanekom vertel van ’n dominee se flater. Rooi Rose, 11(128): 55. March.
 
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Roodt, P.H, 1984. Verteller/teks/leser : die driehoeksverhouding in Jaarringe. [Tydksrif vir letterkunde aug 1982]
 
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Roodt, P.H. 1984. Sluitingsteks in Jaarringe. [Tydskrif vir letterkunde Nov 1982].
 
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ROOME, D. 2002. The Serious ‘consequences’ of comedy:  Negotiating cultural change and difference through humour.  South African theatre journal, 16: 44 – 62.
 
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Roos, Gideon 1985. Die Dramatiese, Artistieke en Literêre Regte Organisasie (DALRO). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 119-121.
 
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Roos, Martjie 1986. Ian Roberts : elke meisie en skoonma se droom. Rooi rose, 43(8) : 12-13. April 30.
 
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Roos, Martjie 1986. Susanne Beyers : is sy die moordenaar ? Rooi rose, 43(4) : 10-11. March 5.
 
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Roos. M. 1985. Christine [Basson] wil nie Marietjie wees nie. Rooi rose, 42(8) : 10-11. November 13.
 
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Rosenberg, V. 1964. Contribution to contemporary culture. South African panorama, 9(12): 21-25.
 
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ROSENSTONE, ROBERT A.  Visions of the Past:  The Challenge of Film to Our Idea of History (Edwin Hees) South African theatre journal, 10(2):181-185.
 
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Rosenthal, Eric 1964. Early Shakespeare productions in South Africa. English studies in Africa, 7:202-216.
 
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Rosenthal, Eric. 1974. You have been listening. Cape Town: Purnell & Sons.
 
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Rosenthal, Eric 1982 From Drury Lane to Mecca. Cape Town: Howard Timmins. (painter of stage sets – London, Austr, SA – insluit?)
 
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Ross, F. 2008. Training moves to centre stage: on the cover. HR future, 24(4): 32-33.
 
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Ross, Laura 1984. A question of certainties. American theatre, 1(5): 4-9.
 
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Ross, Robert L. 1991. What colour is coloured?  Lewis Sowden’s The Kimberley train. South African theatre journal, 5(2): 55-65.
 
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Ross, Verity 1986. Lighting up the Market Theatre : South Africa’s Covent Garden. Scenaria, (61) : 21-22.
 
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Ross, Verity 1986. Lighting Gold Reef City’s Hippodrome. Scenaria, (66) : 16.
 
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Rossouw, Johann. 2001. Bondige opsomming van Breyten-drama. In: Beeld, May 19, 2001: 10.
 
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Rossouw, Kobus 1999. From strength to strength:  Thoughts on the Little Karoo National Arts Festival, March 1999. South African theatre journal, 13(1&2):175-178.
 
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Rousseau, W. 1975. Easy booking: [Computicket]. South African panorama, 20(7): 30-31. July.
 
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ROUTH, GUY. 1950a. The Johannesburg Art Theatre. Trek September: 25-27.
 
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ROUTH, GUY. 1950b. The Bantu People’s Theatre. Trek October: 20-23.
 
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Routh, Guy 1950c. Theatrical memories. Trek, 14(9): - 14 (10). Sept-Oct.
 
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Roux, A. 1983. Analise van Die joiner van Pieter Fourie. Klasgids, 18(3) 81-86.
 
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Roux, A. 1984. Oor die funksie van die ‘flits’ in Christine. Tydskrif vir letterkunde, 22(2) : 1-7.
 
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Roux, Adriaan 1986. Die absurde drama in Afrikaans. Klasgids, 21(1) : 63-69.
 
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Rubin, H. 1960. Stage and auditorium lighting control. Transactions of the South African Institute of Electrical Engineers, 51: 169-192.
 
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Rubin, H. 1961. Stage and auditorium lighting control. Discussion. Transactions of the South African Institute of Electrical Engineers, 52: 49.
 
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Rudakoff, Judith 2004. Somewhere, over the rainbow: white female Canadian dramaturge in Cape Town. TDR, 48(1): 126-163.
 
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Rudakoff, Judith. "Somewhere, Over the Rainbow: White-Female-Canadian Dramaturge
 
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in Cape Town." TDR: The Drama Review 48.1 (2004): 126-163.
 
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Rudakoff, Judith 2004. Why did the chicken cross the cultural divide? TDR, 48(2): 80-90.
 
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Rudden, R. 1957. Passion play of Oberammergau: the Durban production. Outspan, 59(1571): 34-37. April 19.
 
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Click on the appropriate letter of the alphabet below to find the relevant list.
 
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[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]]  [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
 
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 

Latest revision as of 09:05, 28 January 2013

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