Difference between revisions of "All the World's a Stage"

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ALL THE WORLD'S A STAGE. (1807-1834; 1843-1848) An English amateur theatre company in the Cape originally formed by [[Captain Frazer]]  and colleagues in 1807 and which opened with Goldsmith's ''[[She Stoops to Conquer]]'' and the afterpiece ''[[The Farce of Taste]]'' on Saturday 20 June and closed that season with ''[[The Brothers]]'' and ''[[High Life Below the Stairs]]'' in November 1807. They performed a comedy as main play (with prologues and epilogues written locally) and a one-act farce as "afterpiece". They utilized the [[African Theatre]] for a number of years. They went in to decline during the 1820s and were revived with the arrival in Cape Town of [[Mr H. Booth]], a professional from England, who in 1829 gathered the various amateur groups (the [[Garrison Players]], the [[English Theatrical Amateur Company]] and the [[Cape Town Amateur Company]]) in Cape town around him in a new company, reviving the name. They performed in 1829 and 1830, though they apparently lasted until 1834. In 1843, after the relaxation of the anti-theatrical position of the dominant Methodist church, the company was revived. In 1845 they used the previously exclusively Dutch Roelandstreet Theatre but in 1846 returned to what was now known as the [[Victoria Theatre]] in Hope Street until 1848, after which they were disbanded. (See Bosman, 1928; Fletcher, 1994) [TH, JH]
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ALL THE WORLD'S A STAGE. (1807-1834; 1843-1848) An English amateur theatre company in the Cape originally formed by [[Captain Frazer]]  and colleagues in 1807 and which opened with Goldsmith's ''[[She Stoops to Conquer]]'' and the afterpiece ''[[The Farce of Taste]]'' on Saturday 20 June and closed that season with ''[[The Brothers]]'' and ''[[High Life Below the Stairs]]'' in November 1807. They performed a comedy as main play (with prologues and epilogues written locally) and a one-act farce as "afterpiece". They utilized the [[African Theatre]] for a number of years. Among their other productions in 1807-8 were  ''[[The Rivals]]'' , ''[[The West Indian]]'', ''[[Tom Thumb]]'', ''[[The Beaux Stratagem]]'',  etc.
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They went in to decline during the 1820s and were revived with the arrival in Cape Town of [[Mr H. Booth]], a professional from England, who in 1829 gathered the various amateur groups (the [[Garrison Players]], the [[English Theatrical Amateur Company]] and the [[Cape Town Amateur Company]]) in Cape town around him in a new company, reviving the name. They performed in 1829 and 1830, though they apparently lasted until 1834. In 1843, after the relaxation of the anti-theatrical position of the dominant Methodist church, the company was revived. In 1845 they used the previously exclusively Dutch Roelandstreet Theatre but in 1846 returned to what was now known as the [[Victoria Theatre]] in Hope Street until 1848, after which they were disbanded. (See Bosman, 1928; Fletcher, 1994) [TH, JH]
  
 
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Revision as of 06:21, 5 December 2012

ALL THE WORLD'S A STAGE. (1807-1834; 1843-1848) An English amateur theatre company in the Cape originally formed by Captain Frazer and colleagues in 1807 and which opened with Goldsmith's She Stoops to Conquer and the afterpiece The Farce of Taste on Saturday 20 June and closed that season with The Brothers and High Life Below the Stairs in November 1807. They performed a comedy as main play (with prologues and epilogues written locally) and a one-act farce as "afterpiece". They utilized the African Theatre for a number of years. Among their other productions in 1807-8 were The Rivals , The West Indian, Tom Thumb, The Beaux Stratagem, etc. They went in to decline during the 1820s and were revived with the arrival in Cape Town of Mr H. Booth, a professional from England, who in 1829 gathered the various amateur groups (the Garrison Players, the English Theatrical Amateur Company and the Cape Town Amateur Company) in Cape town around him in a new company, reviving the name. They performed in 1829 and 1830, though they apparently lasted until 1834. In 1843, after the relaxation of the anti-theatrical position of the dominant Methodist church, the company was revived. In 1845 they used the previously exclusively Dutch Roelandstreet Theatre but in 1846 returned to what was now known as the Victoria Theatre in Hope Street until 1848, after which they were disbanded. (See Bosman, 1928; Fletcher, 1994) [TH, JH]

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