Difference between revisions of "ESAT Bibliography Lew-Lim"
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[[David Lewis-Williams|Lewis-Williams, D.J.]] and Dowson, T.A., 1999. ''Images of power: understanding San rock art''. (Second Edition). Southern Book Publishers, Johannesburg. | [[David Lewis-Williams|Lewis-Williams, D.J.]] and Dowson, T.A., 1999. ''Images of power: understanding San rock art''. (Second Edition). Southern Book Publishers, Johannesburg. | ||
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[[David Lewis-Williams|Lewis-Williams, D.J.]] 2002. ''The Mind In The Cave: Consciousness And The Origins Of Art''. Thames & Hudson, London. | [[David Lewis-Williams|Lewis-Williams, D.J.]] 2002. ''The Mind In The Cave: Consciousness And The Origins Of Art''. Thames & Hudson, London. | ||
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[[David Lewis-Williams|Lewis-Williams, D.J.]] 2010. ''Conceiving God: The Cognitive Origin and Evolution of Religion''. Thames & Hudson, London. | [[David Lewis-Williams|Lewis-Williams, D.J.]] 2010. ''Conceiving God: The Cognitive Origin and Evolution of Religion''. Thames & Hudson, London. | ||
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| + | [[David Lewis-Williams|Lewis-Williams, David]], 2011. ''San Rock Art''. Johannesburg: [[Jacana Media]]. | ||
Leyshon, Robert 1999. “Laughing in the beginning and listening at the end.”: directing [[Athol Fugard|Fugard]] in Barbados, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 75-81. | Leyshon, Robert 1999. “Laughing in the beginning and listening at the end.”: directing [[Athol Fugard|Fugard]] in Barbados, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 75-81. | ||
Revision as of 14:19, 7 November 2012
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L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
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Lewis, C. 1972. Yiddish theatre. Jewish Affairs, 27(5):31-32. May.
Lewis, J.H. 1980. Germanicus as tragiese held. Tydskrif vir Letterkunde, 18(3):133-138.
Lewis, J.H. 1984. Jaar van die Vuur-os (W.A. de Klerk). Tydskrif vir Letterkunde, 22(4):136-149.
Lewis, Janine 2010. Physical actions as expressive performance narratives: a self-reflexive journey. South African Theatre Journal, 24:175-200.
Lewis, Megan 1998. Standard Bank National Arts Festival. Theatre Journal, 50(1):105-107.
Lewis, Megan & Walen, Denise A. 2000. Performance review (Inclusion of the play Johnny Cockroach, by Breyten Breytenbach, directed by Martinus Basson; `Dedale,' performed by the Philippe Genty Company; A Woman in Waiting, by Thembi Mtshali). Theatre Journal, 52(2):280.
Lewis, Megan 2008a. Past, present, and future: a tense South Africa performs. PAJ: A Journal of Performance & Art, 30(89):93-101.
Lewis, Megan 2008b. (Un)patriotic acts of an imagined community: the Klein Karoo Nasional Kunstefees (KKNK). Theatre Journal, 60(4):654-659.
Lewis, Megan 2010. South Africa’s National Arts Festival. Theatre Journal, 62(2):275-280.
Lewis-Williams, D.J. and Blundell, G., 1998. Fragile heritage: a rock art fieldguide. University of the Witwatersrand Press, Johannesburg.
Lewis-Williams, D.J. and Clottes, J., 1998. The Shamans of prehistory: trance magic and the painted caves. Abrams, New York.
Lewis-Williams, D.J. and Dowson, T.A., 1999. Images of power: understanding San rock art. (Second Edition). Southern Book Publishers, Johannesburg.
Lewis-Williams, D.J. 2002. The Mind In The Cave: Consciousness And The Origins Of Art. Thames & Hudson, London.
Lewis-Williams, D.J. 2003. Images of Mystery. Double Storey, Cape Town.
Lewis-Williams, D.J. and Pearce, D.G., 2004. San Spirituality: Roots, Expressions and Social Consequences. Double Storey, Cape Town.
Lewis-Williams, D.J. and Pearce, D.G., 2005. Inside the Neolithic Mind: Consciousness, Cosmos, and the Realm of the Gods. Thames & Hudson, London.
Lewis-Williams, D.J. 2010. Conceiving God: The Cognitive Origin and Evolution of Religion. Thames & Hudson, London.
Lewis-Williams, David, 2011. San Rock Art. Johannesburg: Jacana Media.
Leyshon, Robert 1999. “Laughing in the beginning and listening at the end.”: directing Fugard in Barbados, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 75-81.
Libin, M. 2003. Can the subaltern be heard? Response and responsibility in South Africa’s human spirit. Textual Practice, 17(1):119-140.
Lickindorf, Elisabeth 1987. The verse music of Suzman’s Orhello. Shakespeare in Southern Africa, 1:69-71.
Liebenberg, Rozelle 1977. Prinsipes van die kinderdrama in Suid-Afrika. Unpublished honour’s essay. Pretoria: University of Pretoria.
Lieberfeld, Daniel 1997. Pieter-Dirk Uys: crossing apartheid lines. The Drama Review, 41(1):61-71.
Lieberman, Susan 1985. Jumping into madness: South Africa’s Market Theatre against Apartheid. Theatre Crafts, 19(8):38-41, 57-61.
Liefhebber (pseud.) 1956. Afrikaanse toneel: kom ons praat reguit. Helikon, 6(23):66-69.
Lieskounig, J. 1985. Act it out! : theatrical scenes for language teaching in conversation classes. Journal for Language Teaching, 19(2):11-16.
Lighting the stage: a guide to the type of equipment available and its location in the theatre. 1986. Scenaria, (61):35-37.
Lijphart-Bezuidenhout, T. 1972. Onderveldse dorpstonele. Standpunte, 25(4):8-21. April.
Lilley, E. 1979. Founding of the South African Association for Drama and Youth Theatre. Crux, 13(3):8-9. October.
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
