Difference between revisions of "Breyten Breytenbach"

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(Created page with "(1939-) Poet, artist, novelist, dramatist and activist. Recognized as one of the foremost Afrikaans poets of his time, and (in Europe at least) as a significant painter and ...")
 
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De Beer, 1995; Joyce, 1999  
 
De Beer, 1995; Joyce, 1999  
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http://en.wikipedia.org/wiki/Breyten_Breytenbach
  
 
Go to [[South African Theatre/Bibliography]]
 
Go to [[South African Theatre/Bibliography]]

Revision as of 16:19, 10 August 2012

(1939-) Poet, artist, novelist, dramatist and activist. Recognized as one of the foremost Afrikaans poets of his time, and (in Europe at least) as a significant painter and graphic artist. Born in ** he studied at ** began writing poetry and plays in 196*. From his first collection of poetry (Die Ysterkoei moet Sweet – “The Iron Cow must Sweat” – 1965) he has in many ways dominated Afrikaans poetry, winning numerous awards over the years. In 19** he went to Paris, where he met and married Yolande, a Vietnamese woman, and ended up working in Paris for 13 years in voluntary exile, because the country would not accept his wife under the apartheid race laws. Arrested and convicted on conspiracy charges in 1975 when returning to South Africa under a false name, and imprisoned for 9 years, of which he served 7. Returned to the country in 199* to head a Creative Writing Workshop??** at the University of Natal (Durban), and - after writing prose works on his prison experiences, he turned his hand to playwriting. Besides a youth work (****) his first major work, Boklied (“Goat Song”), directed by Marthinus Basson, premiéred at the 1998 Klein Karoo Nasionale Kunstefees to great controversy and acclaim. This was followed by Johnny Cockroach (1999) and Die Toneelstuk (2001), the latter to controversy once more and claimed - by director Marthinus Basson - to be a seminal work in South African theatre.

Sources

De Beer, 1995; Joyce, 1999

http://en.wikipedia.org/wiki/Breyten_Breytenbach

Go to South African Theatre/Bibliography

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