Difference between revisions of "Autoplay"

From ESAT
Jump to navigation Jump to search
Line 1: Line 1:
Autoplay is a play by [[Darkroom Contemporary]].
+
Autoplay is an immersive opera by [[Darkroom Contemporary]].
  
 
==Original text==
 
==Original text==

Revision as of 15:09, 31 July 2025

Autoplay is an immersive opera by Darkroom Contemporary.

Original text

"The performance is a surreal encounter between human and machine. The immersive AI Opera explores traditional notions of identity and autonomy in an era where lives have become intricately woven into the fabric of a digital landscape. This hybrid performance is a convergence of dance theatre, live art, generative soundscapes, opera, polyrhythms and Artificial Intelligence; and an exploration of the intersection between humanity and technology. Through its interaction with Artificial Intelligence and machine learning, this charged game of musical chairs confronts questions of agency, autonomy, influence and the blurred boundaries between free will and manipulation in a digital age. The performance uses absurdity and satire to challenge the acceptance of our dystopian present. By blending traditional and contemporary symbols of learning, autoplay imagines us learning to navigate a brave new world."

Performance history in South Africa

2025: Presented at the Baxter Theatre Flipside by Darkroom Contemporary, directed by choreographer director Louise Coetzer. With live, original music by Brydon Bolton, Inge Beckmann and Njabulo Phungula.

Sources

https://baxter.uct.ac.za/events/autoplay

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to South African Radio Plays and Serials

Return to South African Television Plays and Series

Return to The ESAT Entries

Return to Main Page